What is Creative Writing? A Key Piece of the Writer’s Toolbox
Not all writing is the same and there’s a type of writing that has the ability to transport, teach, and inspire others like no other.
Creative writing stands out due to its unique approach and focus on imagination. Here’s how to get started and grow as you explore the broad and beautiful world of creative writing!
What is Creative Writing?
Creative writing is a form of writing that extends beyond the bounds of regular professional, journalistic, academic, or technical forms of literature. It is characterized by its emphasis on narrative craft, character development, and the use of literary tropes or poetic techniques to express ideas in an original and imaginative way.
Creative writing can take on various forms such as:
- short stories
- screenplays
It’s a way for writers to express their thoughts, feelings, and ideas in a creative, often symbolic, way . It’s about using the power of words to transport readers into a world created by the writer.
5 Key Characteristics of Creative Writing
Creative writing is marked by several defining characteristics, each working to create a distinct form of expression:
1. Imagination and Creativity: Creative writing is all about harnessing your creativity and imagination to create an engaging and compelling piece of work. It allows writers to explore different scenarios, characters, and worlds that may not exist in reality.
2. Emotional Engagement: Creative writing often evokes strong emotions in the reader. It aims to make the reader feel something — whether it’s happiness, sorrow, excitement, or fear.
3. Originality: Creative writing values originality. It’s about presenting familiar things in new ways or exploring ideas that are less conventional.
4. Use of Literary Devices: Creative writing frequently employs literary devices such as metaphors, similes, personification, and others to enrich the text and convey meanings in a more subtle, layered manner.
5. Focus on Aesthetics: The beauty of language and the way words flow together is important in creative writing. The aim is to create a piece that’s not just interesting to read, but also beautiful to hear when read aloud.
Remember, creative writing is not just about producing a work of art. It’s also a means of self-expression and a way to share your perspective with the world. Whether you’re considering it as a hobby or contemplating a career in it, understanding the nature and characteristics of creative writing can help you hone your skills and create more engaging pieces .
For more insights into creative writing, check out our articles on creative writing jobs and what you can do with a creative writing degree and is a degree in creative writing worth it .
Styles of Creative Writing
To fully understand creative writing , you must be aware of the various styles involved. Creative writing explores a multitude of genres, each with its own unique characteristics and techniques.
Poetry is a form of creative writing that uses expressive language to evoke emotions and ideas. Poets often employ rhythm, rhyme, and other poetic devices to create pieces that are deeply personal and impactful. Poems can vary greatly in length, style, and subject matter, making this a versatile and dynamic form of creative writing.
Short Stories
Short stories are another common style of creative writing. These are brief narratives that typically revolve around a single event or idea. Despite their length, short stories can provide a powerful punch, using precise language and tight narrative structures to convey a complete story in a limited space.
Novels represent a longer form of narrative creative writing. They usually involve complex plots, multiple characters, and various themes. Writing a novel requires a significant investment of time and effort; however, the result can be a rich and immersive reading experience.
Screenplays
Screenplays are written works intended for the screen, be it television, film, or online platforms. They require a specific format, incorporating dialogue and visual descriptions to guide the production process. Screenwriters must also consider the practical aspects of filmmaking, making this an intricate and specialized form of creative writing.
If you’re interested in this style, understanding creative writing jobs and what you can do with a creative writing degree can provide useful insights.
Writing for the theater is another specialized form of creative writing. Plays, like screenplays, combine dialogue and action, but they also require an understanding of the unique dynamics of the theatrical stage. Playwrights must think about the live audience and the physical space of the theater when crafting their works.
Each of these styles offers unique opportunities for creativity and expression. Whether you’re drawn to the concise power of poetry, the detailed storytelling of novels, or the visual language of screenplays and plays, there’s a form of creative writing that will suit your artistic voice. The key is to explore, experiment, and find the style that resonates with you.
For those looking to spark their creativity, our article on creative writing prompts offers a wealth of ideas to get you started.
Importance of Creative Writing
Understanding what is creative writing involves recognizing its value and significance. Engaging in creative writing can provide numerous benefits – let’s take a closer look.
