essay on there is no place like home

Essay on “There is No Place like Home” for School, College Students, Paragraph for Class 10, Class 12, College and Competitive Exams.

There is No Place like Home

Your mother cooks food for you. She sits near you just to see you eating. You welcome your father when he returns home. Your younger brother and sister climb on his knees. Your sister pretends fighting with you. Your neighbours drop in to pass the evening hours merrily in conversation. Your father helps you in your homework. Your younger brother steals your candy. These homely joys look commonplace. But when you advance in age they are the true sources of happiness. Worldly joys are short-lived. Joys of domestic life are of permanent nature. A kind father, an affectionate mother, a sympathetic brother, a loving wife, obedient children etc. fill life with cheerfulness. Worldly things may not be got by everybody. But these and many other domestic joys can be had even by the poorest of the poor. Worldly possessions feed our body but domestic joys and happiness feed and soothe our soul. Home teaches us values and noble qualities. Unselfish devotion of the mother, self-denial of the father infuses virtues in us. Home influences impart the quality of self control. We may settle abroad or come back but scenes of home where we have spent our childhood and youth thrill us forever. Wherever we may roam, there is no place like home. Recollecting the memories of the life spent in home just fills our eyes with tears. Moist eyes simply prove that home is the best.

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Malala Yousafzai: 'There's no place like home. And I do miss my home.'

There's no place like home. And I do miss my home.

Malala Yousafzai, the Nobel laureate and advocate for girls' education, once said, "There's no place like home. And I do miss my home." This simple yet profound quote encapsulates the deep sentimental attachment we often have to our place of origin. It underscores the unique sense of comfort, security, and belonging that home provides. In straightforward terms, the quote reminds us of the significance of finding solace and connection within the familiar confines of our own homes, surrounded by our loved ones.However, when we delve into a deeper philosophical analysis, an unexpected concept emerges – the paradox of familiarity and growth. On one hand, the idea of home invokes feelings of stability and nostalgia, the mental and physical space where we are most at ease. It represents our roots, our history, and our identity. We long for the comforting embrace of our familiar surroundings, the aroma of meals cooked with love, and the treasured memories that echo within its walls. Home, for many, is an anchor that tethers us to our past.But on the other hand, home can also become a boundary that hinders personal growth and exploration. When we confine ourselves to the realm of the familiar, we risk stagnation and miss out on the transformative experiences that lie beyond our comfort zones. Stepping outside our homes allows us to broaden our perspectives, challenge preconceived notions, and discover the world's vast richness. It is through venturing into the unknown that we can truly grasp the full extent of our potential.Yet, even as we journey through different places and accumulate diverse experiences, the longing for home always persists. Like a magnetic force pulling us back, home represents a safe haven – a sanctuary where we can retreat to find solace, love, and a renewed sense of purpose. It is a place that nurtures our souls and reminds us of who we truly are, grounding us amidst the chaos and uncertainties of the world.Interestingly, the concept of home can extend beyond the physical dwelling we inhabit. It can be found in the warmth of a community, the embrace of a loved one, or even within ourselves. Home is not always bound by walls and a roof. It is a feeling, an emotion, an essence that transcends geographical boundaries.In Malala's quote, she acknowledges the yearning for her physical home while also implying a deeper longing for the sense of belonging, safety, and freedom that home represents. As someone who has been forced to leave her home due to the pursuit of education and advocacy, Malala understands the immense value of a nurturing environment that encourages growth and fosters a desire for change, while simultaneously yearning for the familiarity and love found within the walls of her childhood abode.In conclusion, Malala Yousafzai's quote, "There's no place like home. And I do miss my home," carries a dual message. It reminds us of the profound significance of our homes as places of comfort and security, instilling a sense of belonging and nurturing our souls. Simultaneously, her words lend themselves to a deeper philosophical concept, highlighting the tension between the need for familiarity and the intrinsic human desire for growth and exploration. While we may venture far from home to embark on transformative journeys, the longing for our place of origin, both physical and emotional, remains an integral part of our existence. Home is not just a location; it is an everlasting pursuit of tranquility, understanding, and love – wherever it may be found.

Malala Yousafzai: 'I don't cover my face because I want to show my identity.'

Malala yousafzai: 'i believe in peace. i believe in mercy.'.

There’s no place like home

What's the meaning of the phrase 'there's no place like home', what's the origin of the phrase 'there's no place like home'.

