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WHERE THE CRAWDADS SING

by Delia Owens ‧ RELEASE DATE: Aug. 14, 2018

Despite some distractions, there’s an irresistible charm to Owens’ first foray into nature-infused romantic fiction.

A wild child’s isolated, dirt-poor upbringing in a Southern coastal wilderness fails to shield her from heartbreak or an accusation of murder.

“The Marsh Girl,” “swamp trash”—Catherine “Kya” Clark is a figure of mystery and prejudice in the remote North Carolina coastal community of Barkley Cove in the 1950s and '60s. Abandoned by a mother no longer able to endure her drunken husband’s beatings and then by her four siblings, Kya grows up in the careless, sometimes-savage company of her father, who eventually disappears, too. Alone, virtually or actually, from age 6, Kya learns both to be self-sufficient and to find solace and company in her fertile natural surroundings. Owens ( Secrets of the Savanna , 2006, etc.), the accomplished co-author of several nonfiction books on wildlife, is at her best reflecting Kya’s fascination with the birds, insects, dappled light, and shifting tides of the marshes. The girl’s collections of shells and feathers, her communion with the gulls, her exploration of the wetlands are evoked in lyrical phrasing which only occasionally tips into excess. But as the child turns teenager and is befriended by local boy Tate Walker, who teaches her to read, the novel settles into a less magical, more predictable pattern. Interspersed with Kya’s coming-of-age is the 1969 murder investigation arising from the discovery of a man’s body in the marsh. The victim is Chase Andrews, “star quarterback and town hot shot,” who was once Kya’s lover. In the eyes of a pair of semicomic local police officers, Kya will eventually become the chief suspect and must stand trial. By now the novel’s weaknesses have become apparent: the monochromatic characterization (good boy Tate, bad boy Chase) and implausibilities (Kya evolves into a polymath—a published writer, artist, and poet), yet the closing twist is perhaps its most memorable oddity.

Pub Date: Aug. 14, 2018

ISBN: 978-0-7352-1909-0

Page Count: 384

Publisher: Putnam

Review Posted Online: May 14, 2018

Kirkus Reviews Issue: June 1, 2018

LITERARY FICTION

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BOOK REVIEW

by Mark Owens & Delia Owens

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SEEN & HEARD

BOOK TO SCREEN

HOUSE OF LEAVES

by Mark Z. Danielewski ‧ RELEASE DATE: March 6, 2000

The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...

An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.

Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad.  The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized).  As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest ) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses).  Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture.  Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."

Pub Date: March 6, 2000

ISBN: 0-375-70376-4

Page Count: 704

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2000

More by Mark Z. Danielewski

by Mark Z. Danielewski

Kirkus Reviews' Best Books Of 2019

NORMAL PEOPLE

by Sally Rooney ‧ RELEASE DATE: April 16, 2019

Absolutely enthralling. Read it.

A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!

Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends , in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.

Pub Date: April 16, 2019

ISBN: 978-1-984-82217-8

Page Count: 288

Publisher: Hogarth

Review Posted Online: Feb. 17, 2019

Kirkus Reviews Issue: March 1, 2019

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by Sally Rooney

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Where the Crawdads Sing by Delia Owens review – in the swamps of North Carolina

This lush debut about an isolated girl who finds education and solace in nature is already a US bestseller

I n screen dramas, during a scene of sex or violence in a living room, the camera will often slyly reveal that a David Attenborough wildlife documentary is playing unwatched in the corner. The naturalist’s whispered observations about the tactics of the “male” or “female” comment ironically or ominously on the human interactions.

That trope is spectacularly extended in Where the Crawdads Sing , the debut novel by Delia Owens, an American wildlife scientist. It lands in Britain boosted by the cherished trinity of New York Times bestsellerdom, a frenzied foreign sales fight, and a film in development by Reese Witherspoon (her online book club picked the novel in September 2018).

The main storyline spans – in a date-jumbling, tension-building order –1952 to 1970, following Kya Clark between the ages of six and 25 as she grows up alone in a shack in the swamplands of North Carolina after being abandoned by her family. She learns from the wildlife around her, gaining tricks of camouflage to evade truant officers and acquiring hunting skills to feed herself and catch mussels and fish to sell to shopkeepers in the town beyond the creek.

As a human who knows only nature, all Kya’s reference points come from her surroundings – and her creator’s day job. Her observation that mother animals and birds always return to their young leads her poignantly to believe that her childhood solitude will be temporary. When, as a teenager, she starts to attract attention from two townie boys, kind working-class Tate and arrogant posh boy Chase, her dating rituals are drawn from observing the sex life of fireflies. She also, crucially, observes the dangers of predation in the wild.

Among the many modern phenomena of which isolated Kya has no inkling is the vast popularity of crime fiction. But Owens knows the tricks of the genre, beginning the novel with a prologue set in 1969 in which a young man has died suspiciously in the swamp. The rest of the book cuts between the investigation, in which bigoted witnesses incriminate the “swamp girl”, and flashbacks to Kya’s youth and young adulthood, as local suspicion grows that makes the white people dislike her almost as much as they do the residents of the area known, in the prejudiced term of the time, as Colored Town.

Appreciating the fictional limitations of a feral recluse with no vocabulary or life skills, Owens provides tutors for Kya. As a result, the tone of the central section sometimes feels like YA, as Kya is instructed by a wise African American woman (one of the supporting characters who flirt with virtuous cliche) in the mysteries of men and menstruation.

But soon the narrative is satisfyingly reclaimed for older adults when at the local library Kya reads an article entitled “Sneaky Fuckers” in a science journal, which describes deceitful mating strategies. These include undersized bullfrogs who hang out with the alpha males with a view to picking up spare females, and the male damselfly, to whom God or Darwin has given a useful scoop that removes the sperm of a prior impregnator to clear the passage for his own.

As with those Attenborough clips in screen fiction, these anecdotes hover as metaphors for the behaviour of males in the story, and will allow the director of the eventual film to have fun with pointed cutaways. The divided timeline – a standard cinematic structure – will also help the screenwriter. And somewhere in stage schools now are the actors who, playing the young and older Kya, should have a shot at Oscars.

She is a vivid and original character. At times, her survival in isolation comes close to superheroism, but Owens convincingly depicts the instincts and calculations that get Kya into and out of difficulties. Without too much sentimentality, there is a strong emotional line in her desire to have a “shred of family”. The potential soppiness of a coming-of-age romance is also offset by the possibility that Kya is a murderer, although Owens has studied the big beasts of crime fiction sufficiently to leave room for doubt and surprises.

The storylines involving social competition and violent death feel like a reworking, from a young female perspective, of Theodore Dreiser ’s classic 1925 melodrama An American Tragedy . Like Dreiser, Owens combines high tension with precise detail about how people dress, sound, live and eat – the case studies in her book are both human and natural.

Surprise bestsellers are often works that chime with the times. Though set in the 1950s and 60s, Where the Crawdads Sing is, in its treatment of racial and social division and the fragile complex-ities of nature, obviously relevant to contemporary politics and ecology. But these themes will reach a huge audience though the writer’s old-fashioned talents for compelling character, plotting and landscape description.

• David Attenborough

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Where the Crawdads Sing

By delia owens.

Book review, full book summary and synopsis for Where the Crawdads Sing by Delia Owens, a coming-of-age crime drama about a girl growing up alone in the marshes of North Carolina.

In Where the Crawdads Sing , Kya is known in her town as the "Marsh Girl." She grows up in a shack out in the marshes bordering a small village on the coast of North Carolina. Her mother and her four older siblings all leave to get away from their abusive father, leaving her behind to fend for herself. Eventually, her father disappears as well.

Where the Crawdads Sing is part bildungsroman and part crime drama, centered around Kya, a wild and unkempt girl. The book follows the ups and downs of her life. She lives a lonely life, but her story is a hopeful one as well. With a little help, she's able to survive and even learn to read.

Despite her status as an outcast, her natural beauty catches the eye of two men in town. However, when the body of Chase Andrews, the local hotshot, is discovered in the marshes, she quickly becomes a prime suspect. The fragile life she has struggled and fought so hard to build is at risk.

(The Full Plot Summary is also available, below)

Full Plot Summary

The Prologue opens with the discovery of the body of Chase Andrews in a swamp in 1969.

In Part I , Kya Clark grows up with her abusive father in a shack in the swampy outskirts of town in the 1950's (her mother and siblings all leave due because of Pa's abuse). Kya meets Tate, a boy from town that befriends her. When Kya is 10, Pa disappears (a couple nearby, Jumpin' and Mabel, help Kya to survive). As she grows up, Kya develops a keen knowledge of the outdoors. Kya and Tate reconnect, he teaches her to read, and it grows into a romance. When Tate leaves for college, he promises to come back, but later Tate worries that Kya (wild and unkempt) can't fit into his world. He doesn't return, and Kya gives up on him.

(Flash forward) Many years later, the body of Chase Andrews, the town hotshot and ladies' man, is found in the swamp at the bottom of the fire tower. An investigation starts up.

In Part II , Kya is now 19. Chase Andrews has been pursuing Kya aggressively, and she finally gives in to his advances. One day, Chase takes her to the fire tower, and she gives him a shell necklace as a gift. He promises to marry her, but Kya soon discovers that Chase is actually engaged to someone else. She dumps him. Meanwhile, Tate comes back and apologizes for what happened. He also wants to help Kya turn her nature diagrams into a book. Eventually, Kya's book is published in 1968.

In 1969, Kya is identified as a suspect in the Chase Andrews murder. Notably, Chase's shell necklace that he always wore was not found on his body. Eventually, Kya is arrested for Chase's death. The trial proceeds (reviewing evidence such as the missing necklace, fibers found on Chase's body, Kya's whereabouts, plus Chase had attacked Kya after being rebuffed two months before his death). But Kya is found not guilty, and she and Tate profess their love for each other.

Time passes, and Kya and Tate turn her shack into a nice cottage and remain there. Kya passes away at 64. Tate goes through her things and discovers evidence (in the form of a poem Kya wrote under a pseudonym and notably Chase's shell necklace) that Kya killed Chase. The book ends with Tate destroying the poems and tossing the necklace into the ocean.

For more detail, see the full Section-by-Section Summary .

If this summary was useful to you, please consider supporting this site by leaving a tip ( $2 , $3 , or $5 ) or joining the Patreon !

Book Review

Where the Crawdads Sing by Delia Owens opens with a picture of a map and the discovery of a dead body in the marshes of North Carolina.

I was intrigued immediately when I saw it in the bookstore, though I put off reading it for a while. Ultimately, though, my curiosity won out as it hung in the bestseller lists, and I’m very glad it did.

Where the Crawdads Sing is about resiliency and survival, but also alienation. I loved the part about Kya’s childhood; it made for a unique story line as Kya learns to navigate the world on her own. The story focuses thematically a lot on her status as an outcast and sense of abandonment, as she is forced to fend for herself. In terms of pacing, it is eventful and mostly fast-moving.

Kya’s story has elements of romance, mystery and even a courtroom thriller interlude. Nature enthusiasts will also enjoy this book, as Kya’s love of the nature around her is conveyed through detailed descriptions of the flora and fauna, a reflection of the author’s background as a former wildlife scientist.

The compelling imagery is descriptive in the right places and sparse when it serves the story better instead. The book has a strong sense of place, transporting you to a different life where you can smell the salty air and sink your feet into the muddy grounds outside the seaside village.

Meanwhile, the discovery of a dead body leads to the Chase Andrews investigation that provides the suspense in the story. Kya’s story is also interspersed with flash-forwards detailing the progress of the investigation. I found this worked well, adding an element of mystery, since it’s not clear how it will play out for Kya or what exactly happened that night. There’s compelling evidence on both sides and the pacing of the investigation is spot-on, making for pleasurable and suspenseful reading.

