2024-2025 Undergraduate Catalog | | About the ProgramThe English Department’s Concentration in Creative Writing bridges the traditions of literary studies with the innovations needed in today’s creative market place. Students take a strong core of literature to meet their individual interests and career goals. Part of the program is a tiered system of Creative Writing Workshops–two at the entry level that will include poetry, fiction, and nonfiction as well as two at the intermediate level in poetry,fiction, nonfiction, or scriptwriting that the student will choose. Students can also select from a variety of workshop courses such as Children’s Literature, Young Adult Writing, Script and Playwriting, Memoir, and Advanced Poetry and Fiction courses in which they work with faculty members who are professional, published writers. All English majors do either a Career Internship (with opportunities to work with local presses, publishing companies, and creative arts organizations) or Student Teaching for Certification. Both are well supported by Arcadia’s close proximity to Philadelphia. Requirements(60 credits as listed below, with Undergraduate Curriculum requirements and electives to total a minimum of 120 credits) Nine English coursesFour core courses (16 credits). - EN 199 Interpreting Literature (4 Credits)
- EN 202 Research Writing for English Majors (4 Credits)
- EN 300 The Junior Seminar (4 Credits)
- EN 388 Senior Creative Writing Seminar (4 Credits)
Five 200 level courses (20 credits)- EN 212 Writing Poetry and Fiction (4 Credits)
One 200-level course in “Topics in African Diasporic Literature,” which must be chosen from this list: - EN 219 Literary Themes and Forms (4 Credits) (depending on the topic)
- EN 220 Selected Authors (4 Credits) (depending on the topic)
- EN 230 Literature of the African Diaspora (4 Credits)
- EN 231 Short Fiction of the African Diaspora (4 Credits)
- EN 237 Literature of Revolution (4 Credits) (depending on the topic)
One 200-level course in “Topics in Identity and Social Justice,” which must be chosen from this list:- EN 223 Contemporary Short Fiction (4 Credits) (depending on the topic)
- EN 224 Native American Fiction (4 Credits)
- EN 225 Introduction to Queer Fiction (4 Credits)
- EN 226 Detective Fiction (4 Credits)
- EN 229 Voices of America (4 Credits)
- EN 237 Literature of Revolution (4 Credits) (depending on the topic)
Two 200-level Creative Writing Workshop Courses- EN 211 Creative Nonfiction Workshop (4 Credits)
- EN 240 Intermediate Fiction Writing (4 Credits)
- EN 241 Intermediate Poetry Writing (4 Credits)
Five 300-level Required Courses (20 credits)Two 300-level Creative Writing Workshop Courses - EN 343 Writing for Children (4 Credits)
- TH 350 Playwriting (4 Credits)
- EN 368 Tell It Slant: Memoir Writing Workshop (4 Credits)
- EN 375 Fiction Writing Workshop (4 Credits)
- EN 378 Poetry Writing Workshop (4 Credits)
- CM 408 Screenwriting (4 Credits)
One 300 level Literature Elective from the list below or EN399: Senior Literature Seminar- EN323 Modern American Literature
- EN327 The Discovery of Adulthood in British and American Fiction
- EN328 William Faulkner
- EN330 Cinema of the African Diaspora
- EN332 Literature and the Law
- EN335 Special Topics in American Literature
- EN336 Asian Literature
- EN341 The (Neo) Slave and Emancipation Narrative
- EN344 Special Studies Seminar
- EN347 Tales of the City: Urbanism in Global Literature
- EN349 The Short Novel
- EN350 Major Authors Seminar
- EN351 Jane Austen
- EN353 Mark Twain
- EN355 Southern Fiction
- EN359 Literature after War
- EN360 Contemporary American Autobiography
- EN361 Seminar: Modern Drama
- EN362 A Few Great Novels
- EN365 The Contemporary Moment
- EN366 Kerouac and His Sources
- EN384 Graphic Fiction Adaptations from Literature and Life
- EN387 Women, Writing, and Rhetoric
Two 300-level Courses in “Topics in European Literature” or “Topics in U.S. Literature” or “200-level or 300-level Topics in Global Literature” 300-level course in “Topics in European Literature” - EN320 Classical and Medieval European Literature
- EN321 European Renaissance and Enlightenment Literature
- EN342 Ireland in Twentieth Century Film and Literature
- EN344 Special Studies Seminar (depending on the topic)
- EN346 Russian Fiction
- EN350 Major Authors Seminar (depending on the topic)
- EN359 Literature after War (depending on the topic)
- EN361 Seminar: Modern Drama (depending on the topic)
- EN362 A Few Great Novels (depending on the topic)
- EN363 Modernism & Postmodernism
- EN364 Seminar: The Lyric
- EN381 Modern British Literature and Culture
300-level course in “Topics in U.S. Literature” - EN344 Special Studies Seminar (depending on the topic)