The proverbial saying ‘There’s no place like home’ is usually, but incorrectly, said to be from the 1823 song Home, Sweet Home , words by John Payne and music by Sir Henry Bishop. The song includes these lines:

‘Mid pleasures and palaces Though we may roam, Be it ever so humble, There’s no place like home. A charm from the skies Seems to hallow us there, Which seek thro’ the world, Is ne’er met with elsewhere. Home, home, sweet sweet home, There’s no place like home, There’s no place like home.

There is some doubt as to who wrote the lyrics of this song. In his later life Bishop claimed he did.

The proverb had been widely used in England for many years before it appeared in the song. Here’s an example of its use, from the The English newspaper The Bath Chronicle , September 1781:

But this maxim mind – No place like Home For safety will you find

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The True Meaning of “There’s No Place Like Home”

by English Plus | Mar 7, 2024 | Proverbs

There’s No Place Like Home: Comfort, Belonging, and Deeper Meaning

When is it appropriate to use, when is it not appropriate to use, understanding the layers of ‘home’.

The proverb “There’s no place like home” speaks to the unique feelings of comfort, security, and belonging that ‘home’ evokes. Whether it’s a physical place, a sense of community, or a group of loved ones, ‘home’ represents a haven where we can truly be ourselves.

Here are some situations where this proverb resonates:

• Returning After a Long Journey:  Expressing the immense relief and joy of being back in a familiar, comforting environment after travels or an extended absence.
• Feeling Homesick:  The proverb acknowledges the longing for the specific comforts, people, or feelings associated with ‘home’.
• Appreciating Familiar Comforts:  It conveys gratitude for the simple things that make your ‘home’ feel uniquely special.

It’s important to be sensitive to the fact that ‘home’ can hold vastly different meanings for different people:

• Experiences of Homelessness:  For those without a safe or stable home, this proverb might feel insensitive.
• Difficult Home Environments:  If someone’s home is associated with trauma or negative experiences, this proverb may not ring true.
• Cultural Differences:  Ideas of ‘home’ vary across cultures. It could be a physical place, an ancestral homeland, or a broader community.

‘Home’ is more than just a house. Here’s what it might also represent:

• Safety and Security:  A place where we feel protected and at peace.
• Unconditional Love:  Where we are accepted for who we are without judgment.
• Shared History:  A place filled with memories and a sense of belonging.

“There’s no place like home” is a proverb that captures a universal yearning for comfort and belonging. While generally well-intended, using it with sensitivity and understanding for the diverse experiences of the word ‘home’ is essential.

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Home — Essay Samples — Life — House — What Does Home Mean to You

What Does Home Mean to You

• Categories: Hometown House Positive Psychology

About this sample

Words: 1251 |

Updated: 6 November, 2023

Words: 1251 | Pages: 3 | 7 min read

“What I love most about my home is who I share it with.” “There is nothing more important than a good, safe, secure home.” “Home is a place you grow up wanting to leave, and grow old wanting to get back to.”

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Works Cited

• Bachelard, G. (1994). The Poetics of Space. Beacon Press.
• Boyd, H. W., & Ray, M. J. (Eds.). (2019). Home and Identity in Late Life: International Perspectives. Policy Press.
• Casey, E. S. (2000). Remembering: A Phenomenological Study. Indiana University Press.
• Clark, C., & Murrell, S. A. (Eds.). (2008). Laughter, Pain, and Wonder: Shakespeare's Comedies and the Audience in the Playhouse. University of Delaware Press.
• Heidegger, M. (2010). Building, Dwelling, Thinking. In Poetry, Language, Thought (pp. 145-161). Harper Perennial Modern Classics.
• Kusenbach, M. (2003). Street Phenomenology: The Go-Along as Ethnographic Research Tool. Ethnography, 4(3), 455-485.
• Moore, L. J. (2000). Space, Text, and Gender: An Anthropological Study of the Marakwet of Kenya. Routledge.
• Rapport, N., & Dawson, A. (Eds.). (1998). Migrants of Identity: Perceptions of Home in a World of Movement. Berg Publishers.
• Schön, D. A. (1983). The Reflective Practitioner: How Professionals Think in Action. Basic Books.
• Seamon, D. (Ed.). (2015). Place Attachment and Phenomenology: The Synergistic Dynamism of Place. Routledge.