Some Criticisms

As she heads into her teenage years, the romantic storylines start kicking in, and the melodrama starts ramping up as well. My enthusiasm waned a little bit at this point. The book is increasingly divorced from reality (the idea that a teenage boy would teach her not only to read but about her period seemed far-fetched, and it goes on from there) and plot events get a bit contrived.

Additionally, Kya’s internal journey, her mentally processing the events of her life, felt a little surface level. She struggles with being abandoned by her mother, and the book brings in interesting parallels to nature, but beyond that, events simply happen without much reflection. It felt like there were a number of missed opportunity for it to be a more insightful book.

But, for whatever criticisms I had while reading, the story easily won me over. As it approaches the date of the crime and the investigation ramps up, I was totally engrossed.

Read it or Skip It?

I read this book quickly and found myself delighted by it by the end. The book is more melodrama than a serious literary novel, but is such an engaging story that it’s easy to accept. It’s part romance, mystery, courtroom drama and ode to nature, all of which make for an appealing tale about the town outcast.

The setting is a distinctive “slice-of-life” that’s commonplace, yet not often portrayed clearly in books or movies. It is vividly drawn in a way that infuses the story with energy, a credit to Owen’s genuine love and respect for nature.

Where the Crawdads Sing has been very popular among book clubs, and deservedly so. It’s eventful and accessible, but thoughtfully written, all of which make it a good choice for readers of varying tastes. See it on Amazon or Book Depository .

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65 comments

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well crafted review

Fantastic review! I’ve been wondering about this one and I think I’ll check it out :)

Thank you! Glad to hear it, and I hope you like it if you end up getting a chance to read it! :)

This sounds like a book I might enjoy, tossing another one on the TBR!

That’s awesome to hear, thanks for letting me know and thanks for reading!

What a beautifully written, helpfully compartmentalised review! Feeling very inspired. Sounds like an engaging read too x

Thank you so much and thanks for reading!

Wonderful, thorough review. You don’t see a lot of coming-of-age murder mysteries. I’m putting this on my TBR list. Thanks for the post.

Hey Rosi! Yes, I liked that it felt like a unique book and story, both in terms of the setting and the plot. Definitely not cookie cutter. Hope you love it if you get a chance to read it — it goes by quickly! Nice to hear from you as always, and cheers! :)

Jennifer, you are one of the best writers I have seen. I read your reviews because I love the way you talk about books. Your honesty is much appreciated and gives me insight into titles I may otherwise never pick up.

Hey Jen, that’s such a kind thing for you to say. I really appreciate your feedback and that you take the time to read my reviews! My goal in writing this blog has always been to help books find the right readers, so thank you for saying that. I genuinely value your encouragement, thanks again! :)

Nicely done review.

Hi Martie! Thank you very much and nice to hear from you again! :)

Melodrama irritates me, but the synopsis sounds so good that I need to read it. This book is high on my priority list. I’m happy it’s good. Great review!

Honestly, it bothered me a little at first, but I think there’s a lot of wonderful but unrealistic stories out there. If it didn’t all add up to something solid and interesting it would have bothered me more, but I think it came together in a way that made me feel like it was worth overlooking. Thank you for reading, and I hope you enjoy it as much as I did if you get a chance to read it! :)

You’ve motivated me to put this book on my TBR!

Thank you for reading and visiting! Hope you enjoy it if you get a chance to read it!

I’ve been interested in this one but a bit wary since I really didn’t like the other Reese’s Book Club pick I’ve read. Glad you enjoyed it. Your review definitely makes it likely I’ll give it a go after all.

Hey, that’s great to hear — yeah I mean I guess she picks out one new-ish book a month which is actually kind of a lot so I suppose they can’t all be winners. I think this one is definitely one of her better recs though, hope you like it!

Beautiful review of a beautiful book! I enjoyed this, too. It took some patience with all that description, but in the end, it worked to create that sense of place you described.

Thank you for reading! I usually don’t have a ton of patience for unnecessary description (I’m always a little wary of books that are described by reviewers as “lyrical” since sometimes that translates into lots of lengthy descriptive passages) but I thought Owens did a good job of balancing out creating atmosphere and moving the plot forward — thanks for dropping by! :)

Sounds like an interesting book – even with the negative parts.

I really enjoyed it, thanks for reading! :)

wow, you give thorough reviews…

haha what can I say, I love talking about books! :)

too bad, my genre doesn’t fit… have a wonderful weekend

Good to know that this is more melodrama than a serious literary novel. I do like the sound of this slice of life book. Great review!

Thank you and thanks for reading! :)

Thanks for the balanced review! Will consider picking this up.

Glad to hear that, and thanks for reading!

I thought the book was wonderful. I loved all of it. It had a perfect ending.

glad to hear it — yeah I was really impressed by the ending as well! thanks for dropping by!

I will definitely have to pick this one up. You make it sound compelling. Thanks for the post.

Very interesting review. I’ve been split on a lot of her book club picks but I have noticed that almost all of them she has the movie rights for which makes me a little cynical about her choices in some cases :)

yeah, I can understand that. On one hand, I’m glad that the adaptations are giving authors a way to make some big dollars. On the other hand, it is kind of annoying when I read books that seem to be written in a way that feels like the’re prepackaged for hollywood though. So I have mixed feelings.

Fabulous review

Please read my first post

I subscribed to your blog just now because you had such a thorough review of this book. I am about halfway through the book at this point, and while I have enjoyed it, I have found, as you, there were missed opportunities for more development in some areas, and some events which seemed unreasonable. Overall, I am enjoying the book. Great job! I look forward to reading more of your reviews!

Hi Sandra, thank you so much for the thoughtful comment! Much appreciated. Thanks for reading! Even with those criticisms, I’m glad I read it. I hope you enjoy the rest of it as well!

I’ve read 33 novels so far in 2019 and this is my favorite. Loved it!

NIcely written review.

Terrific. Will help at my book club. Ty.

Thanks for the review. I am yet to read this one!

Thanks so much. I appreciate you time to share.

The focus on nature was refreshing in contrast to the sadness of Kya literally raising herself. Changing back and forth with the time frame was a bit distracting as was the poetry inserted here and there ( not especially good poetry) but as you near the end that is explained. I was more impressed with how Kya, in school just a day, could educate herself enough to write books about the plants and critters living in the marsh and become a well respected author. Then the trial about who killed the jerk Chase Andrews with a surprising end when she is found not guilty. Kya goes on to live a happy life with her original friend and first love Tate, but in the end he discovers she really did kill Chase. There were some positive things in her life but such a disfunctional family and so much hatred from most of the townspeople offset the real beauty of the marsh .

Consider listening to it. The reader’s soft. N. Carolina accent lends an authenticity to the flora and fauna descriptions.

This is the most balanced review I’ve read yet of this book. It sounds like it goes a bit off the rails but is overall worth the read. Thanks for the post!

Not great literature at all. Just a story. Delia needs to read more of the best HEMINGWAY, STEINBECK, CATHER and the other great authors to learn symbolism, conflict and the art of not telling but showing.

My feelings about the character Kya are that she really could be cast as a Native American. She has the instincts and abilities of a Native American woman. Reese Witherspoon and Delia Owens, maybe you can consider this as a facet of the character.

I am looking for some good solid books for my avid pre teen reader. Do think the scope of details would be ok for someone that young?

Hmmm, I think it’s a little iffy. There’s definitely talk about sex, sexual desires and at one point one of the characters gets kind of aggressive about it.

Great start but then descended into a melodrama with an eye on the prize of a television or film adaptation. It was so obvious and disappointing. Unconvincing after the very promising first chapters onwards. The premise was unlikely and my interest waned when the story turned into a murder mystery. It was obvious that Kya killed Chase. Who else would bother?

Thank you for an excellent review. Loved the book but also felt it dragged at points. The Ode to Nature and the child that nature nourished when people failed was spell-binding.

I think it was proven that there was no time for Kya to kill Chase

Did Kaya have her own children with Tate or were they just a flashback of her childhood

I hope the movie stands up. I remember waiting with great anticipation for “the Prince of tides” movie to come out and feared it would digress from the book. I was delighted to be wrong.

I loved this book but have struggled to understand the absence of Chase’s wife in the courtroom. Why isn’t she there to support justice for her husband, staring down Kya and acting bereaved?And why did she allow her husband to wear a necklace every day of his life, fashioned for him by another woman? Why wasn’t she a suspect in her husband’s murder, given that jealousy and vengeance could have been her motive? She had as much reason as Kya to hate Chase and to remove the all-significant necklace. Anyone else agree?

I believe author wants reader to know who killed chase from early on. The phrase where the crawdads sings , essentially speaks to how nature will always try to ensure continuation of species. She was raised by nature.the references to female fire flies and praying mantis who kill males to continue survival of future generations. The mother fox who is injured who leaves her kits to die,so she can come day have future litters. Biggest disappointment in story line was that ” Tate” was not aware kya killed chase. She only received red hat after he attempted to rape her. It could only have been Tate or kya.

I found the book to be a quick read, and suspenseful until the last page. The characters were realistic and each one was well developed.

Thank you so much for your thoughtful review!!! this helps me to determine whether or not to read the book :) the movie was fantastic!

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Book Review

Where the crawdads sing.

• Delia Owens
• Drama , Suspense/Thriller

Readability Age Range

• 18 years old and up
• Penguin Random House
• #1 New York Times Bestseller; Reese’s Book Club; British Book Award; Business Insider Defining Book of the Decade; #1 Bestselling Book of the Year; #1 International Bestseller; Edgar Award Nominee; Macavity Award Nominee

Year Published

For years, rumors about Kya Clark swirled around the quiet fishing village of Barkley Cove. Barefoot and wild, they called her the “Marsh Girl.” And when something unthinkable happens and a young man is found dead, it’s Kya the Marsh Girl they blame.

Plot Summary

Kya Clark, known by some locals as the “Marsh Girl,” grew up in a swamp. And that makes her, well, “swamp trash” as far as most folks in the North Carolina coastal community of Barkley Cove are concerned.

One by one, starting with her mother, Kya’s family members all ran off to escape Kya’s intolerable father. And then he ran off, too.

Though she’s been virtually alone from the time she was 6, Kya can never quite stifle her need for human connection. Of course, connecting with people is not easy for a girl living by her lonesome in a swamp. But the one thing she can embrace is the wild, natural world around her. And she tries to understand every relationship through her experience with nature, which causes her to have an unsettling effect on almost all the people she interacts with.

The main exception is Tate Walker, a local boy who befriends her as she turns from child to teenager. Kya’s wildness is beautiful to him, and he compassionately teaches her to read. The pair understand each other because of their mutual appreciation for the marsh, but Kya’s upbringing has put her on a collision course with polite society.

That collision effectively blows up when a former star quarterback and town hot shot named Chase Andrews turns up dead in the marsh. Inconclusive evidence and a romantic run-in are all the townspeople need to start pointing fingers.

And the Marsh Girl is everyone’s top suspect.

Christian Beliefs

It’s said that the town “serves its religion hard-boiled and deep fried.” Kya knows about three white churches and two black churches in the area. One of these black churches helps provide her with clothes, but a white preacher’s wife tells her daughter that Kya is dirty and to stay away.

Several scenes show that Kya feels she is not presentable enough for God, and that Christianity tends to be about religious rituals and posturing.

Other Belief Systems

The evolution of people from animals is implied, and animalistic instincts are a major part of Kya’s worldview. In fact, Kya’s  connection with the Earth and mother nature is akin to worship.

Authority Roles

The glaring lack of authority in Kaya’s life during most of her development as a child, teenager, and young adult is integral to the plot of Where the Crawdads Sing . Arguably, nature itself is her most positive authority figure.