Developing Creativity and Imagination
Creative writing serves as a fertile ground for nurturing creativity and imagination. It encourages you to think outside the box, explore different perspectives, and create unique and original content. This leads to improved problem-solving skills and a broader worldview , both of which can be beneficial in various aspects of life.
Through creative writing, one can build entire worlds, create characters, and weave complex narratives, all of which are products of a creative mind and vivid imagination. This can be especially beneficial for those seeking creative writing jobs and what you can do with a creative writing degree .
Enhancing Communication Skills
Creative writing can also play a crucial role in honing communication skills. It demands clarity, precision, and a strong command of language. This helps to improve your vocabulary, grammar, and syntax, making it easier to express thoughts and ideas effectively .
Moreover, creative writing encourages empathy as you often need to portray a variety of characters from different backgrounds and perspectives. This leads to a better understanding of people and improved interpersonal communication skills.
Exploring Emotions and Ideas
One of the most profound aspects of creative writing is its ability to provide a safe space for exploring emotions and ideas. It serves as an outlet for thoughts and feelings , allowing you to express yourself in ways that might not be possible in everyday conversation.
Writing can be therapeutic, helping you process complex emotions, navigate difficult life events, and gain insight into your own experiences and perceptions. It can also be a means of self-discovery , helping you to understand yourself and the world around you better.
So, whether you’re a seasoned writer or just starting out, the benefits of creative writing are vast and varied. For those interested in developing their creative writing skills, check out our articles on creative writing prompts and how to teach creative writing . If you’re considering a career in this field, you might find our article on is a degree in creative writing worth it helpful.
4 Steps to Start Creative Writing
Creative writing can seem daunting to beginners, but with the right approach, anyone can start their journey into this creative field. Here are some steps to help you start creative writing .
1. Finding Inspiration
The first step in creative writing is finding inspiration . Inspiration can come from anywhere and anything. Observe the world around you, listen to conversations, explore different cultures, and delve into various topics of interest.
Reading widely can also be a significant source of inspiration. Read different types of books, articles, and blogs. Discover what resonates with you and sparks your imagination.
For structured creative prompts, visit our list of creative writing prompts to get your creative juices flowing.
Editor’s Note : When something excites or interests you, stop and take note – it could be the inspiration for your next creative writing piece.
2. Planning Your Piece
Once you have an idea, the next step is to plan your piece . Start by outlining:
- the main points
Remember, this can serve as a roadmap to guide your writing process. A plan doesn’t have to be rigid. It’s a flexible guideline that can be adjusted as you delve deeper into your writing. The primary purpose is to provide direction and prevent writer’s block.
3. Writing Your First Draft
After planning your piece, you can start writing your first draft . This is where you give life to your ideas and breathe life into your characters.
Don’t worry about making it perfect in the first go. The first draft is about getting your ideas down on paper . You can always refine and polish your work later. And if you don’t have a great place to write that first draft, consider a journal for writing .
4. Editing and Revising Your Work
The final step in the creative writing process is editing and revising your work . This is where you fine-tune your piece, correct grammatical errors, and improve sentence structure and flow.
Editing is also an opportunity to enhance your storytelling . You can add more descriptive details, develop your characters further, and make sure your plot is engaging and coherent.
Remember, writing is a craft that improves with practice . Don’t be discouraged if your first few pieces don’t meet your expectations. Keep writing, keep learning, and most importantly, enjoy the creative process.
For more insights on creative writing, check out our articles on how to teach creative writing or creative writing activities for kids.
Tips to Improve Creative Writing Skills
Understanding what is creative writing is the first step. But how can one improve their creative writing skills? Here are some tips that can help.
Read Widely
Reading is a vital part of becoming a better writer. By immersing oneself in a variety of genres, styles, and authors, one can gain a richer understanding of language and storytelling techniques . Different authors have unique voices and methods of telling stories, which can serve as inspiration for your own work. So, read widely and frequently!
Practice Regularly
Like any skill, creative writing improves with practice. Consistently writing — whether it be daily, weekly, or monthly — helps develop your writing style and voice . Using creative writing prompts can be a fun way to stimulate your imagination and get the words flowing.
Attend Writing Workshops and Courses
Formal education such as workshops and courses can offer structured learning and expert guidance. These can provide invaluable insights into the world of creative writing, from understanding plot development to character creation. If you’re wondering is a degree in creative writing worth it, these classes can also give you a taste of what studying creative writing at a higher level might look like .