200-level 300-level course in “Topics in Global Literature” 200-level Courses - EN220 Selected Authors (depending on the topic)
- EN219 Literary Themes and Forms (depending on the topic)
- EN234 Travel Writing
- EN237 Literature of Revolution (depending on the topic)
300-Level Courses Accepted Modern Languages and Cultures Courses - IT314 Introduction to Italian Literature
- FR310 French Women Writers and Other Troublemakers
- FR314 Readings in French
- FR385 French Literary Movements
- SP314 Contemporary Spanish Literature
- SP315 Contemporary Latin American Literature
- SP324 Survey of Spanish Literature
- SP325 Survey of Latin American Literature
- SP327 Iconic Women of Spain
- US234 Representations of the Spanish Civil War
- US236 Christian, Jewish, Muslim Spain: From Eden to Exile
- US261 Representations of the Holocaust
Career Internship- EN 371 Career Internship in English
Recommended:Courses in modern language and literature, history, religion, philosophy, art, and music as well as electives appropriate to specific professional objectives such as a career in business, law, radio or television. School of Humanities- Skip to content
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Explore WestTake advantage of what the University of West Georgia has to offer. UWG boasts 87 programs of study. UWG offers an exciting, diverse curriculum that allows its students to flourish and become community and world leaders. Think, Create, CommunicateThe humanities are central to who we are as human beings and have the most adaptable degrees in the job market. We study and interpret the human experience, from history, ethics, language, and literature to current cultural and marketing trends. Our majors are not only boundless thinkers but also experts at creating content and communicating it. Our degrees prepare you for a variety of rewarding careers and equip you with the skills you'll need for jobs of the future. Humanities graduates work in a multitude of sectors, from public education to Fortune 500 companies, and are successful in these careers and many more: - Copywriters and Editors
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Choose from diverse programs and degrees.We give you the freedom to tailor your degree to your career goals—and help you choose the best path to realize them. Along the way, we encourage interdisciplinary learning for a well-rounded educational experience. Explore how our programs and degree options will shape your time at UWG and make you the best fit for a wide range of positions in today's workforce. International Languages & CulturesCreative WritingChoose one of our many minors to complement your major and give you an edge in the workforce. Each minor is 15 to 18 credit hours and can be applied to most majors at UWG. - Africana Studies
- Asian Studies
- Classical Studies
- Creative Writing
- Film Studies
- Gender and Sexuality Studies
- French , German , or Spanish
- Latin American Studies
- Women's Studies
CertificatesFast track your future with one of our exciting and career-oriented certificates . For only 12 to 15 credit ours, certificates will give you expertise in a specialized subject area to leverage your chosen career. Seamlessly earn an embedded certificate alongside your major or choose a stand-alone or post-baccalaureate certificate for an additional concentration. - Discipline Specific Writing (Embedded)
- Ethics (Stand-Alone)
- Global Languages and Cultures (Stand-Alone)
- Global Studies (Embedded)
- Latin American, Caribbean, and Latinx Studies (Stand-Alone)
- Museum Studies (Post-Baccalaureate)
- Public History (Embedded or Post-Baccalaureate)
- Publishing and Editing (Embedded)
Scholarship OpportunitiesThe School of Humanities has many established scholarships to assist you as an admitted student. For information, please consult your areas of interest and review the qualifications: - English Scholarships
- History Scholarships
- International Languages and Cultures Scholarships
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CONTACT US:(678) 839-5450 | [email protected] Technology-Enhanced Learning Center (TLC) 3226 Faculty and Staff Directory Calculate for all schoolsYour chance of acceptance, your chancing factors, extracurriculars, how's the english department at sac state. Hi there! I'm thinking about majoring in English and wanted to know how the English department at Sacramento State University is. Are the professors good? Any info would be much appreciated, thanks! Sac State's English Department has a good reputation for providing diverse courses and committed faculty. The department offers both undergraduate and graduate programs, including a BA in English with concentrations in literature, creative writing, and language & linguistics, as well as an MA and an MFA program. From what I've