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. » Expansion of Ideas » There is No Place Like Home

Expansion of an Idea – “There is No Place Like Home” for Students / Teachers / Parents

Whether you are a student, a traveler, or someone who simply cherishes the value of home, our website is an excellent resource for exploring the expansion of the proverb “There is no place like home”. It can help you gain a deeper appreciation of the importance of home in our lives and provide insights on how to create a welcoming and comforting space that you can call your own.

• There is No Place Like Home

The proverb “there is no place like home” is a phrase that captures the essence of the emotional connection that people have with their homes. It emphasizes the idea that no other place in the world can compare to the feeling of being at home, and that there is a unique sense of comfort and belonging that comes with being in one’s own familiar surroundings.

Home is often seen as a sanctuary, a place where one can retreat from the stress and chaos of the outside world. It is a space that is uniquely one’s own, filled with personal belongings, memories, and experiences. It is where people feel most comfortable and relaxed, where they can let down their guard and be themselves.

Beyond the physical space of a house or apartment, abode is also a place of emotional connection and support. It is where family and friends gather to share meals, laughter, and conversation. It is where people can express their true feelings and receive understanding and support from those closest to them.

For many people, the feeling of abode is tied to a specific location, whether it is the house they grew up in or the place where they have lived for many years. It is a place that holds a special meaning and significance, and where memories have been made and cherished.

Overall, the proverb “there is no place like home” reflects the deep emotional connection that people have with the places where they feel most comfortable and secure, and the sense of belonging that comes from being in one’s own familiar surroundings.

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What Makes a House a Home?

Meghan daum on the complexities of where we take shelter.

In the canon of common dreams, it’s a classic among classics: the dream in which we discover an unfamiliar room in a familiar house. The way it usually goes is that we’re in some kind of living space, maybe our own, maybe a space that’s inexplicably taken some other form (“It was my grandmother’s house, but somehow the prime minister of France lived there!”), and suddenly there’s more of it. Suddenly the place has grown a new appendage. But it’s not exactly new. There’s a sense that it’s been there all along yet has managed to escape our notice. Sometimes there’s just one new room, sometimes there are several. Sometimes there’s an entire wing, a greenhouse, a vast expanse of land where we’d once only known a small backyard.

We are amazed, enchanted, even chastened by our failure to have seen this space before now. We are also, according to psychologists and dream experts, working through the prospect of change, the burgeoning of new possibilities. The standard interpretation of the extra-room dream is that it’s a portent, or just a friendly reminder, of shifting tides. The room represents parts of ourselves that have lain dormant but will soon emerge, hopefully in a good way, but then again, who knows? Look harder , says the extra-room dream, the geometry of your life is not what it seems. There are more sides than you thought . The angles are wider , the dimensions far greater than you’d given them credit for .

Not that we can hear much on that frequency. The human mind can be tragically literal. Chances are we exit the dream thinking only that our property value has increased. But upon fully waking up, the extra room is gone. There’s a brief moment of disappointment, then we enter our day and return to our life. We organize our movements in relation to the architecture that is physically before us. That is to say, we live our lives in the spaces we’ve chosen to call home.

Let’s get one thing straight. A house is not the same as a home. Home is an idea, a social construct, a story we tell ourselves about who we are and who and what we want closest in our midst. There is no place like home because home is not actually a place. A house on the other hand (or an apartment, a trailer, a cabin, a castle, a loft, a yurt) is a physical entity. It may be the flesh and bones of a home, but it can’t capture the soul of that home. The soul is made of cooking smells and scuffmarks on the stairs and pencil lines on a wall recording the heights of growing children. The soul evolves over time. The old saying might go, “You buy a house but you make a home,” but, really, you grow a home. You let it unfold on its own terms. You wait for it. Home is rarely in the mix the day we move into a new house. Sometimes it’s not even there the day we move out. It’s possible we should consider ourselves lucky if we get one real home in a lifetime, the same way we’re supposedly lucky if we get one great love.

“All architecture is shelter,” said the postmodernist Philip Johnson. “All great architecture is the design of space that contains, cuddles, exalts, or stimulates the persons in that space.”

If all architecture, no matter its purpose, is shelter, then architecture intended as shelter must be the ultimate haven. If an airport or a library can cuddle, exalt, and stimulate, a house’s embrace must be at once profoundly intimate and ecstatically transportive, erotic even.

