story of an hour essay sample

The Story of an Hour Analysis & Summary – Essay Example

This sample will help you write a The Story of an Hour analysis essay! Here you’ll find a The Story of an Hour summary. Essay also contains a plot and character analysis.

Introduction

The story of an hour introduction, the story of an hour main plot, the story of an hour conclusion, the story of an hour analysis.

The Story of an Hour is a short story written by Kate Chopin in 1894. This famous piece of literature was controversial for its time, as the story mentioned a female protagonist who felt relieved after her husband’s death. The conclusion of The Story of an Hour is ironic, which makes the ending memorable.

The following The Story of an Hour literary analysis essay will summarize the plot and present an extensive character analysis of Mrs. Mallard. It will be helpful for those writing a The Story of an Hour critical analysis.

Kate Chopin (born Catherine O’Flaherty) was an American writer. She is best known for her narratives of delicate and brave women’s inner lives. Her novel “The Awakening” and her short stories, among them The Story of an Hour, are being read in countries all over the world today. She is widely recognized as one of the most important authors in America.

In 1984, Kate Chopin wrote The Story of an Hour. It portrays a woman, Louise Mallard, who lost her husband in an accident. However, she later discovers that the husband survived. Mrs. Mallard goes through many emotions and feelings, reevaluating her life. That ultimately kills her when she meets her presumably dead husband at the door. The following The Story of an Hour essay will focus on the plot and the protagonist’s self-development.

The Story of an Hour Summary

Louise Mallard, the main character, had always had a heart problem. It was not a secret for her friends and relatives, so everyone tried to protect her from worries.

One day her husband, Brently Mallard, was mistaken for having died in a horrible railroad accident. Richard, Mr. Mallard’s friend, was the one who learned about this death while in the office. Josephine, Louise’s sister, broke the news to her.

Josephine was very cautious because of Mrs. Mallard’s health issue. She feared such a tragedy would cause a heart attack. Bit by bit, she strategized how to tell everything to her sister, aher plan went perfectly well. Mrs. Mallard wept only once. She did not receive the story like many women would, with a helpless incapacity to acknowledge its meaning. She only cried in her sister’s arms with a feeling of a sudden, wild abandonment (Woodlief 2).

Immediately Mrs. Mallard found herself wondering how she could survive without her husband. She went to a room and locked herself to contemplate the consequences of his death. She was devastated, and this sadness was only natural. This man had been close to her, even though only for a short time. Her sister Josephine and Mr. Richard also mourned the loss (Taibah 1).

Mrs. Mallard was alone in that room, thinking about the future. As she was contemplating her fate, instead of grief, she began realizing that this was the beginning of a better part of her life. Louise saw independence and plenty of possibilities to do what her heart desired. Now, she had only to think about herself.

Later, Josephine comes to Louise’s room, crying with a joyous smile. They descend the house’s stairs, where Mr. Mallard appears at the door. He was not involved in the accident and did not understand why Josephine was crying. At the shock of seeing her husband again, Mrs. Mallard collapses. The doctors declare that she died because of the problems with her heart.

Health issues of the central character play a significant role in the story. The author managed to bring suspense in the way she described telling the bad news to a person with a heart problem. Josephine, Louise’s sister, tries her best to be careful and attentive, expecting a painful response. However, Mrs. Mallard reacts better than anticipated.

The story focuses mostly on femininity and the institution of marriage. The analysis of The Story of an Hour has to speculate on it to reveal the core message.

The author was able to illustrate that men entirely dominate the institution of marriage. Mr. Mallard, for instance, treated his wife the way she wanted only from time to time. For years, Louise has done many things to please her husband without looking after her well-being. So, having received the disturbing news, she is quite happy. It seemed that she had never cared for her husband at all.

Or did she? Mrs. Mallard’s reaction to the death of a spouse is complicated. She cannot escape the loneliness and grief that came with the loss. But the possibility of happiness prevails. Louise knew that marriage had made her a subject for him against her will. She only felt sorrow for the loss of his life but not for living without him. She felt deep inside that she had been freed from the chains of living for another person.

Mr. Mallard’s apparent death saddened Louise at first. She was devastated about his fate but regained strength quickly. Louise was well aware of the fact that she could not bring her husband back. So, she came to terms with it, which wasn’t difficult. Mrs. Mallard saw beyond the painful moment, anticipating freedom for the rest of her life.

The room and environment around Mrs. Mallard symbolize her desire for freedom. For example, Mrs. Mallard could see the tops of trees through the window. They were all aquiver with the new spring life on the open square before her house. There was a delicious breath of rain in the air. A peddler was weeping his wares in the street below. There were spots of blue sky showing up here and there through the clouds in the west facing her window, which had met and piled up one above the other (Woodlief 1).

An open window could be interpreted as a metaphor. It reflects new possibilities and resources that Mrs. Mallard now had in her sights without anybody stopping her. She referred to it as the late spring of life.

The story reveals how women were secretly marginalized. At the time, society expected them to pursue wealth and safety, which came with a husband. Liberty should be neither their worry nor their goal. When Louise felt freedom after Mr. Mallard’s death, she kept it secret for obvious reasons. But then, her sister arrived.

Mrs. Mallard was shocked by the sight of her husband alive. All of her newfound liberty and dreams came crashing down at that moment. This shattering experience even goes to the extreme of destroying her life. Whereas she was to be happy to see her husband alive, Louise died from a heart attack.

Situational irony is presented in the author’s stylistic use of words: “She had died of heart disease…of the joy that kills.” People around anticipated this tragedy from the news about Mr. Mallard’s death, not miraculous survival.

The author explored the character of Mrs. Mallard throughout this story. The reader can’t be surprised by her sudden death or miss its irony. Louise is a woman with a great desire for independence, which a man has deprived her of through marriage. Mr. Mallard represents the absence of her liberty that restores after his death. When Mrs. Mallard sees her husband at the door once again, she collapses and never wakes up.

Based on this The Story of an Hour literary analysis, we can draw several important conclusions. Mrs. Mallard couldn’t control her emotions when they concerned the most vital matters. The lack of liberty and independence may have caused her heart problems in the first place. And they cost her life in the end.

Her husband, Mr. Mallard, took Louise’s freedom when he married her. However, as it became apparent from the story, he never valued her. When she died, he had finally faced the consequences of always taking her existence for granted.

Therefore, the oppressor faced even worse tragedy than the oppressed. The dramatic irony of Mr. Mallard’s unawareness of his wife’s true feelings towards him is a big part of the story. So, in the end, it was Mr. Mallard’s presence that killed his wife.

• Chopin, Kate. The Story of an hour . The Kate Chopin International Society. Web.
• Woodlief, Ann. The Story of an Hour . 2011, Virginia Commonwealth University. Web.

What is the symbolism in The Story of an Hour?

Through The Story of an Hour, the author presents us with the inner feelings and thoughts of a woman using various symbols. Mrs. Mallard’s heart problem symbolizes her dissatisfaction with the marriage, while the open window illustrates her aspirations towards a better, independent life.

What is the meaning behind The Story of an Hour?

Kate Chopin’s The Story of an Hour analysis illustrates that the author wanted to tell us how the society of that time was unfair towards women. It also shows the delicate and complicated inner world of a woman.

What does The Story of an Hour critique?

The Story of an Hour criticizes the typical experience of marriage in the 1890s. For women, such marriage was repressive and meant their loss of personal freedoms. Therefore, the story criticizes the society of that time dominated by men.

How do you start a critical analysis of The Story of an Hour?

Start your analysis of The Story of an Hour with a short introduction. Remember to say a few words about its author and her life. Next, talk about the story and let the reader know what it is about.

What are the two main themes in The Story of an Hour?

Firstly, the theme of a female search for self-identity is featured strongly in the story. The second theme is that of repressive marriage. The reader sees it in the way Mrs. Mallard’s reaction toward her husband’s death shifts.

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Literary Theory and Criticism

Home › Literature › Analysis of Kate Chopin’s The Story of an Hour

Analysis of Kate Chopin’s The Story of an Hour

By NASRULLAH MAMBROL on July 28, 2021

Originally entitled “The Dream of an Hour” when it was first published in Vogue (December 1894), “The Story of an Hour” has since become one of Kate Chopin’s most frequently anthologized stories. Among her shortest and most daring works, “Story” examines issues of feminism, namely, a woman’s dissatisfaction in a conventional marriage and her desire for independence. It also features Chopin’s characteristic irony and ambiguity .