gathered, many students appreciate the passionate and knowledgeable professors in the department. Faculty at Sac State often bring their real-world experience and connections into the classroom, which can be particularly helpful for students interested in careers in writing, publishing, or academia. The English department also supports student success through resources like the English Graduate Association and the Writing Center, which offers tutoring and workshops for students. In addition, the department sponsors events such as guest speakers and poetry readings, providing chances for students to engage with the literary community outside the classroom. To help you get a fuller picture, I would recommend reaching out to current English majors or alumni in the program and asking about their experiences. This can provide unique insights about the department's strengths and weaknesses, as well as give you advice on what courses or professors to prioritize. You can also visit the department's website and review the faculty profiles to get a sense of their backgrounds and areas of expertise. Overall, the English Department at Sac State is well-regarded and offers a range of opportunities for students to pursue their literary passions. It's important to do your own research and connect with people in the program to make sure it aligns with your personal interests and goals. About CollegeVine’s Expert FAQCollegeVine’s Q&A seeks to offer informed perspectives on commonly asked admissions questions. Every answer is refined and validated by our team of admissions experts to ensure it resonates with trusted knowledge in the field. English Graduate Course DescriptionsSummer 2023, english 792.s01 topics: gothic film, sharon smith. Horace Walpole’s 1764 novella "The Castle of Otranto " established many of the conventions we associate with Gothic narrative: distressed heroes and heroines pursued by tyrannical villains; gloomy estates with dark corridors, secret passageways, and mysterious chambers; haunting dreams, troubling prophecies, and disturbing premonitions; abduction, imprisonment, and murder; and, of course, a varied assortment of corpses, apparitions, and “monsters.” These conventions infiltrated cinema early in its history, establishing Gothic film as a significant genre that continues to engage audiences in the present day. Like their literary predecessors, these films explore the darker side of family, marriage, gender, and sexuality, often revealing the power dynamics that shape them. As they do so, they demonstrate how the true horrors of human existence often have less to do with inexplicable supernatural phenomena than with the horrific realities of life. Among these realities is our inability to escape a past that relentlessly haunts the present and that must be confronted before it can be left behind. During this five-week online course, we will watch films that engage Gothic conventions and concerns and will read a selection of criticism focusing on the films we watch. Films may include Alfred Hitchcock’s Rebecca , Stanley Kubrick’s "The Shining," Tim Burton’s "Edward Scissorhands," Georgina Lightning’s "Older Than America," Ana Lily Amirpour's "A Girl Walks Home Alone at Night," Jennifer Kent’s "The Babadook," Jordan Peele’s "Get Out," Rian Johnson’s "Knives Out," and Jane Campion’s "The Power of the Dog." ENGL 592.S01 Professional Editing and PublishingOn Campus: Mondays 3-5:50 p.m. Katherine MaloneThis course focuses on the theory and practice of professional editing in the field of English studies. Our readings will consider questions relating to authorship, textuality, and the role of the editor in journal, book, and web publishing. In addition to exploring contemporary debates in scholarly editing, we will consider how editorial decisions (such as introductory essays, appendices, footnotes, illustrations, and textual sources) shape meaning across various editions of a work. You will learn how to build style sheets, ensure error-free copy, and manage editorial projects while gaining hands-on experience with a top-tier academic journal. Assignments include a course blog, two edited articles, a textual history essay, and a final project for which you will use your research and editing skills to create an anthology of nineteenth-century short stories. REQUIRED TEXTS - Einsohn, Amy, Marilyn Schwartz, and Erika Buky. The Copyeditor's Handbook and Workbook: The Complete Set . Oakland: University of California Press, 2019. (9780520306677)
- Keleman, Erick. Textual Editing and Criticism: An Introduction . New York: Norton, 2009. (9780393929423)
- Williams, Joseph M., and Joseph Bizup. Style: Lessons in Clarity and Grace . 12th ed. Boston: Pearson, 2016. (9780134080413)