I guess this is where I come clean. I write this as a person for whom houses can have an almost aphrodisiacal quality. I say “almost” because the other charge I get from a beautiful house feels like something close to the divine. A perfect house—and by that I mean a respected house, one that was honorably designed and solidly built and allowed to keep its integrity henceforth—is a tiny cathedral. But a perfect house is also lust made manifest. It can make its visitors delirious with longing. It can send butterflies into their bellies in ways a living, breathing human being rarely can. A house that’s an object of lust says, You want me, but you’ll never have me . It says, You couldn’t have me even if you could afford me. You couldn’t have me even if I didn’t already belong to someone else . And that is because houses, like most objects of lust, lose their perfection the moment we’re granted access. To take possession of a house is to skim the top off of its magic the minute you sign the deed. It is to concede that the house you live in will never be the house you desired so ravenously. It is to accept that the American dream of homeownership is contingent upon letting go of other dreams—for instance, the kind where the rooms appear where there were none before.

Maybe that’s why architects are such sources of fascination, even aspiration. If they want an extra room, they just draw it. If they want a bigger window, a wider archway, a whole new everything, the pencil will make it so. At least that’s the layperson’s fantasy. It’s not surprising that so many fictional heroes in literature and film are architects. The profession, especially when practiced by men, seems to lend itself to a particularly satisfying montage of dreamboat moments. Here he is, artistic and sensitive at his drafting table. Here he is, perched on the steel framework of a construction site high above the earth, hard hat on his head, building plans tucked under his arm in a scroll. Here he is, gazing skyward at his final creation, his face lit by the sun’s refraction off his glass and steel, awestruck by the majesty of it all and awesome in his own right.

Nearly always, these are men on a mission. Theirs is not a vocation but a passion that both guides them and threatens to ruin them. In Ayn Rand’s novel The Fountainhead (perhaps the ne plus ultra of architect fetishization), the grindingly uncompromising Howard Roark winds up laboring at a quarry because he won’t betray his aesthetic principles. In Graham Greene’s A Burnt-Out Case , the internationally renowned but existentially bereft architect hero flees to a leper colony for solace. Hollywood, too, seems to prefer its architects miserable and brooding, not just in the form of adorably widowed dads like Tom Hanks’s character in Sleepless in Seattle and Liam Neeson’s in Love Actually (and wasn’t the distinctly non-brooding architect patriarch of The Brady Bunch technically a widowed dad?) but also adorably commitment-phobic boyfriends and jealous, cuckolded husbands. More often than not, the intensity of their vision has contributed mightily to their demise. Why did Woody Harrelson’s character, a struggling architect, let Robert Redford’s character sleep with his wife for a million dollars in Indecent Proposal ? Because he was deeply in debt from trying to build his dream house.

Well, what better way to go down?

I think part of my problem with “Where is home?” (and the arguably worse “Where are you from?”) is that it denies people their complications. We all have one definitive birthplace (unless we were born at sea or in flight, I suppose), but after that it’s a matter of interpretation. The dwellings in which we are raised do not necessarily constitute “home.” The towns where we grow up do not always feel like hometowns, nor do the places we wind up settling down in as adults. Census data tell us that the average American moves eleven times over a lifetime. For my part, I’m sorry to say I have lived in at least thirty different houses or apartments over the course of my years. Actually, I’m not sorry; each one thrilled me in its own way. But despite those thrills, only a handful felt anything like “home,” and even then, the feeling was the kind that visits you for a moment and then flutters away. As with “happiness,” another abstraction Americans are forever trying to isolate and define, “home” has always felt to me so ephemeral as to almost not be worth talking about. As with happiness, it’s great when you happen upon it, but it can’t be chased.

A house, on the other hand, is eminently chaseable. There’s a reason shopping for a house or an apartment is called hunting. Real estate turns us into predators. We can stalk a house online or from the street. We can obsess over it, fight over it, mentally move into it and start knocking down walls before we’ve even been inside. We can spend Sundays going to open houses as though going to church. We can watch home design programs on television twenty-four hours a day. We can become addicted to Internet real estate listing sites as though the photos and descriptions were a form of pornography—which of course they totally are.

“I wish I had never seen your building,” says Patricia Neal as Dominique Francon, the austere and tortured lover-then-wife of Howard Roark in the film version of The Fountainhead . “It’s the things we admire or want that enslave us.”