Kya’s dad is abusive and an alcoholic. He relies on a 7-year-old girl to do his cleaning and to cook for herself when her mother, and then older siblings, leave. Throughout the story, Kya’s father is unreliable and he teaches her to deeply mistrust others.

Her mother is shown as a loving figure, but she failed Kya by leaving. Kya’s memories of her fade, and someone later explains that the woman was mentally ill.

Kya’s older brother, Jodie, teaches her a few things about how to survive in the marsh and how to deal with their violent dad, until he leaves in fear of their father.

Kya eventually considers a man named “Jumpin” to be her closest authority figure. He is a kind, protective and consistent presence who gives her basic supplies.

Profanity & Violence

The dialogue includes scattered foul language, especially while Kya’s dad is around, including several occurrences of the s-word and “b–—ch” in various forms. A few strong racial slurs are directed at African American characters. The f-word is used a few times in reference to an article on animals.

The novel addresses physical abuse. Kya’s family suffers at the hands of her dad in varying levels of detail throughout. Kya remembers being struck by a belt and a paddle. Her brother is stabbed in the face with a fire poker. Police officers discover that Chase died because he was pushed from a fire tower. A man assaults Kya, and she beats him badly in self-defense.

Kya’s dad drinks heavily. Chase’s drinking is mentioned.

Two police officers speculate that Chase may have been involved with drugs, which led to his death.

Sexual Content

The sexual content in this book is intense, adult and problematic. Kya’s sexually charged encounters with her first love are described in detail, and it includes nudity. The pair’s longing for one another is clear, and the sexually explicit content is comparable to that of an R-rated movie.

Throughout the book, Kya contemplates the mating rituals of various animals and, sometimes, the resulting violence between mates. Later, Kya has sex with another man after his repeated advances, and he treats her roughly. After their consensual relationship ends, he assaults her and attempts to rape her.

Discussion Topics

Get free discussion question for books at focusonthefamily.com/magazine/thriving-family-book-discussion-questions .

Additional Comments

Where the Crawdads Sing will draw the attention of young readers because of the public praise for the novel as well as the fact that it’s been made into a major motion picture. And this book does explore some deep themes, including the longing that all people, especially women, have for sustaining connection with others, platonically and romantically.

That said, the heavy sexual content, violence, and language here make this an ill-advised read for young people. Even adults should approach this novel with caution and be aware of its content.

You can request a review of a title you can’t find at [email protected] .

Book reviews cover the content, themes and worldviews of fiction books, not necessarily their literary merit, and equip parents to decide whether a book is appropriate for their children. The inclusion of a book’s review does not constitute an endorsement by Focus on the Family.

Review by Marsella Evans

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Reviews of Where the Crawdads Sing by Delia Owens

Summary | Excerpt | Reading Guide | Reviews | Beyond the book | Read-Alikes | Genres & Themes | Author Bio

Where the Crawdads Sing

by Delia Owens

Critics' Opinion:

Readers' Opinion:

• Literary Fiction
• Romance/Love Stories
• N & S Carolina
• 1960s & '70s
• Adult-YA Crossover Fiction
• Nature & Environment
• Top 20 Best Books of 2018

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About this Book

• Reading Guide

Book Summary

Winner of the 2018 BookBrowse Debut Author Award How long can you protect your heart?

For years, rumors of the "Marsh Girl" have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl. But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, finding friends in the gulls and lessons in the sand. Then the time comes when she yearns to be touched and loved. When two young men from town become intrigued by her wild beauty, Kya opens herself to a new life - until the unthinkable happens. Perfect for fans of Barbara Kingsolver and Karen Russell, Where the Crawdads Sing is at once an exquisite ode to the natural world, a heartbreaking coming-of-age story, and a surprising tale of possible murder. Owens reminds us that we are forever shaped by the children we once were, and that we are all subject to the beautiful and violent secrets that nature keeps.

The morning burned so August-hot, the marsh's moist breath hung the oaks and pines with fog. The palmetto patches stood unusually quiet except for the low, slow flap of the heron's wings lifting from the lagoon. And then, Kya, only six at the time, heard the screen door slap. Standing on the stool, she stopped scrubbing grits from the pot and lowered it into the basin of worn-out suds. No sounds now but her own breathing. Who had left the shack? Not Ma. She never let the door slam. But when Kya ran to the porch, she saw her mother in a long brown skirt, kick pleats nipping at her ankles, as she walked down the sandy lane in high heels. The stubby-nosed shoes were fake alligator skin. Her only going-out pair. Kya wanted to holler out but knew not to rouse Pa, so opened the door and stood on the brick-'n'-board steps. From there she saw the blue train case Ma carried. Usually, with the confidence of a pup, Kya knew her mother would return with meat wrapped in greasy brown paper ...

Please be aware that this discussion guide will contain spoilers!

• The North Carolina marsh where Kya lives has long been a sanctuary for outsiders. How does this setting shape the novel? How does growing up in this isolation affect Kya? In what ways does her status as an “outsider” change how others see her?
• Why does Kya choose not to go back to school? Do you think she makes the wrong decision? How does Kya’s lack of formal education shape her vision of the world? Would her character be different if she had gone to school?
• After Jodie and Pa leave Kya alone, she becomes close to Jumpin’ and Mabel. Why are these two adults drawn to Kya? What do they teach her about the world? Do you agree with Jumpin’s decision to protect Kya from social services (p. 110) and to encourage...
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Reader reviews, bookbrowse review.

Although the novel focuses on the years between 1965 and 1970, it encompasses the whole span of Kya’s life. At times I found it hard to believe that the plucky urchin living off of grits and evading truant officers is the same character as the willowy nature writer wondering who will love her and never leave. Also, the chronology becomes slightly difficult to follow as it approaches 1969...The use of animal behavior metaphors works very well, though. Kya understands her fellow humans by analogy, asking why a mother animal might leave her cubs or why males compete for female attention. The title refers to places where wild creatures do what comes naturally, and throughout the book we are invited to ponder how instinct and altruism interact and what impact human actions can have in the grand scheme of things... In Kya, Owens has created a truly outstanding character. The extremity of her loneliness makes her a sympathetic figure in spite of her oddities. If you like the idea of a literary novel flavored with elements of mystery and romance, and of a poetic writing style tempered with folksy Southern dialect, Crawdads is a real treat... continued

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(Reviewed by Rebecca Foster ).

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StarTribune

Review: 'where the crawdads sing' verdict book is better than the movie.

Oh, the crawdads definitely sing in "Where the Crawdads Sing." Much of the time, you wish they'd shut the hell up.

The movie is faithful to a fault to Delia Owens' blockbuster novel, so it's practically a demonstration of how books and movies work differently. The story combines a bunch of elements: a girl who somehow raises herself in the wild marshes of North Carolina, a murder-mystery, a race relations subplot so sketchy it's borderline offensive, a small-town trial along the lines of "To Kill a Mockingbird" and questions about whether haves and have-nots can bridge their class divide.

Olivia Newman's film glides over Owens' plot holes like an airboat skimming the surface of a swamp. We don't see how 10-year-old Kya (Daisy Edgar-Jones) manages to raise and educate herself solely by collecting mussels. We don't understand how her entire family could leave this kid to her own devices or how she becomes a learned, goodnatured person despite literally every odd being stacked against her. We wonder why the pale Edgar-Jones never gets sunburned despite spending every waking moment outdoors. We don't get why, having learned self-sufficiency, it's important for young adult Kya to end up with one of two men, both of whom are unworthy of her.

The strength of Owens' book was its depiction of the natural world Kya lives in and loves to sketch. That's the material Owens, a zoologist, seems most comfortable with and it provides a powerful sense of the place her heroine finds so inspirational. We get a lot of her prose in the incessantly over-narrated movie, too, but it doesn't work the same way because the movie can show us the wonders of North Carolina (technically, Louisiana, where it was shot), so the lyrical descriptions of dragonflies lighting on sprigs of kudzu sound goofy and over-the-top.

I suspect some fans of the book will like the movie, just the same. If they would enjoy seeing how well a big-budget movie can capture its world, "Crawdads" succeeds on that level. Moment to moment, it is visually beautiful. But with its lack of nuance and rushed, hard-to-swallow twists, non-fans may wonder what the fuss is about.

'Where the Crawdads Sing'

*1/2 out of 4 stars

Rated: PG-13 for violence, including a sexual assault.

Where: In area theaters.

Interim books editor Chris Hewitt previously worked at the Pioneer Press in St. Paul, where he wrote about movies and theater.

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Review: ‘Where the Crawdads Sing’ is the latest literary sensation turned ho-hum movie

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In 2018, retired zoologist Delia Owens, the author of the bestselling 1984 memoir “Cry of the Kalahari,” published her first novel at the age of 69. “Where the Crawdads Sing” is set on the North Carolina coast in the 1950s and ’60s, threading romance and murder mystery through the life story of a young, isolated woman, Kya, who grows up abandoned in the marsh. The story is a bit far-fetched, the characterizations broad, but there’s a beauty in Owens’ description of Kya’s relationship to the natural world. Her derisive nickname, “the Marsh Girl,” ultimately becomes her strength.

“Where the Crawdads Sing” has become a legitimate publishing phenomenon, one of the bestselling books of all time, despite a controversy bubbling in Owens’ past — a connection to the killing of a suspected animal poacher in Zambia. Reese Witherspoon bestowed the book with her book club blessing, and as she has done with other titles from her club, like “Big Little Lies,” Witherspoon has produced the film adaptation of “Where the Crawdads Sing,” written by Lucy Alibar, directed by Olivia Newman, and starring Daisy Edgar-Jones as the heroine, Kya.

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The film is easily slotted into the Southern gothic courtroom drama sub-genre — it’s like “A Time to Kill” with a feminine touch. While the nature of adaptation requires compression and elision, the film dutifully tells the story that fans of the book will turn out to see brought to life on the big screen. But in checking off all the plot points, the movie version loses what makes the book work, which is the time we spend with Kya.

Kya is a tricky protagonist whose life story requires a certain suspension of disbelief. Abandoned by her mother (Ahna O’Reilly) and siblings escaping the drunken abuse of her father (Garret Dillahunt), who later disappears, young Kya (Jojo Regina) survives on her own, selling mussels to the proprietor of the local bait and tackle shop, Jumpin’ (Sterling Macer Jr.). His wife, Mabel (Michael Hyatt), takes pity on Kya and offers her some clothes and food donations, but it’s an exceedingly tough existence, something that the film does not manage to fully convey.

As a teen, Kya forms a friendship with a local boy, Tate (Taylor John Smith), who teaches her to read, and though their relationship turns romantic, he ultimately leaves her for college. Abandoned once again, she seeks companionship with popular local cad Chase Andrews (Harris Dickinson). It’s his death, from a fall at the rickety fire tower, that sees Kya on trial in the town of Barkley Cove, which ultimately becomes a referendum on how she’s been harshly judged over the years by the townspeople.

The only reason Kya works in the book is the amount of time the reader spends with her in the marsh, understanding the tactics she uses to get by, and getting to know the natural world in the way that she does, observing the patterns and life cycles of animals, insects, and plants. The deep knowledge of her environment and ad-hoc education from Tate helps Kya overcome poverty, as she publishes illustrated books of local shells, plants, and birds. But in the film, which sacrifices getting to know her in order to prioritize the more scandal-driven twists and turns, Kya comes off as somewhat silly, a bit easy to laugh at in her naiveté and guilelessness.

There’s also the matter of plausibility, and the shininess with which this rough, wild world has been rendered by Newman and cinematographer Polly Morgan. The marsh (shot on location in Louisiana) is captured with a crisp, if perfunctory beauty, but it’s hard to buy English rose Edgar-Jones in her crisp blouses and clean jeans as the near-feral naturalist who has been brutally cast out by society. Everything’s just too pretty, a Disneyland version of the marsh.