ENGL 592.ST1 ScreenwritingSteven wingate. Students will learn the fundamentals of screenwriting: good format, believable and imaginative stories, solid characterization, and well-turned narrative arcs. The class will read outstanding screenplays as craft examples, adapt a literary work to learn format, then draft, workshop, revise, and expand original scripts or adaptations. At the end of the course, students should have either a complete and polished first act of a feature script they can complete on their own time, or a fully-realized script for a short film or series episode. While we will not focus on “making it” in Hollywood, we will cover the basics of how the film industry works and what that means for writers who want to see their work onscreen. ENGL 705.S01 Seminar in Teaching CompositionOn Campus: Thursdays 1-3:50 p.m. Nathan SerflingThis course will provide you with a foundation in the pedagogies and theories (and their attendant histories) of writing instruction, a foundation that will prepare you to teach your own writing courses at SDSU and elsewhere. As you will discover through our course, though, writing instruction does not come with any prescribed set of “best” practices. Rather, writing pedagogies stem from and continue to evolve because of various and largely unsettled conversations about what constitutes effective writing and effective writing instruction. Part of becoming a practicing writing instructor, then, is studying these conversations to develop a sense of what “good writing” and “effective writing instruction” might mean for you in our particular program and how you might adapt that understanding to different programs and contexts. As we read about, discuss, and research writing instruction, we will address a variety of practical and theoretical topics. The practical focus will allow us to attend to topics relevant to your immediate classroom practices: designing a curriculum and various types of assignments, delivering the course content, and assessing student work, among others. Our theoretical topics will begin to reveal the underpinnings of these various practical matters, including their historical, rhetorical, social, and political contexts. In other words, we will investigate the praxis—the dialogic interaction of practice and theory—of writing pedagogy. As a result, this course aims to prepare you not only as a writing teacher but also as a nascent writing studies/writing pedagogy scholar. At the end of this course, you should be able to engage effectively in the classroom practices described above and participate in academic conversations about writing pedagogy, both orally and in writing. Assessment of these outcomes will be based primarily on the various writing assignments you submit and to a smaller degree on your participation in class discussions and activities. ENGL 726.S01 Seminar in English Literature since 1660: Living “In the Wake” of Colonization and SlaveryOn Campus: Tuesdays 3-5:50 p.m. This course examines representations of race in literature of the long eighteenth century, considering how these representations were used to both rationalize and critique colonization and transatlantic slavery. Though we’ll consider texts written from the perspective of the colonizing culture, a significant portion of the course will focus on voices from multiple historical, geographical, and generic contexts that push back against and fill gaps within colonial narratives. Engaging a “presentist” approach to the study of eighteenth-century texts, we’ll discuss how twenty-first-century Americans are currently living “in the wake”—to use Christina Sharpe’s phrase—of colonization and slavery, as can be seen in the movements for and reactions against ending systemic racial violence, teaching Black and Indigenous histories, reforming the prison system, and returning stolen Indigenous lands. Literary texts will include Aphra Behn’s "Oroonoko," Daniel Defoe’s "Robinson Crusoe, The Woman of Colour," Olaudah Equiano’s "Interesting Narrative," Mary Prince’s "Autobiography," and a variety of shorter texts that engage with subject matter related to colonization, indigeneity, enslavement, abolition, and rebellion. We will also consider the work of more recent authors and scholars, including Robert Hayden, Toni Morrison, Saidiya Hartman, Christina Sharpe and Layli Long Soldier. ENGL 792.ST1 Reading Contemporary Poetry and Creative NonfictionAmber jensen, m.a., m.f.a.. In this course, we will explore how contemporary poetry and creative nonfiction build upon traditional models but also continue to innovate and blur genre distinctions. We will draw from theoretical texts "How to Read (and Write About) Poetry, Second Edition " by Susan Holbrook and "The Next American Essay (A New History of the Essay) " by John D’Agata and read individual poems and essays, as well as complete collections and memoirs, including (selections subject to change): Kaleb Ray Cadrilli’s "Water I Won’t Touch," Tyree Daye’s Cardinal, Christine Stewart’s "The Poet & The Architect," Joy Harjo’s "Crazy Brave," and Mary Alice Haug’s "Out of Loneliness." Our rhetorical reading of these texts will focus on the relationship between text and context, examining how these works reflect and impact the world they are produced and consumed in, what we bring to our reading of these texts and what these texts offer to us. |