It’s pretty clear that houses, despite being among our greatest sources of protection, are also among our greatest enslavers. You might say that’s because we go into too much debt for them and make them too large and fill them with too much junk. You might say it’s because they’re forever demanding our attention, always threatening to leak or crack and be in the way of a tornado. They are sanctuaries, but they are also impending disasters. And most tyrannically of all, they are mirrors. They are tireless, merciless reflections of our best and worst impulses. Unlike the chaos and unsightliness of the outside world, which can easily be construed as hardly our responsibility, the scene under our roofs is of our own making. The careless sides of ourselves—the clutter, the dust, that kitchen drawer jammed with uncategorizable detritus that plagues every household—are as much a part of us as the curated side. Our houses are not just showplaces but hiding places.

Our homes, on the other hand, are glorious, maddening no-places. They are what we spend our lives searching for or running away from or both. They are the stuff of dreams, the extra rooms that vanish upon waking, the invisible possibilities we tamp down without even knowing it. They are the architecture of the unconscious mind—which is a physically uninhabitable space. Thank goodness there are people out there building houses.

__________________________________

From   The American Idea of Home: Conversations about Architecture and Design   by Bernard Friedman. Used with permission of University of Texas Press. Foreword copyright 2017 by Meghan Daum.

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Essay: Why There Is No Place Like It

T here’s no place like home for the holidays …” That certain time of year being at hand, this sentiment from Home for the Holidays will soon be crooning forth repetitiously from all the mellow music stations. More power to it. Only a sorehead would fuss about too much celebration of the idea of home during the festive winter season. For that matter, home deserves a good deal of hymning all the time. There is, as the wonderful old song Home, Sweet Home established once and for all, no place like it—and this no matter what sort of place home turns out to be. What also needs to be remembered is that home, although a special place, is never merely a place.

It is a reality that is routinely forgotten when people try to figure out the best places to live. That game goes on continually. In the 1970s the Midwest Research Institute of Kansas City put Portland, Ore., and Sacramento at the top of the heap, after a “quality of life” survey of 243 U.S. metropolitan areas, and Birmingham and Jersey City at the bottom. This year a book called Places Rated Almanac scored the “livability” of 277 U.S. urban areas; it nominated Atlanta and Washington and its environs as most livable, with two Massachusetts areas—Fitchburg-Leominster and Lawrence-Haverhill—bringing up the rear. More recently, University of Pennsylvania Professor of Social Work Richard Estes turned up with an index to the “quality of life” in 107 nations. Top marks went to Denmark and Norway and booby prizes to Ethiopia and Chad (the U.S. ranked 41st, two notches above the U.S.S.R.). Surveys of this sort usually fuel chauvinistic arguments among civic booster types. But the question is: What do such studies have to do with the way people actually wind up in whatever homes they wind up with?

The answer is: little if anything. The analysts who evaluate and rank places lean entirely on objective criteria that play a relatively small role among the influences that determine where people make their homes. For one thing, the big majority of the world’s people are born into the places that remain their homes for life. In the U.S., almost 64% of the people live today in the states in which they were born. It is safe to assume that few of those made a prenatal choice of birthplace on the basis of economic, political, social and cultural factors such as those used in Places Rated Almanac. For another, when people as adults uproot from one home to make another elsewhere, they are most often impelled by an event like a new job, almost never by the sheer allure of some other place. Given such realities, the ranking of cities and countries is bound to seem an entirely academic exercise. For people at home, the exaltation of any Elsewhere, even with hard facts, never quite makes sense. Hard facts, by definition, can never include the one fact that makes a place especially dear: the fact that it is home.

Reason alone can never fully explain the workings of the human sense of home. Down in its mystical essence, the very idea of home resists definition. While a place of nativity usually becomes home, there are those who find a home only by leaving that place for some other where they feel ineffably they belong. The notion of home becomes strangely wedded to the idea of fate. Home may be, as Pliny is supposed to have said, where the heart is, but it can also be where hate is. Human attachments to places, as to persons, are sealed by rage as well as by love. Home is clearly among the greatest values on the human scale. Cain, condemned for murdering Abel to that deprivation of home known as banishment, said: “My punishment is greater than I can bear.” The powers of home, in its play on human behavior, are protean, magnetic, chimerical, profound.