The whole world feels sanded-down and spit-shined within an inch of its life, lacking any grime or grit that might make this feel authentic, and that extends to the storytelling as well. It feels exceedingly rushed, as the actors hit their marks and deliver their monologues with a sense of obligation to moving the plot along rather than developing character. Hyatt, as Mabel, and David Strathairn, who plays Kya’s lawyer, Tom Milton, are the only actors who deliver grounded performances that feel like real people — everyone else feels like a two-dimensional version of an archetype spouting the necessary backstory or subtext to keep the plot churning forward.

Though it is faithful, “Where the Crawdads Sing” is lacking the essential character and storytelling connective tissue that makes a story like this work — an adaptation such as this cannot survive on plot alone.

Katie Walsh is a Tribune News Service film critic.

'Where the Crawdads Sing'

Rating: PG-13, for sexual content and some violence including a sexual assault Running time: 2 hours, 5 minutes Playing: In general release July 15

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The Literary Edit

Where the Crawdads Sing Review (Author Delia Owens)

Before starting this Where the Crawdads Sing review and in all my years of book blogging, I’ve learnt that, on the whole, books are divisive. Much like many things in life – such as, for example, whether north or south of the Thames is the better part of London, or which city – Melbourne or Sydney – is the more liveable one (I’m a south London and Sydney-sider for anyone who’s remotely interested) opinions are, more often than not, split. There will be those that adore a book, those that don’t, and those that fall somewhere in between. This was until I read – and posted about my reading – Delia Owens’ Where the Crawdads Sing, on both my Facebook and Instagram account, to entirely unanimous praise of Owens debut.

And no sooner had I started to read Where the Crawdads Sing than I began to see why it was so consistently adored by all who had already read it.

Where the Crawdads Sing Review

A story of resilience, survival and hope, Where the Crawdads Sing by Delia Owens tells the story of Kya – known locally in the North Carolina town in which she resides as the Marsh Girl – who is abandoned at a young age by her parents, siblings and finally the school system; and left to fend for herself.

As Kya grows and learns more about life through her interactions with the creatures of the Marsh, two young men enter her life. One is her brother’s older friend, Tate, who teaches her to read and shows her acceptance and happiness. But when he, too, leaves the Marsh behind for a learned life at university, she learned not to trust nor depend on anyone but herself, and resigns herself to a life spent along on the marsh, until Chase Andrews comes along.

And so when Chase is later found dead, rumours are rife as to Kya’s possible involvement in his murder. Over the years there’s been much hearsay as to the nature of Kya and Chase’s relationship, and with no other suspects so-to-speak, the finger is swiftly pointed at Kya.

Rich with poetic prose, lyrical depictions of the marshlands and atmosphere, Where the Crawdads Sing is a beautiful and compelling read steeped in nature. A fusion of murder, mystery, coming-of-age and love-story, Where the Crawdads Sing is a poignant and powerful tale that will stay with its readers long after its gripping finale and I couldn’t wait to review Where the Crawdads Sing.

Where the Crawdads Sing Summary

For years, rumors of the “Marsh Girl” have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl. But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, finding friends in the gulls and lessons in the sand. Then the time comes when she yearns to be touched and loved. When two young men from town become intrigued by her wild beauty, Kya opens herself to a new life–until the unthinkable happens.

Perfect for fans of Barbara Kingsolver and Karen Russell,  Where the Crawdads Sing is at once an exquisite ode to the natural world, a heartbreaking coming-of-age story, and a surprising tale of possible murder. Owens reminds us that we are forever shaped by the children we once were and that we are all subject to the beautiful and violent secrets that nature keeps.

About Delia Owens

Delia Owens is the co-author of three internationally bestselling nonfiction books about her life as a wildlife scientist in Africa— Cry of the Kalahari, The Eye of the Elephant , and  Secrets of the Savanna . She has won the John Burroughs Award for Nature Writing and has been published in  Nature, The African Journal of Ecology , and  International Wildlife , among many others. She currently lives in Idaho, where she continues her support for the people and wildlife of Zambia. Where the Crawdads Sing is her first novel. Check out her website for a detailed biography .

Need more reading inspiration? Take a look at more of my book reviews here .

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5 comments on “Where the Crawdads Sing Review (Author Delia Owens)”

I somehow missed this book. Adding this to my summer reading list. Thanks for sharing your thoughts, Lucy!

Thanks for stopping by Crystal! I hope you love it as much as I did xo

I finished reading this book only few days ago, and I can say it’s one of the most “unputdownable” books I’ve ever read! And when I think that I hadn’t heard about it before I received it as a gift from a dear friend 🙂

Hi Georgiana, I’m so glad you enjoyed it too – it really is a wonderful book! xo

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Book Reviews, Discussion Guides, and Wine-Book Pairings

“Call no man happy until he is dead. Herodotus.” Mr. Nancy raised a white eyebrow, and he said, “I’m not dead yet, and, mostly because I’m not dead yet, I’m happy as a clamboy.” “The Herodotus thing. It doesn’t mean that the dead are happy,” said Shadow. “It means that you can’t judge the shape of someone’s life until it’s over and done.”

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• wine: riesling

Where the Crawdads Sing Book Review: The Trials and Triumphs of a Life Lived on One’s Own Terms

If you’ve ever wondered what it feels like to fall in love with a swamp (!) Delia Owens breaks it down and convinces you to fall in love, as well.

Marsh is a space of light, where grass grows in water, and water flows into the sky. Slow-moving creeks wander, carrying the orb of the sun with them to the sea, and long-legged birds lift with unexpected grace—as though not built to fly—against the roar of a thousand snow geese. Delia Owens, Where the Crawdads Sing

Where the Crawdads Sing is a great book-club book because it explores several themes and is a bit divisive in terms of taste—both of which make the discussion richer ! As an added bonus, Delia Owens’ website has an entire Book Club Kit  which includes a discussion guide, an interview with Delia Owens, and Kya’s cookbook. Anytime I read a book that interests me, I go online to find more information, so I really appreciate that Owens took the extra step to create these resources. For our book club, I added some questions to address topics about the book and the author that we wanted to discuss. Our discussion for Crawdads was so fun and engaging. We may have spent half the time trying to determine if Owens intended to write about a murder in isolation—when she witnessed a real-life murder in isolation in Africa many years earlier.

Jump to Where the Crawdads Sing discussion questions

Consensus from our group re Crawdads is that some elements were successful and some were unsuccessful. Owens clearly loves nature, and we all appreciated that she could describe nature so beautifully. Owens was successful in another way, too: Kya’s story prompts the reader to ask big questions . For example, questions about the interactions of economic disparities and race, the trade-offs between living on your own terms and living in dangerous isolation, the merits of formal education versus an education through experience with the natural world, and how the pursuit of a higher understanding of our world can results in a higher understanding of ourselves.

Wine Selection & Tasting Notes

Lone Orchid Riesling. Scent: Starfruit, pineapple, green apple. The note of green apple continues on the palate, and sweetness and tang is reminiscent of a green apple jolly rancher–in a fun way!

Review cont.

Kya’s inner narration references the natural world again and again to explain her relationships and work through her problems. For anyone who has ever taken a moment to appreciate the quiet calm that the natural world can bring to the noise of competing worries inside your mind, you will absolutely love how Owens describes Kya’s experience with nature.

As she pushed off, she knew no one would ever see this sandbar again. The elements had created a brief and shifting smile of sand, angled just so. The next tide, the next current would design another sandbar, and another, but never this one. Not the one who caught her. The one who told her a thing or two.

An unsuccessful element of Crawdads is the amount of telling versus showing that occurs with increasing frequency the further along you get in the novel. Our group also felt that the pacing dragged in the middle. But one of my biggest issues with the story is with the main mystery…

Any plot or style contentions aside, the ethereal descriptions of nature and Kya’s connection to the land are undeniably beautiful, and they permeate the novel. Crawdads is primarily this: a depiction of life lived on one’s own terms. And in that way, it is very well done.

She strolled like a sleepwalker as the moon pulled herself naked from the waters and climbed limb by limb through the oaks. The slick mud of the lagoon shore glowed in the intense light, and hundreds of fireflies dotted the woods. Wearing a secondhand white dress with a flowing skirt and waving her arms slowly about, Kya waltzed to the music of katydids and leopard frogs.

Where the Crawdads Sing Discussion Questions

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Reading Ladies

Where the crawdads sing [book review].

September 28, 2018

Where the Crawdads Sing by Delia Owens

Genre/Categories: Women’s Fiction, Southern Fiction, Coming of Age, Family Life, Survival

Living in the marsh outside a quiet, small town on the coast of North Carolina, Kya Clark, later known as the “Marsh Girl,” is abandoned by her entire family and learns to survive in the marsh on her own from the age of ten. One by one her older siblings abandon the family, her mother leaves when Kya is about seven, and finally, her father, a difficult, unreliable, and drunk man, leaves when she’s ten. Kya attends school for one day after a truant officer catches her. On that day, she is teased by the students, knows she’s hopelessly behind academically, and never returns. Preferring the isolation and safety of the marsh, she learns what she can through observing nature. Although she can survive on her own, she begins to long for companionship as she reaches her teen years. Two boys from town attract her attention. One of them turns up dead, and she is suspected of murder. The other becomes a life long supporter and friend. A coming of age story with a fair share of tragedy, mystery, and grit, this is an unforgettable read you’ll want to devour and recommend.

Amazon Rating: 4.8 Stars

My Thoughts:

While I loved Where the Crawdads Sing , this story might not be for everyone and comes with trigger warnings for some child neglect and abandonment.

What I loved most: structure and style. Where the Crawdads Sing is atmospheric and engaging from the first page to the last. In addition, it’s an easy reading narrative that flows well and is pleasingly balanced between character-driven and plot-driven. The author creates an amazing sense of place and a memorable and unforgettable character. As a bonus, the author’s background as a wildlife scientist enables her to include many fascinating scientific facts and details about the marsh.

This story came to me at the right time as I was in the mood for an intriguing, well written, page-turner, and Where the Crawdads Sing did not disappoint! It will most likely appear on my best of 2018 list.

Along with an emphasis on science and the marsh habitat, the author creates vivid and colorful local characters that enhance the story and includes a surprising plot twist at the end (which I have mixed feelings about).

Kya Clark is certainly a most compelling character . Resourceful, brave, cunning, a gritty survivor, and clever, Kya creates a life for herself despite the most difficult and disheartening circumstances. There is a person in town that she learns to trust and who becomes as important to her as a father. He watches out for her the best that he can which is difficult because he’s African-American and is dealing with issues of hate and segregation in his own life. He understands Kya and respects her freedom and her need to live her life on her terms even though she’s so young. Despite Kya’s ability to create a life for herself as a wildlife artist and illustrator and is eventually able to trust herself to love, there is a plot twist at the end that will force you to reevaluate Kya and the decisions she’s made.

Themes in Where the Crawdads Sing include belonging, abandonment, survival, trust, coming of age, family, and caring for others. There’s a great deal to reflect on or to discuss (if this is a book club pick) as the story unfolds.

The Ending: I have mixed feelings about the morally ambiguous ending. If you consider the author’s premise that Kya learned life’s lessons from marsh creatures, I guess the ending falls into perspective. However, I wonder if this is enough of a justification for Kya’s actions. Definitely a great topic for book club!

Recommended for readers who are looking for an engaging and unique story with a strong female protagonist. It would make an excellent book club selection because of the various discussion possibilities.

Triggers/Content Considerations: child neglect and abandonment.