The story begins with Louise Mallard’s being told about her husband’s presumed death in a train accident. Louise initially weeps with wild abandon, then retires alone to her upstairs bedroom. As she sits facing the open window, observing the new spring life outside, she realizes with a “clear and exalted perception” that she is now free of her husband’s “powerful will bending hers” (353). She becomes delirious with the prospect that she can now live for herself and prays that her life may be long. Her newfound independence is short-lived, however. In a surprise ending, her husband walks through the front door, and Louise suffers a heart attack and dies. Her death may be considered a tragic defeat or a pyrrhic victory for a woman who would rather die than lose that “possession of self-assertion which she suddenly recognized as the strongest impulse of her being” (353). The doctors ironically attribute her death to the “joy that kills” (354).

BIBLIOGRAPHY Chopin, Kate. The Complete Works of Kate Chopin. Edited by Per Seyersted. Baton Rouge: Louisiana State University Press, 1969. Koloski, Bernard. Kate Chopin: A Study of the Short Fiction. New York: Twayne, 1996. Seyersted, Per. Kate Chopin: A Critical Biography. Baton Rouge: Louisiana State University Press, 1969. Toth, Emily. Kate Chopin. New York: Morrow, 1990

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Kate Chopin’s “The Story of an Hour” Essay (Review)

Introduction, works cited.

This paper will provide a summary and an analysis of “The Story of an Hour,” a short story by Kate Chopin published in 1894. Despite being only several pages long, the passage has become popular among readers. The title refers to the fact that the plot revolves around a woman and what she experiences throughout one hour. Within several pages, Kate Chopin managed to encompass the themes of freedom and oppression, simultaneously using irony.

Mrs. Mallard, the protagonist of the story, learns that her husband died as a result of a train accident. At first, the woman starts grieving, but as she spends minutes in solitude, she comes to the realization that she is now free (Chopin). The death of her husband, although an adverse event, is to bring positive items, such as independence. Mrs. Mallard understands that the rest of the life she has will be spent the way she wants (Chopin). After this insight, the woman feels happier, and the sadness is gone. Having spent some moments dreaming of a long life in freedom, she comes down the stairs only to see her husband enter the house alive and safe (Chopin). Mrs. Mallard has a heart stroke and dies, and doctors conclude that the extreme happiness of seeing her husband alive caused the death.

Despite being the right of every person, freedom is an expensive privilege. African Americans have fought for centuries to end slavery, while women are still struggling to enjoy the same conditions as men. In the 19th century, women’s rights were not the same as today, and independence was non-existent. Chopin’s story reflects this fact – Mrs. Mallard utters the word “free” when she is alone in her room. For women of those times, freedom was not the topic to discuss in public. It was almost a taboo subject to talk about with others.

The joy of being independent was only felt by men, which is why Mrs. Mallard thought no one would understand and accept her happiness. Therefore, she continues to dream about her future alone without her husband. In the beginning, she attempts to resist the favorable feelings she is having. This fact indicates that for women, freedom and equal rights were forbidden fruit. After excitement fills her, Mrs. Mallard starts praying for long life and planning how she will spend the time that is now hers entirely. He suggests that the story reflects the struggles of women of those times in achieving their modern ethical identities (2). In other words, rights and privileges that are enjoyed by women of the 21st century were non-existent for women several centuries ago, and one needs to embrace these hard-won rights.

Another interesting point to consider is the fact that Mrs. Mallard is joyful even though she did not feel animosity toward her husband. In fact, she admits that her marriage was happy, and her husband loved her and was kind. Nevertheless, Mrs. Mallard becomes uplifted despite crying in the beginning. One may suggest that the writer wants to indicate that all marriages are oppressive in nature. Women have to part with their time and independence in order to care for their husbands and children, whereas men have to spend their lives working in order to provide for their families. However, Chopin does not give any specific examples of why marriages are oppressive. Instead, she states that unions are inherently burdensome for both men and women. The news of Mr. Mallard’s death releases the protagonist from this burden. After she realizes that her marriage persists, the woman has a shock that leads to death.

The nature of her weeping supports the idea that marriages are oppressive. Mrs. Mallard cries when she thinks of her husband, but as soon as she starts thinking of independence, it is replaced with joy. In other words, life with her husband is associated with tears and sorrow, while thoughts of freedom immediately bring happiness. This transition represents the contrast between oppressive marriage and delightful independence.

There is an ironic moment that is important to consider. Doctors that arrive to inspect Mrs. Mallard after she dies inform her that the woman died because of the joy of seeing her husband alive. This moment is ironic because doctors in the 19th century were mostly men. Men would never realize that women need independence in the same way as them. It would never occur to a male doctor that the woman died because she lost her newly acquired freedom. This irony reinforces the fact that women had to speak and demand and equal rights would not have been achieved otherwise. Only through continuous struggles and fights, it was possible for women to achieve the comforts enjoyed today.

“The Story of an Hour” is one of the most famous works of Kate Chopin. This short reading narrates the story of a woman that feels optimistic about her husband’s death as she realizes that the rest of her life can be spent in freedom. Kate Chopin wanted to explain that all marriages are oppressive by nature for both women and men, and independence is desired by all women, which the author explicitly highlighted by using the bitter irony.

Chopin, Kate. “The Story of an Hour.” The Kate Chopin International Society ¸ 2020.

Hu, Aihua. “The Story of an Hour: Mrs. Mallard’s Ethically Tragic Song.” ANQ: A Quarterly Journal of Short Articles, Notes and Reviews , 2020, pp. 1-7.

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IvyPanda. (2022, June 13). Kate Chopin’s “The Story of an Hour”. https://ivypanda.com/essays/kate-chopins-the-story-of-an-hour-essay/

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IvyPanda . 2022. "Kate Chopin’s “The Story of an Hour”." June 13, 2022. https://ivypanda.com/essays/kate-chopins-the-story-of-an-hour-essay/.

1. IvyPanda . "Kate Chopin’s “The Story of an Hour”." June 13, 2022. https://ivypanda.com/essays/kate-chopins-the-story-of-an-hour-essay/.

Bibliography

IvyPanda . "Kate Chopin’s “The Story of an Hour”." June 13, 2022. https://ivypanda.com/essays/kate-chopins-the-story-of-an-hour-essay/.

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A Summary and Analysis of Kate Chopin’s ‘The Story of an Hour’

By Dr Oliver Tearle (Loughborough University)

Some short stories can say all they need to do in just a few pages, and Kate Chopin’s three-page 1894 story ‘The Story of an Hour’ (sometimes known as ‘The Dream of an Hour’) is a classic example. Yet those three pages remain tantalisingly ambiguous, perhaps because so little is said, so much merely hinted at. Yet Chopin’s short story is, upon closer inspection, a subtle, studied analysis of death, marriage, and personal wishes.

Written in April 1894 and originally published in Vogue in December of that year, the story focuses on an hour in the life of a married woman who has just learnt that her husband has apparently died.

‘The Story of an Hour’: plot summary

What happens in that brief hour, that story of an hour? A married woman, Mrs Louise Mallard, who has heart trouble, learns that her husband has died in a railroad accident.

Her sister Josephine breaks the news to her; it was her husband’s friend Richards who first heard about the railroad disaster and saw her husband’s name, Brently Mallard, at the top of the list of fatalities. Her first reaction is to weep at the news that her husband is dead; she then takes herself off to her room to be alone.

She sinks into an armchair and finds herself attuned to a series of sensations: the trees outside the window ‘aquiver with the new spring life’, the ‘breath of rain’ in the air; the sound of a peddler crying his wares in the street below. She finds herself going into a sort of trancelike daze, a ‘suspension of intelligent thought’.

Then, gradually, a feeling begins to form within her: a sense of freedom. Now her husband is dead, it seems, she feels free. She dreads seeing her husband’s face (as she knows she must, when she goes to identify the body), but she knows that beyond that lie years and years of her life yet to be lived, and ‘would all belong to her absolutely’.

She reflects that she had loved her husband – sometimes. Sometimes she hadn’t. But now, that didn’t matter: what matters is the ‘self-assertion’, the declaration of independence, that her life alone represents a new start.

But then, her sister Josephine calls from outside the door for her to come out, worried that Louise is making herself ill. But Louise doesn’t feel ill: she feels on top of the world. She used to dread the prospect of living to a ripe old age, but now she welcomes such a prospect. Eventually she opens the door and she and Josephine go back downstairs.

Richards is still down there, waiting for them. Then, there’s a key in the front door and who should enter but … Mrs Mallard’s husband, Brently Mallard.

It turns out he was nowhere near the scene of the railroad accident, and is unharmed! Mrs Mallard is so shocked at his return that she dies, partly because of her heart disease but also, so ‘they’ said, from the unexpected ‘joy’ of her husband’s return.