The pull of home surpasses logic all the time. It keeps people living in conditions that seem (to an outsider) most improbable. It keeps people living more or less happily in deserts, in igloos, in the shadows of volcanoes and the paths of recurring floods. It has induced generations to take the winters of New Hampshire and the summers of Alabama. More, a sense of home will cause people to endure situations that an outsider, free to flee, would not tolerate for a moment—political turmoil, for example, which a good deal of South America’s people suffer continually. The sense of home even makes people want to return to the hateful conditions that cast them out. Author Ariel Dorfman, one of thousands of Chileans banished by the government of General Augusto Pinochet, publicly protested this month about the “intolerable homelessness” he has suffered for nine years and begged the Pinochet government: “Let us come home.” “Home,” said Robert Frost, “is the place where, when you have to go there, they have to let you in.” But that, as the spectacle of modern politics proves, is not invariably so.

Such is the utterly subjective nature of home that the very word must fetch up a distinct and unique image and sensibility in every person. And indeed home can be many things: a house, a town, a neighborhood, a state, a country, a room. Home can be wherever one feels at home, and even a scrap of a place can mobilize that homey feeling. The old standard Autumn in New York plausibly evokes a person looking down on the metropolis from the 27th floor of a hotel to find that the “glittering crowds and shimmering clouds in canyons of steel—they’re making me feel I’m home.” Plausible? In London, Thornton Wilder once provoked astonishment by referring to his temporary accommodations as home. How use the hallowed word to refer to a hotel room? Explained Wilder: “A home is not an edifice, but an interior and transportable adjustment.” It is surely that, along with all else, as immigrants to the U.S. prove over and again: while they have always embraced their adopted land as home, they have tended to ward off melting into the new place by re-creating elements of the homes left behind. Result: ethnic neighborhoods as well as poignant sentiments like that of the Hungarian immigrant song recorded by Michael Kraus in Immigration, the American Mosaic: “We yearn to return to our little village Where every blade of grass understood Hungarian.” Home, it seems, can also be divided, which is probably essential for a species whose fundamental dilemma can be described as simultaneous needs for mobility and a sense of home. For nomadic herdsmen, an endless path becomes—home.

Be it ever so ambiguous, there is no idea like home. Not the least of home’s specialness is the fact that it can often be seen most clearly from afar. Thus it was a sojourn in Italy that inspired Robert Browning’s famous “Oh, to be in England . . .” By chance, while in Paris early in the 19th century, the American Actor-Author John Howard Payne experienced some of the yearnings for home that found their way into his classic Home, Sweet Home. Together, Payne’s song and Browning’s poetry suggest that the part of home that is not merely a place exists, so to speak, in the I of the beholder. It is not quite true that you can’t go home again. The deeper truth is that you never leave the part of home that becomes the movable feast of the imagination. —By Frank Trippett

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There is No Place Like Home

It ‘s gratuitous to state that going tops the list of agencies of passing free clip during holidaies. Why? There can be many grounds get downing with broadening one ‘s skylines and stoping with psychological intervention. Traveling agencies acquiring off from your dirty crowded metropolis, get awaying from the deadening modus operandi and watching impressive, absorbing, dramatic, unbelievable, antic and merely astonishing sceneries, pieces of architecture, good, possibly in another dirty and crowded metropolis.

No affair how unusual it may look, but I ‘m non fond of traveling, at least if that; s a common retarding force- descentconditions, conservative ushers – I find it tiring to look at semisynthetic edifices and memorials, no affair how beautiful they are. That is the ground I’d instead visit rural parts of India such as Goa and Chinese monasteries, lakes of Canada and jungle of Brazil, comeuppances of Australia and everlasting brightness of the Hawaii islands – they all have the original abandon and there are no sellers around offering to purchase keepsakes. I can’t understand the popularity of European capitals with tourers from all over the universe. Do they truly include many “sights to see”? I guess I ‘ll ne’er understand it.

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Anyhow, there was a trip I truly liked. Possibly the ground for it is simple it was a trip to Yugoslavia, one of the less attractive states in European circuit concern. Being non so ordinary, it made me retrieve it. After a 2-hour flight we found ourselves on the Mediterranean coast of Yugoslavia. We neither did a batch of sightseeing, nor had excessively many jaunts so it was high clip to bask the topographic point that was truly fantastic: fir-covered mountains, the sea, sun-soaked beaches, friendly localsand astonishing conditions.