My Rating 4.5 (rounded up to 5 Stars

Where the Crawdads Sing Information Here

Meet the Author, Delia Owens

She has won the John Burroughs Award for Nature Writing and has been published in  Nature ,  The African Journal of Ecology , and many others.

She currently lives in Idaho.  Where the Crawdads Sing  is her first novel.

Have you read Where the Crawdads Sing or is it on your TBR? Who is the most memorable character in your recent reads?

Happy Reading Book Worms!

“Ah, how good it is to be among people who are reading.” ~Rainer Maria Rilke

“I love the world of words, where life and literature connect.” ~Denise J Hughes

“Reading good books ruins you for enjoying bad ones.” ~Guernsey Literary and Potato Peel Pie Society

“I read because books are a form of transportation, of teaching, and of connection! Books take us to places we’ve never been, they teach us about our world, and they help us to understand human experience.” ~Madeleine Riley, Top Shelf Text

My Fall TBR

I’ll be updating my Fall TBR list as I complete each read, so check this link often!

Looking Ahead:

This week I’m reading an ARC of The Dream Daughter by Diane Chamberlain (pub date: 10/2). It’s different from my usual genres: heavy on science fiction (time travel), a bit of hisfic (as the characters travel between 1970 and 2018), and some suspense. I would characterize this as an escapist read! Full review coming soon.

I’m also ready to begin The Tattooist of Auschwitz by Heather Morris  because my library hold came in. (taking a deep breath for this heavy read)

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28 comments.

[…] Where the Crawdads Sing by Delia Owens (debut author) (pub date: 8/14) I’ve read almost all glowing reviews of this one! It’s my most anticipated fall read which I’ll be reading and reviewing soon because my library hold just became available! ***Update: 5 Stars. Unforgettable character. (Full Review Here) […]

Such a wonderful post, Carol! I found Kya completely memorable, too! I loved your Crawdads review! It’s definitely worthy of five stars! I’m rushing off to work, and I’m going to think on another memorable character.

Thank you for stopping in and commenting! I love all the unforgettable characters we meet through reading!

[…] Where the Crawdads Sing by Delia Owens Fiction/Family Life 5 Stars. Full Review Here. […]

Hi Carol– this is not a book I would pick up just based on it’s cover description– But your hearty recommendation makes it intriguing. I have it on my library list! thanks.

I think it’s worth trying….the story is unique and it’s well written and engaging…..but it may not be for everyone! I’ll be eager to hear what you think if you read it!

I just finished this book, and it was very intriguing–that plot twist at the very end has been on my mind too much ever since! Loved all the marsh wildlife and biology information. And right, not for everyone.

Thanks for commenting Ruth!

[…] Where the Crawdads Sing by Delia Owens […]

[…] Using my five senses, can I envision a place? The time period? The atmosphere? The season? When I close my eyes and stop to think about the story, can I place myself in the story? What do I see, hear, touch, feel, taste, smell? What details do I notice? If I’m having difficulty in answering these questions, this might mean a low rating for this element of the story. How important is the setting to the story? Is the setting an important aspect of the story or could the story have taken place in any location or in any time period? Sometimes the setting can be as important in a story as a character. An example of this is Where the Crawdads Sing. […]

[…] that are too high and it ends up a disappointing read. The last book I read with a lot of buzz was Where the Crawdads Sing and it lived up to the buzz. What’s the last book you chose based on the buzz? Did you enjoy […]

[…] the most views day after day, week after week, and month after month is the review I wrote of Where the Crawdads Sing by Delia Owens. This title is also the most used search term that leads readers to my blog. When my bookish […]

[…] Where the Crawdads Sing by Delia Owens 5 Stars […]

[…] viewed post: Where the Crawdads Sing (day after day, week after week, and month after month, this is the most searched for and viewed […]

[…] Where the Crawdads Sing (Fiction) by Delia Owens and The Scent Keeper (Fiction) by Erica Bauermeister (especially for readers who are interested in unique coming of age stories) […]

[…] Where the Crawdads Sing by Delia Owens (contemporary fiction, against the odds, *trigger: child abandonment) My review. […]

[…] popular post: Where the Crawdads Sing Review (week after week and month after month since the pub date, Crawdads has been my number one search […]

[…] My Summary: Living in the marsh outside a quiet, small town on the coast of North Carolina, Kya Clark, later known as the “Marsh Girl,” is abandoned by her entire family and learns to survive in the marsh on her own from the age of ten. One by one her older siblings abandon the family, her mother leaves when Kya is about seven, and finally her father, a difficult, unreliable, and drunk man, leaves when she’s ten. Kya attends school for one day after a truant officer catches her. On that day, she is teased by the students, knows she’s hopelessly behind academically, and never returns. Preferring the isolation and safety of the marsh, she learns what she can through observing nature. Although she can survive on her own, she begins to long for companionship as she reaches her teen years. Two boys from town attract her attention. One of them turns up dead, and she is suspected of murder. The other becomes a life long supporter and friend. A coming of age story with a fair share of tragedy, mystery, and grit, this is an unforgettable read you’ll want to devour and recommend. My Review. […]

[…] Most viewed post: Where the Crawdads Sing  […]

[…] Where the Crawdads Sing by Delia Owens (contemporary fiction, against the odds, *trigger: child abandonment) My review of Crawdads here. […]

[…] most viewed posts. In 2017 (blogged for 6 months): 2017 Really Recommendable Reads (views); in 2018 Where the Crawdads Sing (495 views); in 2019 Where the Crawdads Sing (7,777 views)….I’m […]

[…] a few of these great reads, and today I’m eager to share my review of the page-turning Where the Crawdads Sing by Delia Owens….a story of […]

This sounds like it would be perfect for me, but there’s something that just makes me not want to bother… can’t put my finger on it, I’m afraid. (Too much hype, maybe?)

I’m sure it’s the hype! Maybe in a few years!

[…] and resilient, Yona is a complicated character and survivalist. At times, she reminds me of Kya in Where the Crawdads Sing. As she overcomes her shyness around people, Yona becomes a strong and wise leader and saves many […]

[…] swamp setting in Where the Crawdads Sing comes to mind when I think of atmospheric settings. Also, unforgettably atmospheric is the dust […]

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Where the Crawdads Sing

Where to watch.

Watch Where the Crawdads Sing with a subscription on Hulu, rent on Fandango at Home, Prime Video, or buy on Fandango at Home, Prime Video.

What to Know

Daisy Edgar-Jones gives it her all, but Where the Crawdads Sing is ultimately unable to distill its source material into a tonally coherent drama.

A particular treat for viewers who love the book, Where the Crawdads Sing offers a faithfully told, well-acted story in a rich, beautifully filmed setting.

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Olivia Newman

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Taylor John Smith

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Where the Crawdads Sing

By Delia Owens

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Average rating: 8

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• Entertainment
• What to Know About the Controversy Surrounding <i>Where the Crawdads Sing</i>

What to Know About the Controversy Surrounding Where the Crawdads Sing

I t had all the makings of a publishing Cinderella story. A first-time novelist, making her fiction debut at age 70, wrote a coming-of-age thriller that unexpectedly became a best-selling juggernaut, was selected by Reese Witherspoon for her book club, and was snapped up to be made into a feature film . After Delia Owens published Where the Crawdads Sing in the summer of 2018, appetite only grew for the story of Kya, a girl who raises herself in a North Carolina marsh after being abandoned by her family, only to find herself accused of a grisly murder as a young woman. The movie , produced by Witherspoon with Owens’ involvement and directed by Olivia Newman, premiered in theaters July 15 and is now available to stream on Netflix. Witherspoon told Vanity Fair in March that the novel “is a love letter to growing up in the South.”

But Owens’ runaway success belies an ugly history—one that has not only cast a shadow on her life in the literary spotlight, but also predated it. As was thoroughly documented in Jeffrey Goldberg’s nearly 20,000-word exposé for the New Yorker in 2010, and then detailed again by Laura Miller for Slate in 2019 , Owens’ own past includes an unsolved murder and subsequent scrutiny—just like Kya’s present.

In 1996, ABC debuted a special that centered on Owens and her husband at the time, Mark Owens, and a tragic incident in Zambia, where they were working as conservationists. The special, “ Deadly Game: The Mark and Delia Owens Story ,” captured escalating tensions between the couple and poachers. In the episode, an alleged poacher was shot and killed on-camera. The cameraman who filmed the incident told Goldberg that he believed Owens’ stepson Christopher Owens committed the murder. The author told Goldberg in 2010 that her stepson was not present when the man was shot. (A representative for the author did not respond to a request for comment; a representative for Sony, the film’s distributor, canceled scheduled interviews with Owens, Witherspoon, Newton, and star Daisy Edgar-Jones after an interview with screenwriter Lucy Alibar in which TIME asked about Owens and the controversy surrounding the Zambia murder. Alibar said she was not familiar with the controversy.)

In Miller’s Slate article and a new Atlantic piece by Goldberg , published this week, both journalists drew comparisons between the author’s personal story and the story told in the book. “Having her heroine stand accused of murder echoes the Owens’ Zambian experience and the subsequent ordeal of becoming the subject of a 18,000-word exposé in a prominent magazine,” Miller wrote.

For his July 11 piece, Goldberg spoke to Zambia’s director of public prosecutions, Lillian Shawa-Siyuni, who confirmed that Mark, Delia, and Christopher Owens are still wanted for questioning. “There is no statute of limitations on murder in Zambia,” Siyuni told Goldberg. “They are all wanted for questioning in this case, including Delia Owens.”

Here’s what to know about Owens, her career before her hit novel, and the controversy that surrounds Where the Crawdads Sing .

Delia Owens’ career before Crawdads

Like her protagonist Kya, Owens has long been a lover of nature and wildlife. She studied zoology at the University of Georgia and holds a doctorate in Animal Behavior from the University of California, Davis. In 1984, she published a nonfiction book with Mark Owens called Cry of the Kalahari . The book recounted their experiences living in the Kalahari Desert, where the couple moved in 1974 to study brown hyenas and lions for seven years. The book won the John Burroughs Medal for Best Natural History Book, and the Owenses were applauded for their reflections on what it was like to live among animals in isolation.

The duo went on to write two more books about their time studying wilderness in Africa: The Eye of the Elephant, published in 1992, and Secrets of the Savanna , published in 2006. During their time abroad, the couple became involved in anti-poaching work and, as a result, developed the North Luangwa Conservation Project. The aim of the project, according to the website for the couple’s foundation , the Owens Foundation for Wildlife Conservation, was to “rehabilitate and conserve the 2,400 square-mile North Luangwa National Park of Zambia” in response to the soaring number of elephants and rhinoceroses that were being killed by poachers in the area. The couple returned to the U.S. in 1996, and later turned their attention toward domestic grizzly bear conservation efforts.

A 2019 newsletter for the Owens foundation noted that Delia Owens would be taking a “step back” from the organization.

Crawdads ’ unexpected success story

In the summer of 2018, Delia Owens released her debut novel Where the Crawdads Sing . Publisher Putnam originally printed a modest 28,000 copies; no one anticipated the runaway hit the novel would become, aided by its selection as the September 2018 Reese’s Book Club pick .

Crawdads became a fixture in book clubs across the country, and the New York Times reported that by the end of 2019, the novel had sold more print copies than any other adult title that year, beating out new releases by Margaret Atwood and Stephen King . Peter Hildick-Smith, the president of book audience research firm Codex Group, told the Times that the novel had “defied the new laws of gravity.”

In its first year, Where the Crawdads Sing sold more than 1.1 million copies, according to Publisher’s Weekly . Now, roughly four years after its release, that number has exceeded 12 million. Its momentum has not slowed. Last December, the book landed on the New York Public Library’s Top 10 Checkouts of 2021 . And on TikTok, the popularity of #BookTok content is driving a new audience to the novel—the hashtag #wherethecrawdadssing has garnered over 29 million views on the app. Today, the book still tops the New York Times best seller list, and it has been on the list for more than 167 weeks.