‘The Story of an Hour’: analysis

In some ways, ‘The Story of an Hour’ prefigures a later story like D. H. Lawrence’s ‘ Odour of Chrysanthemums ’ (1911), which also features a female protagonist whose partner’s death makes her reassess her life with him and to contemplate the complex responses his death has aroused in her.

However, in Lawrence’s story the husband really has died (in a mining accident), whereas in ‘The Story of an Hour’, we find out at the end of the story that Mr Mallard was not involved in the railroad accident and is alive and well. In a shock twist, it is his wife who dies, upon learning that he is still alive.

What should we make of this ‘dream of an hour’? That alternative title is significant, not least because of the ambiguity surrounding the word ‘dream’. Is Louise so plunged into shock by the news of her husband’s apparent death that she begins to hallucinate that she would be better off without him? Is this her way of coping with traumatic news – to try to look for the silver lining in a very black cloud? Or should we analyse ‘dream’ as a sign that she entertains aspirations and ambitions, now her husband is out of the way?

‘The Dream of an Hour’ perhaps inevitably puts us in mind of Kate Chopin’s most famous story, the short novel The Awakening (1899), whose title reflects its female protagonist Edna Pontellier’s growing awareness that there is more to life than her wifely existence.

But Louisa Mallard’s ‘awakening’ remains a dream; when she awakes from it, upon learning that her husband is still alive and all her fancies about her future life have been in vain, she dies.

‘The Story of an Hour’ and modernism

‘The Story of an Hour’ is an early example of the impressionistic method of storytelling which was also being developed by Anton Chekhov around the same time as Chopin, and which would later be used by modernists such as Katherine Mansfield, James Joyce, and Virginia Woolf.

Although the story uses an omniscient third-person narrator, we are shown things from particular character perspectives in a way that reflects their own confusions and erratic thoughts – chiefly, of course, Louisa Mallard’s own.

But this impressionistic style – which is more interested in patterns of thought, daydreaming, and emotional responses to the world than in tightly structured plots – continues right until the end of the story.

Consider the final sentence of the story: ‘When the doctors came they said she had died of heart disease – of joy that kills.’ The irony, of course, is that Louisa appears to have accepted her husband’s death and to have taken his demise as a chance to liberate herself from an oppressive marriage (note Chopin’s reference to the lines on her face which ‘bespoke repression and even a certain strength’ – what did she need that strength for, we wonder?).

So it was not joy but disappointment, if anything, that brought on the heart attack that killed her. But the (presumably male) doctors who attended her death would not have assumed any such thing: they would have analysed her death as a result of her love for her husband, and the sheer joy she felt at having him back.

Chopin’s story also foreshadows Katherine Mansfield’s ‘The Garden Party’ , and Laura Sheridan’s enigmatic emotional reaction to seeing her first dead body (as with Chopin’s story, a man who has died in an accident). If you enjoyed this analysis of ‘The Story of an Hour’, you might also enjoy Anton Chekhov’s 1900 story ‘At Christmas Time’, to which Chopin’s story has been compared.

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General Education

Imagine a world where women are fighting for unprecedented rights, the economic climate is unpredictable, and new developments in technology are made every year. While this world might sound like the present day, it also describes America in the 1890s . 

It was in this world that author Kate Chopin wrote and lived, and many of the issues of the period are reflected in her short story, “The Story of an Hour.” Now, over a century later, the story remains one of Kate Chopin’s most well-known works and continues to shed light on the internal struggle of women who have been denied autonomy.

In this guide to Kate Chopin’s “The Story of an Hour,” we’ll discuss:

• A brief history of Kate Chopin and America the 1890s
• “The Story of an Hour” summary
• Analysis of the key story elements in “The Story of an Hour,” including themes, characters, and symbols

By the end of this article, you’ll have an expert grasp on Kate Chopin’s “The Story of an Hour.” So let’s get started!

“The Story of an Hour” Summary

If it’s been a little while since you’ve read Kate Chopin’s “The Story of an Hour,” it can be hard to remember the important details. This section includes a quick recap, but you can find “The Story of an Hour” PDF and full version here . We recommend you read it again before diving into our analyses in the next section! 

For those who just need a refresher, here’s “The Story of an Hour” summary: 

Mrs. Louise Mallard is at home when her sister, Josephine, and her husband’s friend, Richards, come to tell her that her husband, Brently Mallard, has been killed in a railroad accident . Richards had been at the newspaper office when the news broke, and he takes Josephine with him to break the news to Louise since they’re afraid of aggravating her heart condition. Upon hearing the news of her husband’s death, Louise is grief-stricken, locks herself in her room, and weeps.

From here, the story shifts in tone. As Louise processes the news of her husband’s death, she realizes something wonderful and terrible at the same time: she is free . At first she’s scared to admit it, but Louise quickly finds peace and joy in her admission. She realizes that, although she will be sad about her husband (“she had loved him—sometimes,” Chopin writes), Louise is excited for the opportunity to live for herself. She keeps repeating the word “free” as she comes to terms with what her husband’s death means for her life. 

In the meantime, Josephine sits at Louise’s door, coaxing her to come out because she is worried about Louise’s heart condition. After praying that her life is long-lived, Louise agrees to come out. However, as she comes downstairs, the front door opens to reveal her husband, who had not been killed by the accident at all. Although Richards tries to keep Louise’s heart from shock by shielding her husband from view, Louise dies suddenly, which the doctors later attribute to “heart disease—of the joy that kills .”

Kate Chopin, the author of "The Story of an Hour," has become one of the most important American writers of the 19th century. 

The History of Kate Chopin and the 1890s

Before we move into “The Story of an Hour” analysis section, it’s helpful to know a little bit about Kate Chopin and the world she lived in. 

A Short Biography of Kate Chopin

Born in 1850 to wealthy Catholic parents in St. Louis, Missouri, Kate Chopin (originally Kate O’Flaherty) knew hardship from an early age. In 1855, Chopin lost her father, Thomas, when he passed away in a tragic and unexpected railroad accident. The events of this loss would stay with Kate for the rest of her life, eventually becoming the basis for “The Story of an Hour” nearly forty years later.

Chopin was well-educated throughout her childhood , reading voraciously and becoming fluent in French. Chopin was also very aware of the divide between the powerful and the oppressed in society at the time . She grew up during the U.S. Civil War, so she had first-hand knowledge of violence and slavery in the United States. 

Chopin was also exposed to non-traditional roles for women through her familial situation. Her mother, grandmother, and great-grandmother chose to remain widows (rather than remarry) after their husbands died. Consequently, Chopin learned how important women’s independence could be, and that idea would permeate much of her writing later on. 

As Chopin grew older, she became known for her beauty and congeniality by society in St. Louis. She was married at the age of nineteen to Oscar Chopin, who came from a wealthy cotton-growing family. The couple moved to New Orleans, where they would start both a general store and a large family. (Chopin would give birth to seven children over the next nine years!) 

While Oscar adored his wife, he was less capable of running a business. Financial trouble forced the family to move around rural Louisiana. Unfortunately, Oscar would die of swamp fever in 1882 , leaving Chopin in heavy debt and with the responsibility of managing the family’s struggling businesses. 

After trying her hand at managing the property for a year, Chopin conceded to her mother’s requests to return with her children to St. Louis. Chopin’s mother died the year after. In order to support herself and her children, Kate began to write to support her family. 

Luckily, Chopin found immediate success as a writer. Many of her short stories and novels—including her most famous novel, The Awakening— dealt with life in Louisiana . She was also known as a fast and prolific writer, and by the end of the 1900s she had written over 100 stories, articles, and essays. 

Unfortunately, Chopin would pass away from a suspected cerebral hemorrhage in 1904, at the age of 54 . But Kate Chopin’s “The Story of an Hour” and other writings have withstood the test of time. Her work has lived on, and she’s now recognized as one of the most important American writers of the 19th century. 

American life was undergoing significant change in the 19th century. Technology, culture, and even leisure activities were changing. 

American Life in the 1890s

“The Story of an Hour” was written and published in 1894, right as the 1800s were coming to a close. As the world moved into the new century, American life was also changing rapidly. 

For instance, t he workplace was changing drastically in the 1890s . Gone were the days where most people were expected to work at a trade or on a farm. Factory jobs brought on by industrialization made work more efficient, and many of these factory owners gradually implemented more humane treatment of their workers, giving them more leisure time than ever.

Though the country was in an economic recession at this time, technological changes like electric lighting and the popularization of radios bettered the daily lives of many people and allowed for the creation of new jobs. Notably, however, work was different for women . Working women as a whole were looked down upon by society, no matter why they found themselves in need of a job. 