Joining Writing Groups and Communities
Being part of a writing community can provide motivation, constructive feedback, and a sense of camaraderie. These groups often hold regular meetings where members share their work and give each other feedback. Plus, it’s a great way to connect with others who share your passion for writing.
Seeking Feedback on Your Work
Feedback is a crucial part of improving as a writer. It offers a fresh perspective on your work, highlighting areas of strength and opportunities for improvement. Whether it’s from a writing group, a mentor, or even friends and family, constructive criticism can help refine your writing .
Start Creative Writing Today!
Remember, becoming a proficient writer takes time and patience. So, don’t be discouraged by initial challenges. Keep writing, keep learning, and most importantly, keep enjoying the process. Who knows, your passion for creative writing might even lead to creative writing jobs and what you can do with a creative writing degree .
Happy writing!
Brooks Manley
Creative Primer is a resource on all things journaling, creativity, and productivity. We’ll help you produce better ideas, get more done, and live a more effective life.
My name is Brooks. I do a ton of journaling, like to think I’m a creative (jury’s out), and spend a lot of time thinking about productivity. I hope these resources and product recommendations serve you well. Reach out if you ever want to chat or let me know about a journal I need to check out!
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Inspiring Ink: Expert Tips on How to Teach Creative Writing
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Elements of Creative Writing
(4 reviews)
J.D. Schraffenberger, University of Northern Iowa
Rachel Morgan, University of Northern Iowa
Grant Tracey, University of Northern Iowa
Copyright Year: 2023
ISBN 13: 9780915996179
Publisher: University of Northern Iowa
Language: English
Formats Available
Conditions of use.
Learn more about reviews.
Reviewed by Samar Fitzgerald, Fiction Writing Instructor, James Madison University on 11/12/24
It's as thorough as one could ask of a multi-genre, introductory-level textbook. read more
Comprehensiveness rating: 5 see less
It's as thorough as one could ask of a multi-genre, introductory-level textbook.
Content Accuracy rating: 4
The authors are appropriately candid regarding biases. Creative-writing courses are process-oriented, so accuracy is not the best metric for a textbook. But the authors present paradigms for understanding the creative process and specific techniques for developing material that resonate with this reader--with only a few small exceptions. At the same time, I did not encounter here new ideas or ways of thinking about the creative process.
Relevance/Longevity rating: 5
That the authors are also editors of a small press enhances relevancy. An added advantage: the textbook creates an opportunity for students to be made aware of and potentially explore a small press. I would hope to see here links to interviews with journal authors or similar content. A section on a story or a poem before revision and after editorially work would be interesting and useful for students as well.
Clarity rating: 5
Overall, the writing is cogent and appropriately inviting to the entry-level student.
Consistency rating: 4
Again, consistency may not be the most useful metric in this case. The three authors have notably different voices, but this is ultimately a strength of the book. I appreciate that they did not attempt to merge their prose styles into a single voice.
Modularity rating: 5
Yes. The text is very user-friendly and versatile.
Organization/Structure/Flow rating: 3
In a few places, I found the organization of ideas more obfuscating than clarifying. For example, the topic of narrative structure was mentioned in different (sometimes overlapping, sometimes conflicting) chapters in the fiction section. Moreover, my instinct is not to start students off with the complicated matter of structure as this text does, but with the smallest unit of creative writing--the image--and to build from there.
Interface rating: 5
I did not note any interface concerns.
Grammatical Errors rating: 5
I noted very few typos.
Cultural Relevance rating: 5
One can always strive for greater relevancy, of course. But I did appreciate this textbook's emphasis on works published in the North American Review. That helps ensure the referenced works are not the same, heavily anthologized content one usually encounters in a creative writing textbook.