The book is mired in controversy

In 2019, just as Crawdads was becoming a true sensation, journalist Laura Miller revisited the controversial aspects of Owens’ past for Slate in a story that went viral. In the piece, Miller offered a comprehensive look at Owens and her former husband’s activities in Zambia, where they worked for several years. “What most of Crawdads ’ fans don’t know,” Miller wrote, “is that Delia and Mark Owens have been advised never to return to one of the African nations where they once lived and worked, Zambia, because they are wanted for questioning in a murder that took place there decades ago.” Miller referenced Goldberg’s 2010 piece, where he wrote that “the American Embassy warned the Owenses not to enter Zambia until the controversy was resolved.”

The tragedy took place in 1995 and was captured by an ABC film crew that was following the Owenses for a documentary originally intended to be about the couple’s conservationist efforts. The footage then became the Turning Point special “Deadly Game: The Mark and Delia Owens Story.” In the special, an unidentified man—referred to in the episodes as a “suspected poacher”—is shot at by a person whose face is blurred. More shots are fired off screen, and his body goes still.

After the special aired in 1996, the Zambian government opened a police investigation. The body was never found. A cameraman claimed that the author’s stepson, Christopher Owens, was the one who fired the gun. Delia Owens has publicly denied this, saying that Christopher was not present at the scene. “People say Chris did this because they got confused, because the cameraman was named Chris, too,” Owens told Goldberg for his 2010 New Yorker piece.

There have been no charges against the Owenses. In his most recent Atlantic piece, Goldberg wrote that he spoke to Zambian police officials who were “keen to interrogate Mark and Christopher Owens, but also believe that Delia Owens should be interrogated as a possible witness, co-conspirator, and accessory to felony crimes.”

In his 2010 piece, Goldberg also covered the complicated relationships the Owenses had with local scouts and poachers, and noted that the couple’s written works “on occasion convey archaic ideas about Africans.” Miller drew a parallel between that observation and how Owens depicted Black characters in Crawdads , referencing a scene in which Jumpin’, one of the few characters who shows Kya any kindness, wants to notify the police after he sees that she has been assaulted. “The idea that any Black man living in the rural South during the early ’60s would seriously consider reporting to local law enforcement the attempted rape of a white woman by the son of a prominent white family is ludicrous,” Miller wrote.

Owens has distanced herself from the Zambia murder, and rarely discusses it with the press. In 2019, she told the New York Times that she was not involved in the shooting. “It’s painful to have that come up, but it’s what Kya had to deal with, name calling,” she said.

Sign up for More to the Story , TIME’s weekly entertainment newsletter, to get the context you need for the pop culture you love.

Backlash to the film

The creative team behind the Crawdads movie has not publicly acknowledged the controversy, which again became a hot topic when Taylor Swift announced in March that she wrote a song for the film called “Carolina.” The singer wrote in an Instagram post that she was a fan of the book and “wanted to create something haunting and ethereal to match this mesmerizing story.”

Buzzfeed News reported that Swift’s involvement in the movie led several social media users to reflect on the artist’s history of white feminism, with one user creating a viral TikTok video that started a larger conversation about Swift, Reese Witherspoon, and their involvement with the film.

Read More : The 46 Most Anticipated Movies of Summer 2022

As the film is set to release, critics are addressing the controversy head on. “That Owens—already well-known before the novel—has managed to build an even more successful career despite details of her past resurfacing is bewildering,” Lovia Gyarkye wrote in her review for the Hollywood Reporter . “For many people, Where the Crawdads Sing struck an emotional chord, but it’s worth considering what one has to ignore in order to get there.” In Indiewire , David Ehrlich opined that “we may never know the full truth behind Delia Owens’ checkered past as a conservationist—which almost certainly seem [sic] to include a militant, white savior-minded approach to policing Zambian wildlife preserves, and may also extend to being a ‘co-conspirator and accessory’ to murder.” And for Vanity Fair , Richard Lawson wrote, “ Where the Crawdads Sing takes on some sinister dimensions—it would be easier to separate the film from its source were the film a full-bodied artistic expression all its own.”

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Write to Annabel Gutterman at [email protected]

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The Long Tail of ‘Where the Crawdads Sing’

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By Alexandra Alter

• Dec. 21, 2019

In the summer of 2018, Putnam published an unusual debut novel by a retired wildlife biologist named Delia Owens . The book, which had an odd title and didn’t fit neatly into any genre, hardly seemed destined to be a blockbuster, so Putnam printed about 28,000 copies.

It wasn’t nearly enough.

A year and a half later, the novel, “ Where the Crawdads Sing ,” an absorbing, atmospheric tale about a lonely girl’s coming-of-age in the marshes of North Carolina, has sold more than four and a half million copies. It’s an astonishing trajectory for any debut novelist, much less for a reclusive, 70-year-old scientist, whose previous published works chronicled the decades she spent in the deserts and valleys of Botswana and Zambia, where she studied hyenas, lions and elephants.

As the end of 2019 approaches, “Crawdads” has sold more print copies than any other adult title this year — fiction or nonfiction — according to NPD BookScan, blowing away the combined print sales of new novels by John Grisham, Margaret Atwood and Stephen King . Putnam has returned to the printers nearly 40 times to feed a seemingly bottomless demand for the book. Foreign rights have sold in 41 countries.

Industry analysts have struggled to explain the novel’s staying power, particularly at a moment when fiction sales over all are flagging, and most blockbuster novels drop off the best-seller list after a few weeks.

For the past several years, adult fiction sales have steadily fallen — in 2019, adult fiction sales through early December totaled around 116 million units, down from nearly 144 million in 2015, according to NPD BookScan. In a tough retail environment for fiction, publishers and agents frequently complain that it has become harder and harder for even established novelists to break through the noise of the news cycle.

“Crawdads” seems to be the lone exception. After a burst of holiday sales, it landed back at No. 1 on The Times’s latest fiction best-seller list , where it has held a spot for 67 weeks, with 30 weeks at No. 1.

“This book has defied the new laws of gravity,” said Peter Hildick-Smith, the president of the Codex Group, which analyzes the book industry. “It’s managed to hold its position in a much more consistent way than just about anything.”

The novel is resonating with a swath of American readers at a moment when mass media are deeply fragmented and algorithm-driven entertainment companies like Netflix and Amazon feed consumers a stream of content tailored to their particular tastes. “Crawdads” instead seems to appeal to a wide demographic of American readers. According to a survey of nearly 4,000 book buyers conducted by the Codex Group, respondents who read “Crawdads” came from across the political spectrum, with 55 percent identifying as progressive, 30 percent as conservative and 15 percent as centrists.

For a book about a girl who is isolated in the wilderness and wrestling with loneliness, “Crawdads” has had an oddly unifying effect in a time of rapid technological advances and constant social media connectivity. And its success has upended Ms. Owens’s own solitary existence. This fall, she went on her fifth tour for the novel, with appearances in Georgia, Oklahoma, Kansas, Alabama, Florida and New York, where a talk at the New York Botanical Garden reached capacity, with an additional 100 people signing up for the wait list.

“I have never connected with people the way I have with my readers,” she said in an interview. “I wasn’t expecting that.”

Like the movie industry, publishing has become a winner-take-all business, with a handful of blockbusters commanding all the attention and sales, so surprise breakout hits have become increasingly rare. But “Crawdads” had several things going for it. The plot seemed tailored to appeal to a wide audience, with its combination of murder mystery, lush nature writing, romance and a coming-of-age survival story. The novel also got an early boost from independent booksellers, who widely recommended it, and from the actress Reese Witherspoon, who selected “Crawdads” for her book club and plans to produce a feature film adaptation of the novel, and appeared in a bubbly video with Ms. Owens on Instagram this year.

But even those factors fail to fully account for why the book took off as it did, and continues to sell so robustly.

One of the most surprising things about the success of “Crawdads” is that sales began to accelerate months after it came out — an anomaly in publishing, where sales typically peak just after publication, aided by the initial advertising and marketing around a title.

This past January, six months after its release, the novel hit No. 1 on The Times’s fiction best-seller list. That same month, it appeared at the top of Amazon Charts’ Most Sold and Most Read fiction lists, and maintained its dominant position for the next 16 weeks, the longest streak that any book has occupied the top of both Amazon weekly lists. In February, it began selling well at big box stores like Sam’s Club, Costco and BJ’s Wholesale Club. By March it had sold a million copies; two months later, it had sold two million.

“I’ve never seen anything like this in 30 years,” said Jaci Updike, president of sales for Penguin Random House, who has overseen strategies for best sellers like “The Da Vinci Code,” “The Girl on the Train” and “Gone Girl.” “This book has broken all the friggin’ rules. We like to have a comparison title so that we can do sales forecasts, but in this case none of the comparisons work.”

The combination of word-of-mouth buzz and the novel’s prominence on the best-seller list set off a self-fulfilling cycle: The book’s visibility drove sales, and sales drove visibility. Merriam-Webster added “crawdad” to its list of the top 10 words of 2019, noting that searches for “crawdad” on its online dictionary spiked by 1,200 percent this year.

“Once it took off, it fed on itself and it’s been remarkably resilient,” said Kristen McLean, the executive director of business development at the NPD Group .

No one seems more caught off guard by the book’s success than Ms. Owens.

“I never really thought I could write a novel,” she said.

Ms. Owens began working on it a decade ago, when she got the idea for a story about a girl who grows up alone in the marshes of North Carolina in the 1950s and ’60s after her family abandons her, and becomes an outcast who is later charged with murdering a young man.

Though the story is invented, Ms. Owens said she drew on her experience living in the wilderness, cut off from society. “It’s about trying to make it in a wild place,” she said.

For most of her life, she lived as far away from people and as close to wild animals as she could get. Growing up in Georgia, Ms. Owens spent most of her free time outside in the woods. Inspired by Jane Goodall, she studied zoology at the University of Georgia and later got her doctorate in animal behavior from the University of California, Davis.

In 1974, she and her husband at the time, Mark Owens, set off to study wildlife in Africa. They set up a research camp in the Kalahari Desert in Botswana, where they spent their days closely observing lions and hyenas, studying their migration patterns and social behavior.

The Owenses later became renowned for their foundation’s work in Zambia, where they provided job training, microloans, health care and education to villagers. But they also generated controversy. Mr. Owens, trying to stop poachers from killing elephants and other wildlife, turned their base camp into “the command center for anti-poaching operations” — which Ms. Owens thought was risky, according to her account in their memoir “The Eye of the Elephant.”

In 1995, one of the anti-poaching missions ended in tragedy when a suspected poacher was apparently shot and killed, an incident that Slate reported on this past summer and that The New Yorker wrote about in 2010 . Mark and Delia Owens, who weren’t present at the shooting, left the country and haven’t been back since. After returning to the United States in 1996, they settled in northern Idaho, on a secluded 720-acre ranch. Several years ago, after more than 40 years of marriage, they divorced, and this year, Ms. Owens moved to the mountains of North Carolina, near Asheville.

Mr. Owens wasn’t available to comment, according to the Owenses’ friend and former lawyer Bob Ivey, who confirmed that there were never any charges filed and that there haven’t been any recent developments in the case.

Ms. Owens said she had nothing to do with the shooting and was never accused of wrongdoing but declined to elaborate on the circumstances.

“I was not involved,” she added. “There was never a case, there was nothing.”

She brought the conversation back to her novel and likened her experience to the ordeals faced by her fictional heroine Kya Clark, who is subjected to vicious rumors and ostracized.