Women who worked while they were married or pregnant were judged even more harshly. Women of Kate Chopin’s social rank were expected to not work at all , sometimes even delegating the responsibility of managing the house or child-rearing to maids or nannies. In the 1890s, working was only for lower class women who could not afford a life of leisure .

In reaction to this, the National American Woman Suffrage Association was created in 1890, which fought for women’s social and political rights. While Kate Chopin was not a formal member of the suffragette movements, she did believe that women should have greater freedoms as individuals and often talked about these ideas in her works, including in “The Story of an Hour.” 

Kate Chopin's "The Story of an Hour" a short exploration of marriage and repression in America.

“The Story of an Hour” Analysis

Now that you have some important background information, it’s time to start analyzing “The Story of an Hour.”

This short story is filled with opposing forces . The themes, characters, and even symbols in the story are often equal, but opposite, of one another. Within “The Story of an Hour,” analysis of all of these elements reveals a deeper meaning.

“The Story of an Hour” Themes

A theme is a message explored in a piece of literature. Most stories have multiple themes, which is certainly the case in “The Story of an Hour.” Even though Chopin’s story is short, it discusses the thematic ideas of freedom, repression, and marriage. 

Keep reading for a discussion of the importance of each theme! 

Freedom and Repression

The most prevalent theme in Chopin’s story is the battle between freedom and “repression.” Simply put , repression happens when a person’s thoughts, feelings, or desires are being subdued. Repression can happen internally and externally. For example, if a person goes through a traumatic accident, they may (consciously or subconsciously) choose to repress the memory of the accident itself. Likewise, if a person has wants or needs that society finds unacceptable, society can work to repress that individual. Women in the 19th century were often victims of repression. They were supposed to be demure, gentle, and passive—which often went against women’s personal desires. 

Given this, it becomes apparent that Louise Mallard is the victim of social repression. Until the moment of her husband’s supposed death, Louise does not feel free . In their marriage, Louise is repressed. Readers see this in the fact that Brently is moving around in the outside world, while Louise is confined to her home. Brently uses railroad transportation on his own, walks into his house of his own accord, and has individual possessions in the form of his briefcase and umbrella. Brently is even free from the knowledge of the train wreck upon his return home. Louise, on the other hand, is stuck at home by virtue of her position as a woman and her heart condition. 

Here, Chopin draws a strong contrast between what it means to be free for men and women. While freedom is just part of what it means to be a man in America, freedom for women looks markedly different. Louise’s life is shaped by what society believes a woman should be and how a wife should behave. Once Louise’s husband “dies,” however, she sees a way where she can start claiming some of the more “masculine” freedoms for herself. Chopin shows how deeply important freedom is to the life of a woman when, in the end, it’s not the shock of her husband’s return of her husband that kills Louise, but rather the thought of losing her freedom again.

Marriage as a “The Story of an Hour” theme is more than just an idyllic life spent with a significant other. The Mallard’s marriage shows a reality of 1890s life that was familiar to many people. Marriage was a means of social control —that is to say, marriage helped keep women in check and secure men’s social and political power. While husbands were usually free to wander the world on their own, hold jobs, and make important family decisions, wives (at least those of the upper class) were expected to stay at home and be domestic. 

Marriage in Louise Mallard’s case has very little love. She sees her marriage as a life-long bond in which she feels trapped, which readers see when she confesses that she loved her husband only “sometimes.” More to the point, she describes her marriage as a “powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature.” In other words, Louise Mallard feels injustice in the expectation that her life is dictated by the will of her husband.

Like the story, the marriages Kate witnessed often ended in an early or unexpected death. The women of her family, including Kate herself, all survived their husbands and didn’t remarry. While history tells us that Kate Chopin was happy in her marriage, she was aware that many women weren’t. By showing a marriage that had been built on control and society’s expectations, Chopin’s “The Story of an Hour” highlights the need for a world that respected women as valuable partners in marriage as well as capable individuals.

While this painting by Johann Georg Meyer wasn't specifically of Louise Mallard, "Young Woman Looking Through a Window" is a depiction of what Louise might have looked like as she realized her freedom.

"The Story of an Hour" Characters

The best stories have developed characters, which is the case in “The Story of an Hour,” too. Five characters make up the cast of “The Story of an Hour”:

Louise Mallard

Brently mallard.

• The doctor(s)

By exploring the details of each character, we can better understand their motivations, societal role, and purpose to the story.

From the opening sentence alone, we learn a lot about Louise Mallard. Chopin writes, “Knowing that Mrs. Mallard was afflicted with a heart trouble, great care was taken to break to her as gently as possible the news of her husband’s death.”

From that statement alone, we know that she is married, has a heart condition, and is likely to react strongly to bad news . We also know that the person who is sharing the bad news views Louise as delicate and sensitive. Throughout the next few paragraphs, we also learn that Louise is a housewife, which indicates that she would be part of the middle-to-upper class in the 1890s. Chopin also describes Louise’s appearance as “young,” “fair, calm face,” with lines of “strength.” These characteristics are not purely physical, but also bleed into her character throughout the story.

Louise’s personality is described as different from other women . While many women would be struck with the news in disbelief, Louise cries with “wild abandonment”—which shows how powerful her emotions are. Additionally, while other women would be content to mourn for longer, Louise quickly transitions from grief to joy about her husband’s passing.  

Ultimately, Chopin uses Louise’s character to show readers what a woman’s typical experience within marriage was in the 1890s. She uses Louise to criticize the oppressive and repressive nature of marriage, especially when Louise rejoices in her newfound freedom. 

Josephine is Louise’s sister . We never hear of Josephine’s last name or whether she is married or not. We do know that she has come with Richards, a friend of Brently’s, to break the news of his death to her sister. 

When Josephine tells Louise the bad news, she’s only able to tell Louise of Brently’s death in “veiled hints,” rather than telling her outright. Readers can interpret this as Josephine’s attempt at sparing Louise’s feelings. Josephine is especially worried about her sister’s heart condition, which we see in greater detail later as she warns Louise, “You will make yourself ill.” When Louise locks herself in her room, Josephine is desperate to make sure her sister is okay and begs Louise to let her in. 

Josephine is the key supporting character for Louise, helping her mourn, though she never knows that Louise found new freedom from her husband’s supposed death . But from Josephine’s actions and interactions with Louise, readers can accurately surmise that she cares for her sister (even if she’s unaware of how miserable Louise finds her life). 

Richards is another supporting character, though he is described as Brently’s friend, not Louise’s friend. It is Richards who finds out about Brently Mallard’s supposed death while at the newspaper office—he sees Brently’s name “leading the list of ‘killed.’” Richards’ main role in “The Story of an Hour” is to kick off the story’s plot. 

Additionally, Richard’s presence at the newspaper office suggests he’s a writer, editor, or otherwise employee of the newspaper (although Chopin leaves this to readers’ inferences). Richards takes enough care to double-check the news and to make sure that Brently’s likely dead. He also enlists Josephine’s help to break the news to Louise. He tries to get to Louise before a “less careful, less tender friend” can break the sad news to her, which suggests that he’s a thoughtful person in his own right. 

It’s also important to note is that Richards is aware of Louise’s heart condition, meaning that he knows Louise Mallard well enough to know of her health and how she is likely to bear grief. He appears again in the story at the very end, when he tries (and fails) to shield Brently from his wife’s view to prevent her heart from reacting badly. While Richards is a background character in the narrative, he demonstrates a high level of friendship, consideration, and care for Louise. 

Brently Mallard would have been riding in a train like this one when the accident supposedly occurred.

  Mr. Brently Mallard is the husband of the main character, Louise. We get few details about him, though readers do know he’s been on a train that has met with a serious accident. For the majority of the story, readers believe Brently Mallard is dead—though the end of “The Story of an Hour” reveals that he’s been alive all along. In fact, Brently doesn’t even know of the railroad tragedy when he arrives home “travel-stained.”

  Immediately after Louise hears the news of his death, she remembers him fondly. She remarks on his “kind, tender hands” and says that Brently “never looked save with love” upon her . It’s not so much Brently as it’s her marriage to him which oppresses Louise. While he apparently always loved Louise, Louise only “sometimes” loved Brently. She constantly felt that he “impose[d] a private will” upon her, as most husbands do their wives. And while she realizes that Brently likely did so without malice, she also realized that “a kind intention or a cruel intention” makes the repression “no less a crime.” 

Brently’s absence in the story does two things. First, it contrasts starkly with Louise’s life of illness and confinement. Second, Brently’s absence allows Louise to imagine a life of freedom outside of the confines of marriage , which gives her hope. In fact, when he appears alive and well (and dashes Louise’s hopes of freedom), she passes away. 