The vivid experience was being on a little island during the gale. The sea was so unsmooth. The sea was so unsmooth! It was the most absorbing sight I had seen before that! It was the most absorbing sight I had seen before that!

After a hebdomad by the sea we were glad to alter the scenery. We had to endure a 12-hourmanager journey to the National Park KOPAONIK, that unluckily subsequently suffered NATO onslaughts. The topographic point was fabulous, and it was impossible to acquire cognizant of the fact that you aren ; t dreaming of being a gorgeoushero of a fairy-tale.

There was no opportunity to be homesickand I was really defeated when it was clip to go forth. Surprisingly, I didn’t lose place at all! In fact, I’ve ne’er been homesick, possibly merely because I’ve ne’er been off for more than a month. But it doesn; t truly intend that I don’ t love my place. As for me, place is non merely my house, it; s something more; the milieus, the people around, at last the energy of the topographic point. I doubt that I can do it any topographic point. I’ve moved 3 times for the last 15 old ages and every new topographic point was in the really same territory. I truly got addicted to the topographic point where I live and I won’t travel to any other.

I can t portion the statement. Home is where you make it. I’m sure that holding a existent place is like holding a faithful friend one time in a life-time. For some people home is a particular topographic point, for me personally it ‘s non merely the topographic point where you live, it’s the topographic point where you can acquire shelter from unsmooth societal Waterss, experience relaxedand bask every minute of being there. Even prehistoric people tried to adorn their caves. That means that its Nature who makes us seek our best to do our places the most gratifying topographic points in the Universe, but it’ s up to everyone how to make that.

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Moving from first home to new home narrative essay.

I was ripped from the home I grew up in. It can be hard for kids to move. I think it was tough for me because I had to leave my friends, my safe place, and the home I grew up in. At the age of ten, I moved to a new house. It was

Grandparents’ House: A Home Away From Home

Anticipating the sweet sugar cookie smell that awaits at my Grandparent's house, my stomach turns as I approach the turn. Parking my car in front of their house after turning up the long narrow gravel road, I step outside and feel a chilly little breeze biting at my cheeks. As I inhale deeply, the delightful scent

Home Sweet Home

Social psychology

'The past was better,' said our grandparents. This is totally true, people that grew in the 60s or 70s decades can compare the difference between growing up with numerous relatives that played outside all afternoon and part of the evening, and today's children that grow up playing indoor electronic games without physical effort and completely

East or West home is the best

“East or West, home is best”. This proverb is one of the most common sayings that people often use to talk about their hometown with pride. It refers to the importance and value of home in one’s life. However, I just partly agree with it, home can be best but can be worst. According to

Out-of-Home Infant Child Care

There has been an ongoing debate whether out-of-home day care for infants is desirable or not. This essay has looked at arguments by both proponents and opponents of out-of-home day care for infants and reached a conclusion that such form of day care should be regarded as a positive phenomenon for a variety of reasons. The

The Effects of Broken Home on Child Development

Child Development

INTRODUCTION BACKGROUND OF THE STUDY A broken home may be classified as a situation whereby the mutual understanding, unity and the power to manage or accommodate that, which bind the family together is gone. In most cases, the couples may live separately or together but not as husband and wife any longer. This may result to physical,

Home Depot Annual Report

The Home Depot, Inc. is a large home improvement retailer, with a home office located at 2455 Paces Ferry Road, N. W. , Atlanta, Georgia 30339. Francis S. Blake currently serves as the CEO of the corporation, as he has since January of 2007. Their most recent fiscal year ended January 31, 2010. Being the

Home Depot Environmental Sustainability Audit

Environment

Home Depot Environmental Sustainability Audit The Home Depot is a company built under the principle of creating value for their stockholders while never forgetting the company’s main values: “Taking care of our people, giving back, doing the right thing, creating shareholder value, respect for all people, entrepreneurial spirit, building strong relationships, and excellent customer service”.

Importance of Vegan Diet in Nursing Home

Vegetarianism

In Nursing home food is getting better. But the journey is far from over by Jillian D’Onfro, D’onfro wrote that in November 2016, Center of Medicare and Medicaid Services updated their nursing home regulations that regard to menus that reflect religious, cultural, and ethnic needs of residents. They must be updated from time to time

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