“It’s painful to have that come up, but it’s what Kya had to deal with, name calling,” Ms. Owens said during an interview in New York this fall. “You just have to put your head up or down, or whichever, you have to keep going and be strong. I’ve been charged by elephants before.”

Later that evening, Ms. Owens, who still seems unaccustomed to the spotlight, invoked charging elephants again, when she took the stage at the Botanical Garden and faced a crowd of more than 400 people. Looking slightly unsettled, Ms. Owens compared the experience of addressing the audience to the adrenaline rush she felt many years before when, in an effort to escape an elephant that was rushing at her, she jumped into a crocodile-infested river.

“I’ve lived in remote settings for most of my life,” she told the crowd. “There are more people in this room than I would see in six months.”

Follow Alexandra Alter on Twitter: @xanalter .

Kitty Bennett contributed reporting.

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Book Review: Where The Crawdads Sing by Delia Owens

Kya soon learns to fend for herself, to hide from strangers, or from the school truant officers. She must learn how to forage for food, how to cook, how to find her way around the marsh, and how to live with her abandonment, always hoping that her mother will return. Eventually, she begins to seek refuge amongst the creatures of the marsh, learning their language and their habits, making a family out of gulls and herons and hawks.

Meanwhile, the novel pulls us into Kya’s future. When a body is found in the marsh, with no witnesses, and no evidence to explain how it got there, the local townspeople seek someone to blame, and Kya’s strange life on the marsh falls under suspicion.

I loved reading Owens’ evocative depictions of the marshland, and the way that Kya begins to learn from the natural world around her.

However, the use of poems in the novel seemed a little odd to me. Kya becomes interested in poetry when she encounters a boy on the marsh who offers friendship, teaching her to read. Then at various points she recites poems out loud in deep frustration, or desire, or heartache. I’m not against characters who recite poetry, being a poet myself, it just felt as though the poems were shoe-horned into the narrative, in a way that didn’t seem natural, more of a plot device than anything else.

Despite this occasional awkwardness, I loved the book, and would definitely recommend it as a gripping, entertaining, and emotive novel that will capture your imagination and open your eyes to the marvels of nature, and the depths of human kindness.

Buy Where The Crawdads Sing by Delia Owens.

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Movie Reviews

Tv/streaming, collections, great movies, chaz's journal, contributors, where the crawdads sing.

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The cicadas buzz and the moss drips and the sunset casts a golden shimmer on the water every single evening. But while “Where the Crawdads Sing” is rich in atmosphere, it’s sorely lacking in actual substance or suspense.

Maybe it was an impossible task, taking the best-selling source material and turning it into a cinematic experience that would please both devotees and newbies alike. Delia Owens ’ novel became a phenomenon in part as a Reese Witherspoon book club selection; Witherspoon is a producer on “Where the Crawdads Sing,” and Taylor Swift wrote and performs the theme song, adding to the expectation surrounding the film’s arrival.

But the result of its pulpy premise is a movie that’s surprisingly inert. Director Olivia Newman , working from a script by Lucy Alibar , jumps back and forth without much momentum between a young woman’s murder trial and the recollections of her rough-and-tumble childhood in 1950s and ‘60s North Carolina. (Alibar also wrote “ Beasts of the Southern Wild ,” which “Where the Crawdads Sing” resembles somewhat as a story of a resourceful little girl’s survival within a squalid, swampy setting.)  

It is so loaded with plot that it ends up feeling superficial, rendering major revelations as rushed afterthoughts. For a film about a brave woman who’s grown up in the wild, living by her own rules, “Where the Crawdads Sing” is unusually tepid and restrained. And aside from Daisy Edgar-Jones ’ multi-layered performance as its central figure, the characters never evolve beyond a basic trait or two.

We begin in October 1969 in the marshes of fictional Barkley Cove, North Carolina, where a couple of boys stumble upon a dead body lying in the muck. It turns out to be Chase Andrews, a popular big fish in this insular small pond. And Edgar-Jones’ Kya, with whom he’d once had an unlikely romantic entanglement, becomes the prime suspect. She’s an easy target, having long been ostracized and vilified as The Marsh Girl—or when townsfolk are feeling particularly derisive toward her, That Marsh Girl. Flashbacks reveal the abuse she and her family suffered at the hands of her volatile, alcoholic father ( Garret Dillahunt , harrowing in just a few scenes), and the subsequent abandonment she endured as everyone left her, one by one, to fend for herself—starting with her mother. These vivid, early sections are the most emotionally powerful, with Jojo Regina giving an impressive, demanding performance in her first major film role as eight-year-old Kya.

As she grows into her teens and early 20s and Edgar-Jones takes over, two very different young men shape her formative years. There’s the too-good-to-be-true Tate (Taylor John Smith ), a childhood friend who teaches her to read and write and becomes her first love. (“There was something about that boy that eased the tautness in my chest,” Kya narrates, one of many clunky examples of transferring Owens’ words from page to screen.) And later, there’s the arrogant and bullying Chase ( Harris Dickinson ), who’s obviously bad news from the start, something the reclusive Kya is unable to recognize.

But what she lacks in emotional maturity, she makes up for in curiosity about the natural world around her, and she becomes a gifted artist and autodidact. Edgar-Jones embodies Kya’s raw impulses while also subtly registering her apprehension and mistrust. Pretty much everyone lets her down and underestimates her, except for the kindly Black couple who run the local convenience store and serve as makeshift parents (Sterling Macer Jr. and Michael Hyatt , bringing much-needed warmth, even though there’s not much to their characters). David Strathairn gets the least to work with in one of the film’s most crucial roles as Kya’s attorney: a sympathetic, Atticus Finch type who comes out of retirement to represent her.

This becomes especially obvious in the film’s courtroom scenes, which are universally perfunctory and offer only the blandest cliches and expected dramatic beats. Every time “Where the Crawdads Sing” cuts back to Kya’s murder trial—which happens seemingly out of nowhere, with no discernible rhythm or reason—the pacing drags and you’ll wish you were back in the sun-dappled marshes, investigating its many creatures. ( Polly Morgan provides the pleasing cinematography.)

What actually ends up happening here, though, is such a terrible twist—and it all plays out in such dizzyingly speedy fashion—that it’s unintentionally laughable. You get the sensation that everyone involved felt the need to cram it all in, yet still maintain a manageable running time. If you’ve read the book, you know what happened to Chase Andrews; if you haven’t, I wouldn’t dream of spoiling it here. But I will say I had a variety of far more intriguing conclusions swirling around in my head in the car ride home, and you probably will, too. 

Now playing in theaters.

Christy Lemire

Christy Lemire is a longtime film critic who has written for RogerEbert.com since 2013. Before that, she was the film critic for The Associated Press for nearly 15 years and co-hosted the public television series "Ebert Presents At the Movies" opposite Ignatiy Vishnevetsky, with Roger Ebert serving as managing editor. Read her answers to our Movie Love Questionnaire here .

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Where the Crawdads Sing (2022)

Rated PG-13 for sexual content and some violence including a sexual assault.

125 minutes

Daisy Edgar-Jones as Catherine 'Kya' Clark

Taylor John Smith as Tate Walker

Harris Dickinson as Chase Andrews

Michael Hyatt as Mabel

Sterling MacEr Jr. as Jumpin'

David Strathairn as Tom Milton

Garret Dillahunt as Pa

Eric Ladin as Eric Chastain

Ahna O'Reilly as Ma

Jojo Regina as Young Kya

• Olivia Newman

Writer (based upon the novel by)

• Delia Owens
• Lucy Alibar

Cinematographer

• Polly Morgan
• Alan Edward Bell
• Mychael Danna

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Where the Crawdads Sing ending explained: Did Kya kill Chase?

Daisy Edgar-Jones' movie is now available to watch on Netflix.

Did Kya kill Chase in Where the Crawdads Sing?

Does where the crawdads sing's ending change the book.

Where the Crawdads Sing ending spoilers follow

Where the Crawdads Sing revolves around one important question that never quite gets a clear answer until the very end – did Kya kill Chase?

Starring Daisy Edgar-Jones , this adaptation of Delia Owens' best-selling novel was originally released in 2022 with disappointing results , and it's now being rediscovered by viewers upon its arrival on Netflix UK .

The story follows Kya (Edgar-Jones), known as 'the marsh girl' since she was abandoned by her family as a young girl and was forced to build a life for herself in the North Carolina marshes. The "civilised" people from town mostly ignore her, at least until she finds herself at the epicentre of a murder case.

Beloved local boy Chase Andrews (played by The Iron Claw 's Harris Dickinson) has been found dead in the marshes, and Kya, with whom he shared a short romantic entanglement, is the prime suspect.

Was Kya really involved in Chase's death? If so, was it an accident or a deliberate murder? We delve into the ending.

Where the Crawdads Sing ending explained

Where the Crawdads Sing follows Kya's journey from living with an abusive father as a child to falling in love with a local boy named Tate. However, when Tate leaves town to go to university, she ends up meeting Chase, who drags her into a toxic and abusive relationship.

Once the murder takes place, Kya is brought in front of a jury as the main suspect since the crime was committed in the marshes (a place she knows better than anybody) and given their history together.

There is also the matter of Chase's shell necklace, which his mother brings up in court as an incriminating piece of information. Chase used to wear the necklace every single day after Kya gifted it to him, but the item was not found with his body.

According to his mother, Kya is the only person who would care to retrieve that necklace, but it's obviously not a strong piece of evidence against her.

During the trial, her lawyer Tom Milton proves that Kya couldn't have committed the crime since she wasn't in town at the time of the murder. She was staying in a hotel in a different town that day so, in order to kill Chase, she'd have had to take a bus in the middle of the night and travel back at 2am in order to wake up in the hotel.

There are no witnesses placing Kya on that bus and no more hard evidence, so the jury finds her not guilty.

Freed from all charges, she returns home to find Tate waiting for her. They are finally able to be together, build a life in the marshes and live happily ever after. In fact, it's not until Kya dies of old age that we (and Tate) find out the truth about Chase's murder.

Yes, she did! The truth is revealed at the very end of the movie, decades after the main story.

After Kya's death, Tate goes through her things and finds a notebook filled with her poems and drawings. He smiles as he goes over the pages, enjoying his lost partner's words and artistry, until he finds something hidden in one of the corners of the book. His smile freezes.

In a secret compartment, Kya hid Chase's missing shell necklace, which means she did kill him and Chase's mother was right – she did want to keep the necklace afterwards.

There is no doubt this was a deliberate murder, given that Kya went to the trouble of finding herself an alibi (staying out of town) and knew how important it was to keep that necklace hidden.

Her reasons are never explicitly explained but it is clear that Chase was becoming abusive and didn't want to leave Kya alone. Growing up with an abusive father, Kya was probably tired of being prey and became predator instead in order to ensure her own survival.

When Tate discovers the necklace, he is visibly shocked, but he ends up throwing it in the marshes so nobody ever finds out the truth.

The movie adaptation of Where the Crawdads Sing is pretty faithful to Delia Owens' original story, including the ending.

"We never considered changing the ending. For me, the ending is the story. That ending is everything to understand who Kya is and the choices that she was faced with," director Olivia Newman told The Wrap in 2022.

"You have to have that ending. That was always incredibly important to me."

In the book, Owens explores Kya's childhood in more detail, as well as her poetry work, which becomes an important narrative device throughout the story. Most of the poems in the story are signed by local published author Amanda Hamilton.

At the end of the book, Tate not only realises Kya murdered Chase but he also finds out that Amanda Hamilton is a name Kya has been using to publish her own work.

The book ends with one of her compositions, called 'The Firefly', which revolves around how female fireflies attract male mates through false signals in order to lure them to their deaths. It symbolises her own strategy to kill Chase.

"We did discuss shooting a slightly more explicit version of the ending," Newman added.