The Doctor(s)

Though the mention of them is brief, the final sentence of the story is striking. Chopin writes, “When the doctors came they said she had died of heart disease—of the joy that kills.” Just as she had no freedom in life, her liberation from the death of her husband is told as a joy that killed her.

In life as in death, the truth of Louise Mallard is never known. Everything the readers know about her delight in her newfound freedom happens in Louise’s own mind; she never gets the chance to share her secret joy with anyone else.

Consequently, the ending of the story is double-sided. If the doctors are to be believed, Louise Mallard was happy to see her husband, and her heart betrayed her. And outwardly, no one has any reason to suspect otherwise. Her reaction is that of a dutiful, delicate wife who couldn’t bear the shock of her husband returned from the grave. 

But readers can infer that Louise Mallard died of the grief of a freedom she never had , then found, then lost once more. Readers can interpret Louise’s death as her experience of true grief in the story—that for her ideal life, briefly realized then snatched away. 

In "The Story of an Hour," the appearance of hearts symbolize both repression and hope.

“The Story of an Hour” Symbolism and Motifs

  Symbols are any object, word, or other element that appear in the story and have additional meanings beyond. Motifs are elements from a story that gain meaning from being repeated throughout the narrative. The line between symbols and motifs is often hazy, but authors use both to help communicate their ideas and themes. 

  In “The Story of an Hour,” symbolism is everywhere, but the three major symbols present in the story are: 

•   The heart
• The house and the outdoors
• Joy and sorrow

Heart disease, referred to as a “heart condition” within the text, opens and closes the text. The disease is the initial cause for everyone’s concern, since Louise’s condition makes her delicate. Later, heart disease causes Louise’s death upon Brently’s safe return. In this case, Louise’s ailing heart has symbolic value because it suggests to readers that her life has left her heartbroken. When she believes she’s finally found freedom, Louise prays for a long life...when just the day before, she’d “had thought with a shudder that life might be long.”

As Louise realizes her freedom, it’s almost as if her heart sparks back to life. Chopin writes, “Now her bosom rose and fell tumultuously...she was striving to beat it back...Her pulses beat fast, and the coursing blood warmed and relaxed every inch of her body.” These words suggest that, with her newfound freedom, the symptoms of her heart disease have lifted. Readers can surmise that Louise’s diseased heart is the result of being repressed, and hope brings her heart back to life. 

  Unfortunately, when Brently comes back, so does Louise’s heart disease. And, although her death is attributed to joy, the return of her (both symbolic and literal) heart disease kills her in the end. 

The House and the Outdoors

The second set of symbols are Louise’s house and the world she can see outside of her window. Chopin contrasts these two symbolic images to help readers better understand how marriage and repression have affected Louise. 

First of all, Louise is confined to the home—both within the story and in general. For her, however, her home isn’t a place to relax and feel comfortable. It’s more like a prison cell. All of the descriptions of the house reinforce the idea that it’s closed off and inescapable . For instance, the front door is locked when Mr. Mallard returns home. When Mrs. Mallard is overcome with grief, she goes deeper inside her house and locks herself in her room.

In that room, however, Mrs. Mallard takes note of the outdoors by looking out of her window.  Even in her momentary grief, she describes the “open square before her house” and “the new spring life.” The outdoors symbolize freedom in the story, so it’s no surprise that she realizes her newfound freedom as she looks out her window. Everything about the outside is free, beautiful, open, inviting, and pleasant...a stark contrast from the sadness inside the house . 

The house and its differences from outdoors serve as one of many symbols for how Louise feels about her marriage: barred from a world of independence.

Joy and Sorrow

  Finally, joy and sorrow are motifs that come at unexpected times throughout “The Story of an Hour.” Chopin juxtaposes joy and sorrow to highlight how tragedy releases Louise from her sorrow and gives her a joyous hope for the future. 

At first, sorrow appears as Louise mourns the death of her husband. Yet, in just a few paragraphs, she finds joy in the event as she discovers a life of her own. Though Louise is able to see that feeling joy at such an event is “monstrous,” she continues to revel in her happiness. 

  It is later that, when others expect her to be joyful, Josephine lets out a “piercing cry,” and Louise dies. Doctors interpret this as “the joy that kills,” but more likely it’s a sorrow that kills. The reversal of the “appropriate” feelings at each event reveals how counterintuitive the “self-assertion which she suddenly recognized as the strongest impulse of her being” is to the surrounding culture. This paradox reveals something staggering about Louise’s married life: she is so unhappy with her situation that grief gives her hope...and she dies when that hope is taken away. 

Key Takeaways: Kate Chopin's “The Story of an Hour” 

Analyzing Chopin’s “The Story of an Hour” takes time and careful thought despite the shortness of the story. The story is open to multiple interpretations and has a lot to reveal about women in the 1890s, and many of the story’s themes, characters, and symbols critique women’s marriage roles during the period .

There’s a lot to dig through when it comes to “The Story of an Hour” analysis. If you’re feeling overwhelmed, just remember a few things :

• Events from Kate Chopin’s life and from social changes in the 1890s provided a strong basis for the story.
• Mrs. Louise Mallard’s heart condition, house, and feelings represent deeper meanings in the narrative.
• Louise goes from a state of repression, to freedom, and then back to repression, and the thought alone is enough to kill her.

Remembering the key plot points, themes, characters, and symbols will help you write any essay or participate in any discussion. Kate Chopin’s “The Story of an Hour” has much more to uncover, so read it again, ask questions, and start exploring the story beyond the page!

What’s Next? 

You may have found your way to this article because analyzing literature can be tricky to master. But like any skill, you can improve with practice! First, make sure you have the right tools for the job by learning about literary elements. Start by mastering the 9 elements in every piece of literature , then dig into our element-specific guides (like this one on imagery and this one on personification .)

Another good way to start practicing your analytical skills is to read through additional expert guides like this one. Literary guides can help show you what to look for and explain why certain details are important. You can start with our analysis of Dylan Thomas’ poem, “Do not go gentle into that good night.” We also have longer guides on other words like The Great Gatsby and The Crucible , too.

If you’re preparing to take the AP Literature exam, it’s even more important that you’re able to quickly and accurately analyze a text . Don’t worry, though: we’ve got tons of helpful material for you. First, check out this overview of the AP Literature exam . Once you have a handle on the test, you can start practicing the multiple choice questions , and even take a few full-length practice tests . Oh, and make sure you’re ready for the essay portion of the test by checking out our AP Literature reading list!

Ashley Sufflé Robinson has a Ph.D. in 19th Century English Literature. As a content writer for PrepScholar, Ashley is passionate about giving college-bound students the in-depth information they need to get into the school of their dreams.

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The Story of an Hour

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The Story Of An Hour - Free Essay Examples And Topic Ideas

Writing essays about “The Story of an Hour” is a fascinating way to look at the themes of women’s lives, freedom, and what society expects of them. With examples of essays on “The Story of an Hour,” readers can learn how to analyze the short story by Kate Chopin and its prompts. As Mrs. Mallard is the main character, the essay can focus on her questions of self-discovery and her complicated feelings when she hears that her husband has died. The feminist issues in essay examples on The Story Of An Hour can be viewed from different points of view in free persuasive essays about the book. These essays can also examine society’s limits on women during that time. The Story of an Hour essay topics can be about marriage, the independence of women, or the role that society plays in shaping women’s lives. Researching free argumentative essays about The Story Of An Hour allows you to learn more about the author’s goals and historical setting. To guide the essay’s case and make a good outline, it’s essential to write a clear topic sentence and thesis statement. In the essay introduction, summarize the story, state your thesis, and list the essential points you’ll discuss. The conclusion should summarize the main points, consider how the story affected the reader, and end with a statement that makes them think. By writing The Story Of An Hour research paper, readers can explore the story’s deep themes, look at society’s standards for women, and learn more about how Kate Chopin explores female independence and personal freedom.

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How To Write an Essay About The Story Of An Hour

Understanding 'the story of an hour'.

Before beginning your essay on Kate Chopin's 'The Story of an Hour,' it is essential to thoroughly understand the short story. Published in 1894, this narrative explores the themes of freedom, identity, and the constraints of marriage in the life of its protagonist, Louise Mallard. Start by analyzing the plot – the news of Mr. Mallard’s death and the subsequent revelation of his survival, which shockingly leads to Louise's death. Understand the historical and cultural context of the late 19th century, focusing on the role of women in society and marriage during this period. Familiarizing yourself with these aspects will provide a solid foundation for your essay.