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Our MA Creative Writing master's course offers specialist teaching from leading writers and poets in a UNESCO City of Literature. Skip to navigation | Skip to main ... MA Creative Writing / Overview. Year of entry: 2024. View tabs; View full page; Overview; ... English Literature, American Studies and Creative Writing; Overview; Entry requirements;
Students enrolled in the Master of Liberal Arts program in Creative Writing & Literature will develop skills in creative writing and literary analysis through literature courses and writing workshops in fiction, screenwriting, poetry, and nonfiction. Through online group courses and one-on-one tutorials, as well as a week on campus, students ...
English Literature MA students, as part of Northumbria's Humanities department, ... The subject area of English and Creative Writing produces high quality research and has been successful in securing external funding for research projects from the British Academy, the Arts and Humanities Research Council, and the Leverhulme Trust. ...
We normally require a 2:2 undergraduate degree in English (literary studies/creative writing) or a cognate humanities discipline or international equivalent. With your application, you must submit a satisfactory 2000 to 3000-word sample of your written work, consisting of either literary criticism or creative writing, on a subject of your choice.
The post graduate dual degree, Master of Fine Arts (MFA) in Creative Writing and Master of Arts (MA) in English, enables you to earn two degrees at the same time. These complementary courses of study differ in that an MFA focuses on developing artistic skills in the fields of writing and art, while an MA focuses on fields in a theoretical or ...
We see you on a creative journey as you work toward the completion of your master's degree in Creative Writing and the creation of a publishable work of literature. Study fiction, poetry, nonfiction, travel writing, screenwriting, or a dual genre with award-winning faculty members in inspiring locations across Europe. The Cedar Crest College Pan-European Creative […]
Creative Writing and English Literature moved into the School of Art, Architecture and Design in 2016/17, and we began collaborating with the tutors and students on the Design, Illustration and Publishing degrees. ... Creative, Digital and Professional Writing - MA. Learn from leading writing professionals and gain valuable industry experience ...
An English major offers you a deeper understanding of the world through the study of literature, language, and writing. The strong reading, critical thinking, writing, and speaking skills you will develop will prepare you for any career you wish to pursue after college. English majors go on to graduate school as well as rewarding careers in publishing, editing, teaching, technical writing ...
Creative Writing: Provides an overview of creative writing genres and allows a focused track in fiction, poetry, creative nonfiction and screenwriting through workshop experience. Editing and Publishing: Develops skills in editing, proofreading and media software in preparation for careers in editing and publishing. English: Builds on required composition and world literature courses to help ...
MA LIT MA RCD MA XDM ... English - Literature and Rhetoric. Arabella Hareem Abid Tess Booth Andrew James Chan Dylan Clancy Omar Abdulhamid Elkadri ... English - Creative and Professional Writing. Jace Ellis Zhi Long Zhao. Current students, Current undergraduate students,
EN384 Graphic Fiction Adaptations from Literature and Life; EN387 Women, Writing, and Rhetoric Two 300-level Courses in "Topics in European Literature" or "Topics in U.S. Literature" or "200-level or 300-level Topics in Global Literature" 300-level course in "Topics in European Literature"
Discover Harding's English programs, offering majors and minors in literature, English education, creative writing and business communications. Academics. ... English Language & Literature. 501-279-4421. [email protected]. Join Our Community. At Harding University, you'll have the opportunity to be transformed academically, relationally and ...