Reviewed by Colin Rafferty, Professor, University of Mary Washington on 8/2/24
Fantastically thorough. By using three different authors, one for each genre of creative writing, the textbook allows for a wider diversity of thought and theory on writing as a whole, while still providing a solid grounding in the basics of each... read more
Fantastically thorough. By using three different authors, one for each genre of creative writing, the textbook allows for a wider diversity of thought and theory on writing as a whole, while still providing a solid grounding in the basics of each genre. The included links to referred texts also builds in an automatic, OER-based anthology for students. Terms are not only defined clearly, but also their utility is explained--here's what assonance can actually do in a poem, rather than simply "it's repeated vowel sounds,"
Content Accuracy rating: 5
Calling the content "accurate" requires a suspension of the notion that art and writing aren't subjective; instead, it might be more useful to judge the content on the potential usefulness to students, in which case it' s quite accurate. Reading this, I often found myself nodding in agreement with the authors' suggestions for considering published work and discussing workshop material, and their prompts for generating creative writing feel full of potential. It's as error-free, if not more so, than most OER textbooks (which is to say: a few typos here and there) and a surprising number of trade publications. It's not unbiased, per se--after all, these are literary magazine editors writing the textbook and often explaining what it is about a given piece of writing that they find (or do not find) engaging and admirable--but unbiased isn't necessarily a quantity one looks for in creative writing textbooks.
Relevance/Longevity rating: 4
The thing about creative writing is that they keep making more of it, so eventually the anthology elements of this textbook will be less "look what's getting published these days" and more "look what was getting published back then," but the structure of the textbook should allow for substitution and replacement (that said, if UNI pulls funding for NAR, as too many universities are doing these days, then the bigger concern is about the archive vanishing). The more rhetorical elements of the textbook are solid, and should be useful to students and faculty for a long time.
Very clear, straightforward prose, and perhaps more importantly, there's a sense of each author that emerges in each section, demonstrating to students that writing, especially creative writing, comes from a person. As noted above, any technical jargon is not only explained, but also discussed, meaning that how and why one might use any particular literary technique are emphasized over simply rote memorization of terms.
It's consistent within each section, but the voice and approach change with each genre. This is a strength, not a weakness, and allows the textbook to avoid the one-size-fits-all approach of single-author creative writing textbooks. There are different "try this" exercises for each genre that strike me as calibrated to impress the facets of that particular genre on the student.
The three-part structure of the book allows teachers to start wherever they like, genre-wise. While the internal structure of each section does build upon and refer back to earlier chapters, that seems more like an advantage than a disadvantage. Honestly, there's probably enough flexibility built into the textbook that even the callbacks could be glossed over quickly enough in the classroom.
Organization/Structure/Flow rating: 5
Chapters within each genre section build upon each other, starting with basics and developing the complexity and different elements of that genre. The textbook's overall organization allows some flexibility in terms of starting with fiction, poetry, or nonfiction.
Interface rating: 4
Easy to navigate. I particularly like the way that links for the anthology work in the nonfiction section (clearly appearing at the side of the text in addition to within it) and would like to see that consistently applied throughout.
A few typos here and there, but you know what else generally has a few typos here and there? Expensive physical textbooks.
The anthology covers a diverse array of authors and cultural identities, and the textbook authors are not only conscious of their importance but also discuss how those identities affect decisions that the authors might have made, even on a formal level. If you find an underrepresented group missing, it should be easy enough to supplement this textbook with a poem/essay/story.
Very excited to use this in my Intro to CW classes--unlike other OERs that I've used for the field, this one feels like it could compete with the physical textbooks head-to-head. Other textbooks have felt more like a trade-off between content and cost.
Reviewed by Jeanne Cosmos, Adjunct Faculty, Massachusetts Bay Community College on 7/7/24
Direct language and concrete examples & Case Studies. read more
Direct language and concrete examples & Case Studies.
References to literature and writers- on track.
On point for support to assist writers and creative process.
Direct language and easy to read.
First person to third person. Too informal in many areas of the text.
Units are readily accessible.
Process of creative writing and prompts- scaffold areas of learning for students.
No issues found.
The book is accurate in this regard.
Cultural Relevance rating: 4
Always could be revised and better.
Yes. Textbook font is not academic and spacing - also not academic. A bit too primary. Suggest- Times New Roman 12- point font & a space plus - Some of the language and examples too informal and the tone of lst person would be more effective if - direct and not so 'chummy' as author references his personal recollections. Not effective.