Developing a Thesis Statement

A compelling essay on 'The Story of an Hour' should be centered around a clear, concise thesis statement. This statement should present a specific viewpoint or argument about the story. For example, you might analyze the concept of freedom and its complex portrayal in the story, or discuss the irony and symbolism used by Chopin. Your thesis will guide the structure and content of your essay and provide a clear path for your analysis.

Gathering Textual Evidence

To support your thesis, gather evidence from the text. This involves closely reading the story to find relevant quotes, descriptions, and instances that align with your thesis. For instance, if exploring the theme of freedom, identify passages that reflect Louise’s feelings and thoughts about her newfound independence. Use these examples to build your argument and give depth to your analysis.

Analyzing Chopin's Techniques and Themes

In your essay, analyze how Chopin uses literary techniques to develop themes and characters. Discuss her use of imagery, symbolism (like the open window), and the story’s structure. For example, explore how the brief time span of the narrative enhances the intensity of Louise's experience. This analysis should demonstrate a deep understanding of the text and how Chopin communicates her ideas.

Concluding the Essay

Conclude your essay by summarizing your main points and restating your thesis in light of the discussion. Your conclusion should tie together your insights into 'The Story of an Hour,' emphasizing the significance of your findings. Reflect on the broader implications of the story, such as its relevance to modern discussions on gender roles and marital expectations.

Reviewing and Refining Your Essay

After completing your essay, review and refine it. Ensure that your arguments are coherent, your evidence is clearly presented, and your writing is free of grammatical errors. Consider seeking feedback from teachers or peers to help improve your essay. A well-crafted essay on 'The Story of an Hour' will not only demonstrate your understanding of the story but also your ability to engage critically with literary texts.

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• The Story of an Hour Essays

Kate Chopin’s “The Story Of An Hour”: A Critical Perspective Essay

Kate Chopin, in her short story, The Story of an Hour, tackles complex issues involved in the interplay of female independence, love and marriage through her brief but effective characterization of the supposedly widowed Louise Mallard in the last hour of her life. Through her characterization of Louise, Chopin portrays a picture of a sympathetic woman with strength and insight; who is unable to translate her new- found freedom into an effective realization which ultimately leads her to an untimely death caused by her “monstrous joy”. Chopin eloquently translates the feelings and emotions of a woman trapped in an unhappy marriage through her use of subtle imagery and situations that effectively bring out the subconscious desire of a woman in a patriarchal society. That is to say, within Kate Chopin’s The Story of an Hour, the literary theories of feminism, psychoanalytical and mythological are present.

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“This story is not about society or marriage but about Louise Mallard” (Berkove, 153). In the story we can relate to the powerful theme of self- assertion. Chopin painfully presents a situation of a woman who can assert her independence only after the death of her husband, that too, for a minimal period of an hour. Her situation can be analyzed by her reaction when she first heard the news, her chance to freedom is described by the writer as a “paralyzed inability” to accept the significance of her new-found independent identity. “She did not hear the story as many women have heard the same, with a paralyzed inability to accept its significance” (Chopin, 1894). Unable to fully realize her situation she silently withdraws into her room. Here, it is important to note that she can only meditate upon her freedom alone away from the constraints of the patriarchal society. In her “cave”, she reflects upon her situation, her status as a free woman; at first her freedom frightens her.

Gradually, she recognizes her freedom being “subtle and elusive”. In a feverish attempt she develops a monstrous joy that ultimately kills her highlighting her “paralyzed inability” to accept the significance of the situation. Though some critics do not relate Louise’s situation as a woman who was trapped in an unhappy marriage. They found no hard evidence whatsoever of patriarchal blindness or suppression. However, Louise’s statement, “Free! Body and soul free!” which she kept whispering, highlights the repressed state of her married life (Chopin, 1894). The words “free”, “body” and “soul”, gives us a perspective of a woman who felt dominated by her husband. Her body and soul were used as an object by the patriarchal society to satisfy the desires of her husband. The significance of the statement enhances when we see the protagonist “whispering” these words. The fact that she still is unable to fully comprehend her situation as an independent woman, further exemplifies her status as a woman whose body and soul were not regarded as hers. There is no mention of the cause of her repression. The reader can only regards the dominance of the patriarchal society as the cause of her situation, for her actions regard her married life as something that restricted her freedom, something that had no place for love and understanding. She was dependent on her husband to realize her identity as a married woman. It is this identity that Chopin attacks; as stated by Toth, “Chopin’s story is the most radical attack on the institution of marriage, on one person’s dominance over another” (Toth, 102).

The psychoanalytical theory defines the subconscious desires of Louise Mallard. The significance of this critical perspective lies in revealing the desires of Louise that could not have been expressed openly because of the social rules. “There was something coming to her and she was waiting for it, fearfully. What was it? She did not know; it was too subtle and elusive to name” (Chopin, 1894). This quote clearly defines the subconscious state of Louise, who was not aware of what she secretly desired all this time of her married life. Her “id” is her desire for freedom, an independent identity, that she can attain only after the death of her husband. The “superego” is her sense of fear, a fear that is imposed by the societal rules which do not allow a woman to have a separate identity apart from her husband who defines her identity. Her realization of her freedom as “subtle and elusive” marks her “ego”, which realizes that the “id” must be satisfied, but that there are certain socially acceptable ways to achieve satisfaction. The second example of the psychoanalytical theory is the implication of the duration of the action as a “dream- like” situation, characterized as a “brief moment of illumination” (Chopin, 1894). The whole action has a dream- like quality, where a woman suddenly achieves her repressed emotions with the sudden death of her husband, feverishly realizes her new-found independence and untimely dies because of her “monstrous joy”. The whole action assumes the quality of a Freudian dream where a person’s subconscious desires are revealed and gets the treatment of reality with the appearance of “Superego” in the form of her husband who didn’t even knew about the accident hat gave his wife an elated joy that ultimately killed her.

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The mythological perspective of the story lies in Chopin’s use of impressionist imagery. “In The Story of an Hour, a subtextual treasure, Chopin carefully ingles the sight, scent and hearing in her short chronicle to define the emotional and realistic state of Louise Mallard” (Kelley, 340). The emphasis on mythological perspective of Chopin’s story lies in the use of archetypal symbols and situation to exalt the status of the protagonist as a repressed woman. “She could see in the open square before her house the tops of trees that were all aquiver with the new spring life” (Chopin, 1894). The symbol of square represents a life that is defined by rules and regulations. Here, it is significant to note that the square is characterized as open which defines an opportunity to break the chains of patriarchal society. Louise sees the masculine symbol of tree through the open square, that is her opportunity is silently guided by the masculine authority which is now with the death of her husband covered with the new spring life that defines new hope. Another powerful feminine symbol used by Chopin is, “open windows”, “There stood, facing the open window, a comfortable, roomy armchair” (Chopin, 1894). The window is a powerful feminine symbol that marks the hope of feminine liberty. It is significant that the window is an open window which highlights the opportunity to gain an identity. However, this opportunity can only be realized in a “comfortable, roomy armchair”, that marks the feminine space where Louise can explore the regions of her human soul. She realizes her archetypal quest of achieving an independent identity in this roomy armchair that marks the renewal of her life, her rebirth.

The Story of an Hour, exposes a fanciful dream of a woman who died, “just as she had been freed from a constructing marriage and realized self- assertion as the deepest element of her being” (Toth, Unveiling Kate Chopin, 150). Chopin brilliantly uses the metaphor of “monstrous joy” to project Louise’s emotional state. In the light of Aristotle’s statement, “whosoever is delighted in solitude, is either a wild beast or a god”, Louise’s solitude enlightened her subconscious desires which she feverishly translated into the monstrous joy that ultimately killed her. By presenting this situation Chopin, highlights the true status of feminine liberty which cannot be realized in solitude. She projects a delicate incisive irony- what would happen if an immature and shallow egotist were to face the earthly consequence of an impossible dream of her afflicted heart. Through her portrayal of Louise, Chopin translates the feelings and emotions of a woman in a subconscious manner, making it realistic through the archetypal imagery and the situation that not only gave her short chronicle a feminist and psychoanalytical perspective, but also exemplified the situation of the Victorian women, who subconsciously desired an independent identity.

Works cited

Chopin, Kate. The Story Of an Hour. Vogue: New York. 1894 Berkove, Lawrence I. “Fatal Self- Assertion in Kate Chopin’s ‘The Story Of an Hour’.” American Literary Realism 32 (Winter 2000): 152- 58.

Toth, Emily. Kate Chopin. New York: Morrow. 1990 Kelley, Annetta M.F. “ The Sparkle of Diamonds: Kate Chopin’s Usage of Subtext in Stories and Novels”. Louisiana History: The Journal of the Louisiana Historical Association, Vol. 35, No. 3 (Summer 1994): 331-344.