Literature and Creative Writing Track Dear English Major: This map is a term-by-term sample course schedule. The milestones ... 4000 Level Literature or Creative Writing 3 Guided Electives 3 Guided Electives 3 Guided Electives 3 Total hours 15 Milestones: ≥2.0 GPA. Early in your final semester, you should: Contact
In the English Program, you'll explore the power of stories and storytelling as a means of understanding and interacting with our world. We support undergraduate degrees in English and English Education, minors in Literature and Creative Writing and an embedded certificate in Publishing and Editing. Request Information
Undergraduate CoursesComposition courses that offer many sections (ENGL 101, 201, 277 and 379) are not listed on this schedule unless they are tailored to specific thematic content or particularly appropriate for specific programs and majors.100-200 levelENGL 151.S01: Introduction to English StudiesTuesday and Thursday, 11 a.m.-12:15 p.m.Sharon SmithENGL 151 serves as an introduction to both ...
The humanities are central to who we are as human beings and have the most adaptable degrees on the job market. Our degrees in English, History, French, German, Spanish, Creative Writing, Film, Museum Studies, and Philosophy interpret the human experience, from history, ethics, language, and literature to current cultural and marketing trends.
They also offer an honors program and tracks for creative writing. 4. Columbia University: Columbia's Department of English and Comparative Literature is known for its diversity in faculty and research, focusing on traditional literature, cultural studies, and literary theory. 5. University of California, Berkeley: UC Berkeley's English ...
Jason McEntee, Director of English and Interdisciplinary Studies Welcome to the School of English and Interdisciplinary Studies at South Dakota State University.Our distinguished faculty in English teach a wide range of diverse and engaging classes at both the undergraduate and graduate levels, ranging from American and British literature, literary theory, linguistics, creative writing ...
Coursework: The coursework for English majors at the University of Oregon is designed to give students a strong foundation in literary studies, writing, and cultural analysis. The curriculum is divided into core and elective courses, which consist of a mix of literature, creative writing, and cultural studies classes.
Sac State's English Department has a good reputation for providing diverse courses and committed faculty. The department offers both undergraduate and graduate programs, including a BA in English with concentrations in literature, creative writing, and language & linguistics, as well as an MA and an MFA program. From what I've gathered, many students appreciate the passionate and knowledgeable ...
Assessment of these outcomes will be based primarily on the various writing assignments you submit and to a smaller degree on your participation in class discussions and activities.ENGL 726.S01 Seminar in English Literature since 1660: Living "In the Wake" of Colonization and SlaveryOn Campus: Tuesdays 3-5:50 p.m.Sharon SmithThis course ...
I graduated from Hofstra University with a BA in Creative Writing and an MA in Fantasy Literature. After graduating, I taught English at a local college for fourteen years and then at the high school level for another six. Much of my free time is spent writing for fun, and I have a solid background in both academic and creative writing.
Terminal degree (MFA) in Creative Writing. MA in English Literature. Published author of essays, poetry and a novel, Nine Nails: A Novel in Essays (Serving House Books, 2019).
I have an MA degree in Creative Writing from Wits University, for which I graduated cum laude in 2023. I also hold an MA degree in English Literature and Modernity from the University of Cape Town, where I graduated cum laude in 2021. My short story, 'Vaseline,' was published in the Winter 2020 issue of Zenith magazine at the University of Iowa.
CELTA qualified English as a Second Language Tutor.<br>BA (Hons) English Literature and Creative Writing, MA Contemporary English Literature. <br><br>Professional experience in language teaching, finance, sales support, business administration, online and offline content writing and editing, social media networking. <br><;br>Experienced office and accounts administrator, with excellent ...
I am currently on the pre-Journalism track and I am passionate about creative writing, news reporting, and investigative journalism. <br> · Experience: Former Publisher Grand Haven Tribune ...