Reviewed by Robert Moreira, Lecturer III, University of Texas Rio Grande Valley on 3/21/24
Unlike Starkey's CREATIVE WRITING: FOUR GENRES IN BRIEF, this textbook does not include a section on drama. read more
Comprehensiveness rating: 4 see less
Unlike Starkey's CREATIVE WRITING: FOUR GENRES IN BRIEF, this textbook does not include a section on drama.
As far as I can tell, content is accurate, error free and unbiased.
The book is relevant and up-to-date.
The text is clear and easy to understand.
Consistency rating: 5
I would agree that the text is consistent in terms of terminology and framework.
Text is modular, yes, but I would like to see the addition of a section on dramatic writing.
Topics are presented in logical, clear fashion.
Navigation is good.
No grammatical issues that I could see.
Cultural Relevance rating: 3
I'd like to see more diverse creative writing examples.
As I stated above, textbook is good except that it does not include a section on dramatic writing.
Table of Contents
- Introduction
- Chapter One: One Great Way to Write a Short Story
- Chapter Two: Plotting
- Chapter Three: Counterpointed Plotting
- Chapter Four: Show and Tell
- Chapter Five: Characterization and Method Writing
- Chapter Six: Character and Dialouge
- Chapter Seven: Setting, Stillness, and Voice
- Chapter Eight: Point of View
- Chapter Nine: Learning the Unwritten Rules
- Chapter One: A Poetry State of Mind
- Chapter Two: The Architecture of a Poem
- Chapter Three: Sound
- Chapter Four: Inspiration and Risk
- Chapter Five: Endings and Beginnings
- Chapter Six: Figurative Language
- Chapter Seven: Forms, Forms, Forms
- Chapter Eight: Go to the Image
- Chapter Nine: The Difficult Simplicity of Short Poems and Killing Darlings
Creative Nonfiction
- Chapter One: Creative Nonfiction and the Essay
- Chapter Two: Truth and Memory, Truth in Memory
- Chapter Three: Research and History
- Chapter Four: Writing Environments
- Chapter Five: Notes on Style
- Chapter Seven: Imagery and the Senses
- Chapter Eight: Writing the Body
- Chapter Nine: Forms
Back Matter
- Contributors
- North American Review Staff
Ancillary Material
- University of Northern Iowa
About the Book
This free and open access textbook introduces new writers to some basic elements of the craft of creative writing in the genres of fiction, poetry, and creative nonfiction. The authors—Rachel Morgan, Jeremy Schraffenberger, and Grant Tracey—are editors of the North American Review, the oldest and one of the most well-regarded literary magazines in the United States. They’ve selected nearly all of the readings and examples (more than 60) from writing that has appeared in NAR pages over the years. Because they had a hand in publishing these pieces originally, their perspective as editors permeates this book. As such, they hope that even seasoned writers might gain insight into the aesthetics of the magazine as they analyze and discuss some reasons this work is so remarkable—and therefore teachable. This project was supported by NAR staff and funded via the UNI Textbook Equity Mini-Grant Program.
About the Contributors
J.D. Schraffenberger is a professor of English at the University of Northern Iowa. He is the author of two books of poems, Saint Joe's Passion and The Waxen Poor , and co-author with Martín Espada and Lauren Schmidt of The Necessary Poetics of Atheism . His other work has appeared in Best of Brevity , Best Creative Nonfiction , Notre Dame Review , Poetry East , Prairie Schooner , and elsewhere.
Rachel Morgan is an instructor of English at the University of Northern Iowa. She is the author of the chapbook Honey & Blood , Blood & Honey . Her work is included in the anthology Fracture: Essays, Poems, and Stories on Fracking in American and has appeared in the Journal of American Medical Association , Boulevard , Prairie Schooner , and elsewhere.
Grant Tracey author of three novels in the Hayden Fuller Mysteries ; the chapbook Winsome featuring cab driver Eddie Sands; and the story collection Final Stanzas , is fiction editor of the North American Review and an English professor at the University of Northern Iowa, where he teaches film, modern drama, and creative writing. Nominated four times for a Pushcart Prize, he has published nearly fifty short stories and three previous collections. He has acted in over forty community theater productions and has published critical work on Samuel Fuller and James Cagney. He lives in Cedar Falls, Iowa.