Toth, Emily. Unveiling Kate Chopin. Jackson: UP of Mississippi. 1991

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A Formalist Approach to “The Story of an Hour”

The following sample literature essay is 1087 words long, in apa format, and written at the undergraduate level. it has been downloaded 24272 times and is available for you to use, free of charge., send via email.

Kate Chopin’s short story “ The Story of an Hour ” is filled with little surprises. She sets the reader in one direction with a specific image, and then startles you with a change of direction. Our initial look at the protagonist of the story is one of a delicate woman, easily harmed. “Knowing that Mrs. Mallard was afflicted with a heart trouble, great care was taken to break to her as gently as possible the news of her husband’s death” (Chopin 1894). The writer cleverly does two things in this opening line that will be used later in the story to surprise the reader. The first is creating an image of a delicate woman. The second is making us aware she has a heart condition. We are drawn in immediately by the news that she is about to be informed she is a widow. The use of surprise and plot intrigue is clearly evident in this short story, lending it to be easily observed from a formalist approach. Our textbook states: “This approach is most widely used in literary comparison and criticism; it focuses on the form and development of the literary work itself” (Clugston, 2010). Chapter 16.2 of our text asks why is the plot intriguing? Did surprise occur? The surprise twists in this short story are what make it stand out, and what makes the piece memorable. The first sentence of the story will come back to haunt the reader in a short while, with a surprise ending to the story. This story suits the formalist approach as it is filled with surprise twists.

After hearing of her husband’s death, the woman reacts strongly: “She did not hear the story as many women have heard the same, with a paralyzed inability to accept its significance. She wept at once, with sudden, wild abandonment, in her sister’s arms. When the storm of grief had spent itself, she went away to her room alone. She would have no one follow” (Chopin 1894). With these lines the image of an exceptionally grief-stricken widow comes to mind. The reader sees the utter collapse of this woman, wildly thrashing in grief, and then removing herself to grieve alone. She goes upstairs and sits by a window, staring at the spring scene budding below her. “She could see in the open square before her house the tops of trees that were all aquiver with the new spring life” (Chopin 1894).  To the reader, this image of budding spring contrasts deeply with the image of a weeping widow, facing an empty life and dealing with death instead of the spring of life. Chopin writes about the spring scene, a metaphor for life, with its blue sky and bird song.

As we are led into this image of life and contrasting death, Chopin begins leading us to our first surprise. She uses a foreshadowing technique to keep us interested: “There was something coming to her and she was waiting for it, fearfully. What was it? She did not know; it was too subtle and elusive to name. But she felt it, creeping out of the sky, reaching toward her through the sounds, the scents, the color that filled the air” (Chopin 1894). The reader feels a foreboding, still the feeling of death lingers, and we expect bad news. The first surprise is striking. We are awaiting disaster, yet the young widow, with her unlined face streaming tears feels released “When she abandoned herself a little whispered word escaped her slightly parted lips. She said it over and over under her breath: free, free, free!” (Chopin 1894). The reader is left aghast. 

Chopin describes an ordinary love between husband and wife. The widow will “weep again when she saw the kind, tender hands folded in death; the face that had never looked save with love upon her, fixed and gray and dead. But she saw beyond that bitter moment a long procession of years to come that would belong to her absolutely. And she opened and spread her arms out to them in welcome” (Chopin 1894).

As a reader, I was shocked at this turn of events, yet accepted this statement that she loved him, yet felt released. As Chopin continues to write descriptively about the widow’s reaction to her husband’s death, this sympathy waned somewhat. The widow is really truly elated at the prospect of widowhood. To add a bit of historical perspective here, one could look at the author’s own history of widowhood and independence, and occasional “scandalous” writing. One of her novels, “The Awakening” was criticized because it dealt with a woman’s strength despite her adulterous life, and Chopin often wrote about her personal quest for freedom (Clugston, 2010). The content and message of “The Awakening” caused a stir in local society, and Chopin was denied admission into the St. Louis Fine Art Club after its publication. In the remaining short five years of her life she wrote only a few short stories (Wyatt 1995).

The ending of the story contains the final surprise. After the reader is completely aware of the widow’s elation at her sudden freedom, even despite having loved her husband, he walks in the front door very much alive. The widow drops dead at the sight of him. “When the doctors came, they said she had died of heart disease – of joy that kills” (Chopin 1894). This is the final irony and twist in this short interesting story. Esther Lombardi in her article, “How to Become a Critical Reader” states: “Consider the title. What does it tell you about what the book, essay, or literary work is about?” (Lombardi).  “The Story of an Hour” is filled with twists and plot intrigue, describing the reality of what one-hour can hold in the course of life’s surprise ups and downs. Kate Chopin does a wonderful job of manipulating the story to mirror the unexpected events that can occur at any time in our lives.

Chopin, K. (n.d.). "The Story of an Hour". Virginia Commonwealth University. Retrieved September 18, 2013, from http://www.vcu.edu/engweb/webtexts/hour/

Clugston, W. (2010). Responding to Literary Experience, Literary Criticism: A Brief Overview. Journey into Literature (pp. Ch 2, Ch 16). San Diego CA: Bridgepoint Education Inc.

Lombardi, E. (n.d.). How to Become a Critical Reader . Books & Literature Classics. Retrieved from http://classiclit.about.com/od/forstudents/ht/aa_criticalread.htm

Wyatt, N. (n.d.). Biography of Kate Chopin. Virginia Commonwealth University. Retrieved from http://www.vcu.edu/engweb/webtexts/hour/katebio.html

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Crafting an essay on the Story of an Hour by Kate Chopin can be challenging for many learners. It is a short story about Louise Mallard, a woman who loses her husband in a tragic accident. The author depicts the theme of freedom for the woman after her husband dies. Unlike other women, Louise begins to embrace her life. Essays on the Story of an Hour by Kate Chopin help learners gain analytical skills by uncovering the shackles of traditional marriage in a patriarchal society.

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The Story Of An Hour

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3 The Struggle for Freedom in “The Story of an Hour” and “The Yellow Wallpaper”

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Thousands Believe Covid Vaccines Harmed Them. Is Anyone Listening?

All vaccines have at least occasional side effects. But people who say they were injured by Covid vaccines believe their cases have been ignored.

Shaun Barcavage, 54, a nurse practitioner in New York City, said that ever since his first Covid shot, standing up has sent his heart racing. Credit... Hannah Yoon for The New York Times

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By Apoorva Mandavilli

Apoorva Mandavilli spent more than a year talking to dozens of experts in vaccine science, policymakers and people who said they had experienced serious side effects after receiving a Covid-19 vaccine.

• Published May 3, 2024 Updated May 4, 2024

Within minutes of getting the Johnson & Johnson Covid-19 vaccine, Michelle Zimmerman felt pain racing from her left arm up to her ear and down to her fingertips. Within days, she was unbearably sensitive to light and struggled to remember simple facts.

She was 37, with a Ph.D. in neuroscience, and until then could ride her bicycle 20 miles, teach a dance class and give a lecture on artificial intelligence, all in the same day. Now, more than three years later, she lives with her parents. Eventually diagnosed with brain damage, she cannot work, drive or even stand for long periods of time.

“When I let myself think about the devastation of what this has done to my life, and how much I’ve lost, sometimes it feels even too hard to comprehend,” said Dr. Zimmerman, who believes her injury is due to a contaminated vaccine batch .

The Covid vaccines, a triumph of science and public health, are estimated to have prevented millions of hospitalizations and deaths . Yet even the best vaccines produce rare but serious side effects . And the Covid vaccines have been given to more than 270 million people in the United States, in nearly 677 million doses .

Dr. Zimmerman’s account is among the more harrowing, but thousands of Americans believe they suffered serious side effects following Covid vaccination. As of April, just over 13,000 vaccine-injury compensation claims have been filed with the federal government — but to little avail. Only 19 percent have been reviewed. Only 47 of those were deemed eligible for compensation, and only 12 have been paid out, at an average of about $3,600 .

Some scientists fear that patients with real injuries are being denied help and believe that more needs to be done to clarify the possible risks.

“At least long Covid has been somewhat recognized,” said Akiko Iwasaki, an immunologist and vaccine expert at Yale University. But people who say they have post-vaccination injuries are “just completely ignored and dismissed and gaslighted,” she added.

In interviews and email exchanges conducted over several months, federal health officials insisted that serious side effects were extremely rare and that their surveillance efforts were more than sufficient to detect patterns of adverse events.

“Hundreds of millions of people in the United States have safely received Covid vaccines under the most intense safety monitoring in U.S. history,” Jeff Nesbit, a spokesman for the Department of Health and Human Services, said in an emailed statement.