"The book leaves so much to the imagination – you get to understand who Kya is, but never fully. That's part of what's mysterious about her. We wanted to maintain that there's a mystery to it."

Where The Crawdads Sing is available to watch on Netflix in the UK and Ireland.

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Deputy Movies Editor, Digital Spy  Mireia (she/her) has been working as a movie and TV journalist for over seven years, mostly for the Spanish magazine Fotogramas . 

Her work has been published in other outlets such as Esquire and Elle in Spain, and WeLoveCinema in the UK. 

She is also a published author, having written the essay Biblioteca Studio Ghibli: Nicky, la aprendiz de bruja about Hayao Miyazaki's Kiki's Delivery Service .    During her years as a freelance journalist and film critic, Mireia has covered festivals around the world, and has interviewed high-profile talents such as Kristen Stewart, Ryan Gosling, Jake Gyllenhaal and many more. She's also taken part in juries such as the FIPRESCI jury at Venice Film Festival and the short film jury at Kingston International Film Festival in London.     Now based in the UK, Mireia joined Digital Spy in June 2023 as Deputy Movies Editor. 

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ISBN: 0735219109

ISBN13: 9780735219106

Where the Crawdads Sing: Reese's Book Club (a Novel)

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Format: Paperback

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Book Overview

NOW A MAJOR MOTION PICTURE--The #1 New York Times bestselling worldwide sensation with more than 12 million copies sold, hailed by The New York Times Book Review as "a painfully beautiful first novel that is at once a murder mystery, a coming-of-age narrative and a celebration of nature." For years, rumors of the "Marsh Girl" have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found... Read Full Overview

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Is Where the Crawdads Sing based on a true story?

A strange story may have inspired the film.

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*Warning: Spoilers for Where the Crawdads Sing ahead*

The movie adaptation of Delia Owens's best-selling novel Where the Crawdads Sing garnered plenty of buzz when it hit theatres in 2022.

Considering it starred Normal People's Daisy Edgar-Jones, was produced by Reese Witherspoon and featured a Taylor Swift original song in its soundtrack, it's no surprise.

The drama, which has recently become available to stream on Netflix , is set in North Carolina in the '50s and follows Kya Clark (Edgar-Jones), a young girl who must learn to survive by herself in the marshlands after she's abandoned by her family.

As an adult, Kya becomes involved with two men from her town. When one of them is found dead, she becomes the main suspect. Despite eventually being cleared and going on to live a long happy life, it is revealed at the end that Kya did in fact kill her ex-lover after he attempted to assault her.

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But are the events depicted in the movie based on a true story? Well, it's complicated.

Where the Crawdads Sing isn't based on a true story . However, some people have drawn similarities between elements depicted in the movie (and the book it's adapted from) and author Delia Owens's own life.

In fact, Owens, her ex-husband Mark and her stepson Christopher are all currently wanted for questioning by Zambian authorities in connection to the murder of an alleged poacher that took place in 1995.

The controversy was extensively covered in a New Yorker Piece by Jeffery Goldberg, in which he details how Owens and her husband worked as conservationists in Africa decades before she moved back to the States and became a best-selling author.

They were the subjects of an ABC special titled Deadly Game: The Mark and Delia Owens Story, in which an alleged poacher is shot on camera after entering a campsite. His identity was never revealed and his body was never recovered.

The Owens family have strongly denied any involvement. No charges have ever been brought against them.

But how does this relate to Kya's tale? Well, Laura Miller pointed out in a Slate piece that it's "strange and uncomfortable to be reading the story of a Southern loner, a noble naturalist, who gets away with what is described as a righteously motivated murder in the remote wild".

Of course, that doesn't confirm anything, but it certainly explains why there was so much controversy surrounding the release of the film.

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Stream It Or Skip It: ‘Where the Crawdads Sing’ on Hulu, a Period Melodrama That’s Based On The Best-Selling Novel

Where to stream:.

• Where the Crawdads Sing

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7 movies like ‘where the crawdads sing’, where was ‘where the crawdads sing’ filmed top filming locations.

Now available on Hulu (in addition to rental or purchase on VOD services like Prime Video ), Where the Crawdads Sing was a rock-solid late-pandemic box office hit, grossing $122 million worldwide, proving that medium-budget Movies For Adults may still have life beyond streaming. It helps that it’s based on Delia Owens’ bestselling novel – 15 million copies sold – set in the East Coast swamplands, where a local creep turns up dead, and all fingers point at the local loner woman, played by Daisy Edgar-Jones (who’s having quite the year, considering we’ve already seen her in the horror-comedy Fresh and prestige-TV series Under the Banner of Heaven ). But will the film offer anything to audiences who haven’t already been wooed by the book’s pageturner charms?

WHERE THE CRAWDADS SING : STREAM IT OR SKIP IT?

The Gist: BACKLEY COVE, NORTH CAROLINA, 1969. It’s a wild place. Swampy. Humid. Remote. Beautiful. Two boys spot something – a body. A man. Dead. In the mud. At the foot of a rickety old fire tower. Near where the Marsh Girl lives. The Marsh Girl, real name Kya Clark (Edgar-Jones). We hear her voice via narration: “A swamp knows all about death,” stuff like that. She lives way out here all by herself. The townsfolk snicker at her. Bet the weirdo in the woods did it. Who else would do it? The cops investigate the death, and their comments telegraph all sorts of things. Of the dead man: “Best quarterback this town ever had.” They visit Kya’s house, see her collections of feathers and wildlife drawings: “She a scientist, or a witch?” Are they cops, or just a-holes?

They haul Kya in. She speaks barely a word. A kind man visits her cell. A lawyer, Tom Milton (David Strathairn). He says he’ll help her. Flashback: 1953. Kya (Jojo Regina) is maybe eight, nine years old. Her Paw (Garret Dillahunt) is a horrible, horrible man who viciously beats her, her mother and her gaggle of siblings. Everyone leaves, and she’s stuck with boozing, miserable Paw, treading tenderly until he leaves too. She’s resilient, though. Fends for herself. Finds a knife, harvests mussels, sells them to the local shopkeeps, Jumpin’ (Sterling Macer Jr.) and Mabel (Michael Hyatt). They’re warm, kind. Mabel suggests that Kya try school. She does. She’s shunned and ridiculed. She never goes back. She has no shoes or clean clothes. Does she have running water? Don’t think so. Will anyone in this plot do the right thing or the logical thing?

No, because if they did, the plot wouldn’t happen like its creators want it to. There’s a scene in which a man from Social Services asks Mabel and Jumpin’ about Kya, and they fib a little until he leaves. They deduce that a group home would just be worse for an eight-year-old with no shoes or supervision or education living all alone out in the marsh and shucking mussels to survive. I’m not so sure about that, but will concede that it’s a tough call. Mabel finds her a pair of shoes, though. Now we go back to adult Kya in the jail cell. Does she want to plea bargain? No frickin’ way. And then it’s back to 1962, when she’s in her late teens and meets the nicest guy, Tate (Taylor John Smith). They love watching the wildlife; they exchange feathers they find and smoosh lips amidst a swirl of falling fall leaves. He teaches her to read and write and they fall in love and he’s gentle, so gentle, but then he leaves too, for college, and reneges on a promise. Heart. Broken.

Forth we go, to scenes in a courtroom where Kind Lawyer Tom pokes holes in the prosecution’s case while sadfaced Kya doodles birds in a notebook. Then we’re back to 1968 – we’re catching up, see. She meets Chase (Harris Dickinson). We know who Chase is – he’s the best football guy ever in Backley Cove. Dunno about this guy, though. A little crass, but plays a mean harmonica. Tate was nearly perfect; Chase is decidedly imperfect. But as Kya narrates, “I was no longer lonely, and that seemed like enough.” Seem like too much to anyone else? We know a shitbird when we see one, don’t we?

What Movies Will It Remind You Of?: Crawdads doesn’t stir up the mystical vibes of the Deep South like Mud does, but it kinda tries. It’s also like The Notebook if its modest charms had been chomped off by a swamp gator.

Performance Worth Watching: Anybody buying Edgar-Jones as a semi-feral woman living in a secluded swamp shack? She plays the character like the school wallflower from an ’80s teen sex comedy who’s targeted by the mean jock and rescued by the nice guy, but with a little more mud between her toes. That leaves us highlighting Strathairn, who enjoys a couple earnest moments despite the screenplay doing him no favors.

Memorable Dialogue: Kya: “I know feathers. The other girls don’t know feathers.”

Sex and Skin: A couple light PG-13 sex scenes; a pretty heavy PG-13 incident of sexual assault.

Our Take: Burning question: Do crawdads – or to be non-colloquial about it, crayfish – make noise? The internet says they have an appendage, a scaphognathite, through which they make little clicky-bubbly noises. No singing, no humming, nary a note. But I’m being literal, and “where the crawdads sing” is a metaphor for Kya’s place of refuge, where she’ll escape cruel, violent men. Digging deeper into this awkward look-at-me-I’m-LITERARY device only makes these shallow waters muddier: Is where the crawdads sing an actual physical place somewhere deep in the marsh where all of Kya’s beloved birds and bugs live? A place within the mind of psychological safety or strength? Is it where she might allegedly murder one of those cruel men? Or is “where the crawdads sing” an attempt to fish a capital-S Symbol from the muck of half-considered faux-belletristic narrative swampland? (Be thankful: It could’ve been called Where the Humpbacks Hump .)

I’m trying here, I really am. But there’s not much substance to this quasi-Gothic melodrama beyond vague squeakings about the cruelties of 20th-century American civilization. Toxic masculinity is a big one: Buncha creeps out there! Outsiderdom is another: Gossips and namecallers suck! There’s vaguely something about the ugly racial dynamics of the era: Mabel and Jumpin’ are Black, and they’re outsiders too! Women have to be strong: Look at Kya, she’s very strong! She also somehow knows how to apply makeup despite being isolated from society for a decade-and-a-half. Must’ve learned that off-screen, in between all those narrative time-hops. Maybe from Mabel, who’s like a mother to her, sort of, or at least it’s almost implied, or the movie wants it to be implied, but doesn’t try too hard to imply it, because there’s too much plot to work through.

Speaking of plot, Crawdads is a three-headed monster: Whodunit, romance, and courtroom drama. The first unfolds like a well-worn routine, not a suspenseful nailbiter. The second is Hallmarked schmaltz. The third is toothless and simplistic. Director Olivia Newman is all too comfortable with cliches: The cops find some fibers on the body matching a hat found in Kya’s house. Kya and Tate mash on the beach as the waves wash over them. The courtroom gallery gasps with every revelation. We roll our eyes and maybe even guffaw at some of this junk, all of it corny, melodramatic and vaguely maudlin. Yet we see it through to the end, not because we’re invested in the characters and their well-being, but just to see what happens, to see if the conclusion as unconvincing as every scene that came before it. And lo, it is. The crawdads are in misery here. They don’t sing, they just screech in pain.

Our Call: Beneath the marsh muck the crawdads click-bubble through their scaphognathites an instinctive and urgent primal message sourced from deep within their DNA: SKIP IT.

John Serba is a freelance writer and film critic based in Grand Rapids, Michigan. Read more of his work at johnserbaatlarge.com .

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Where the Crawdads Sing

From the best-selling novel comes a captivating mystery set in the dangerous Carolina marshlands. more

From the best-selling novel comes a captivating mystery set in th ... More

Starring: Daisy Edgar-Jones Taylor John Smith Harris Dickinson

Director: Olivia Newman

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From the best-selling novel comes a captivating mystery set in the dangerous Carolina marshlands.

Starring: Daisy Edgar-Jones Taylor John Smith Harris Dickinson Michael Hyatt Sterling Macer Jr.

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