But in a recent interview, Dr. Janet Woodcock, a longtime leader of the Food and Drug Administration, who retired in February, said she believed that some recipients had experienced uncommon but “serious” and “life-changing” reactions beyond those described by federal agencies.

“I feel bad for those people,” said Dr. Woodcock, who became the F.D.A.’s acting commissioner in January 2021 as the vaccines were rolling out. “I believe their suffering should be acknowledged, that they have real problems, and they should be taken seriously.”

“I’m disappointed in myself,” she added. “I did a lot of things I feel very good about, but this is one of the few things I feel I just didn’t bring it home.”

Federal officials and independent scientists face a number of challenges in identifying potential vaccine side effects.

The nation’s fragmented health care system complicates detection of very rare side effects, a process that depends on an analysis of huge amounts of data. That’s a difficult task when a patient may be tested for Covid at Walgreens, get vaccinated at CVS, go to a local clinic for minor ailments and seek care at a hospital for serious conditions. Each place may rely on different health record systems.

There is no central repository of vaccine recipients, nor of medical records, and no easy to way to pool these data. Reports to the largest federal database of so-called adverse events can be made by anyone, about anything. It’s not even clear what officials should be looking for.

“I mean, you’re not going to find ‘brain fog’ in the medical record or claims data, and so then you’re not going to find” a signal that it may be linked to vaccination, Dr. Woodcock said. If such a side effect is not acknowledged by federal officials, “it’s because it doesn’t have a good research definition,” she added. “It isn’t, like, malevolence on their part.”

The government’s understaffed compensation fund has paid so little because it officially recognizes few side effects for Covid vaccines. And vaccine supporters, including federal officials, worry that even a whisper of possible side effects feeds into misinformation spread by a vitriolic anti-vaccine movement.

‘I’m Not Real’

Patients who believe they experienced serious side effects say they have received little support or acknowledgment.

Shaun Barcavage, 54, a nurse practitioner in New York City who has worked on clinical trials for H.I.V. and Covid, said that ever since his first Covid shot, merely standing up sent his heart racing — a symptom suggestive of postural orthostatic tachycardia syndrome , a neurological disorder that some studies have linked to both Covid and, much less often, vaccination .

He also experienced stinging pain in his eyes, mouth and genitals, which has abated, and tinnitus, which has not.

“I can’t get the government to help me,” Mr. Barcavage said of his fruitless pleas to federal agencies and elected representatives. “I am told I’m not real. I’m told I’m rare. I’m told I’m coincidence.”

Renee France, 49, a physical therapist in Seattle, developed Bell’s palsy — a form of facial paralysis, usually temporary — and a dramatic rash that neatly bisected her face. Bell’s palsy is a known side effect of other vaccines, and it has been linked to Covid vaccination in some studies.

But Dr. France said doctors were dismissive of any connection to the Covid vaccines. The rash, a bout of shingles, debilitated her for three weeks, so Dr. France reported it to federal databases twice.

“I thought for sure someone would reach out, but no one ever did,” she said.

Similar sentiments were echoed in interviews, conducted over more than a year, with 30 people who said they had been harmed by Covid shots. They described a variety of symptoms following vaccination, some neurological, some autoimmune, some cardiovascular.

All said they had been turned away by physicians, told their symptoms were psychosomatic, or labeled anti-vaccine by family and friends — despite the fact that they supported vaccines.

Even leading experts in vaccine science have run up against disbelief and ambivalence.

Dr. Gregory Poland, 68, editor in chief of the journal Vaccine, said that a loud whooshing sound in his ears had accompanied every moment since his first shot, but that his entreaties to colleagues at the Centers for Disease Control and Prevention to explore the phenomenon, tinnitus, had led nowhere.

He received polite responses to his many emails, but “I just don’t get any sense of movement,” he said.

“If they have done studies, those studies should be published,” Dr. Poland added. In despair that he might “never hear silence again,” he has sought solace in meditation and his religious faith.

Dr. Buddy Creech, 50, who led several Covid vaccine trials at Vanderbilt University, said his tinnitus and racing heart lasted about a week after each shot. “It’s very similar to what I experienced during acute Covid, back in March of 2020,” Dr. Creech said.

Research may ultimately find that most reported side effects are unrelated to the vaccine, he acknowledged. Many can be caused by Covid itself.

“Regardless, when our patients experience a side effect that may or may not be related to the vaccine, we owe it to them to investigate that as completely as we can,” Dr. Creech said.

Federal health officials say they do not believe that the Covid vaccines caused the illnesses described by patients like Mr. Barcavage, Dr. Zimmerman and Dr. France. The vaccines may cause transient reactions, such as swelling, fatigue and fever, according to the C.D.C., but the agency has documented only four serious but rare side effects .

Two are associated with the Johnson & Johnson vaccine, which is no longer available in the United States: Guillain-Barré syndrome , a known side effect of other vaccines , including the flu shot; and a blood-clotting disorder.

The C.D.C. also links mRNA vaccines made by Pfizer-BioNTech and Moderna to heart inflammation, or myocarditis, especially in boys and young men. And the agency warns of anaphylaxis, or severe allergic reaction, which can occur after any vaccination.

Listening for Signals

Agency scientists are monitoring large databases containing medical information on millions of Americans for patterns that might suggest a hitherto unknown side effect of vaccination, said Dr. Demetre Daskalakis, director of the C.D.C.’s National Center for Immunization and Respiratory Diseases.

“We toe the line by reporting the signals that we think are real signals and reporting them as soon as we identify them as signals,” he said. The agency’s systems for monitoring vaccine safety are “pretty close” to ideal, he said.

Those national surveillance efforts include the Vaccine Adverse Event Reporting System (VAERS). It is the largest database, but also the least reliable: Reports of side effects can be submitted by anyone and are not vetted, so they may be subject to bias or manipulation.

The system contains roughly one million reports regarding Covid vaccination, the vast majority for mild events, according to the C.D.C.

Federal researchers also comb through databases that combine electronic health records and insurance claims on tens of millions of Americans. The scientists monitor the data for 23 conditions that may occur following Covid vaccination. Officials remain alert to others that may pop up, Dr. Daskalakis said.

But there are gaps, some experts noted. The Covid shots administered at mass vaccination sites were not recorded in insurance claims databases, for example, and medical records in the United States are not centralized.

“It’s harder to see signals when you have so many people, and things are happening in different parts of the country, and they’re not all collected in the same system,” said Rebecca Chandler, a vaccine safety expert at the Coalition for Epidemic Preparedness Innovations.

An expert panel convened by the National Academies concluded in April that for the vast majority of side effects, there was not enough data to accept or reject a link.

Asked at a recent congressional hearing whether the nation’s vaccine-safety surveillance was sufficient, Dr. Peter Marks, director of the F.D.A.’s Center for Biologics Evaluation and Research, said, “I do believe we could do better.”

In some countries with centralized health care systems, officials have actively sought out reports of serious side effects of Covid vaccines and reached conclusions that U.S. health authorities have not.

In Hong Kong, the government analyzed centralized medical records of patients after vaccination and paid people to come forward with problems. The strategy identified “a lot of mild cases that other countries would not otherwise pick up,” said Ian Wong, a researcher at the University of Hong Kong who led the nation’s vaccine safety efforts.

That included the finding that in rare instances — about seven per million doses — the Pfizer-BioNTech vaccine triggered a bout of shingles serious enough to require hospitalization.

The European Medicines Agency has linked the Pfizer and Moderna vaccines to facial paralysis, tingling sensations and numbness. The E.M.A. also counts tinnitus as a side effect of the Johnson & Johnson vaccine, although the American health agencies do not. There are more than 17,000 reports of tinnitus following Covid vaccination in VAERS.

Are the two linked? It’s not clear. As many as one in four adults has some form of tinnitus. Stress, anxiety, grief and aging can lead to the condition, as can infections like Covid itself and the flu.

There is no test or scan for tinnitus, and scientists cannot easily study it because the inner ear is tiny, delicate and encased in bone, said Dr. Konstantina Stankovic, an otolaryngologist at Stanford University.

Still, an analysis of health records from nearly 2.6 million people in the United States found that about 0.04 percent , or about 1,000, were diagnosed with tinnitus within three weeks of their first mRNA shot. In March, researchers in Australia published a study linking tinnitus and vertigo to the vaccines .

The F.D.A. is monitoring reports of tinnitus, but “at this time, the available evidence does not suggest a causal association with the Covid-19 vaccines,” the agency said in a statement.

Despite surveillance efforts, U.S. officials were not the first to identify a significant Covid vaccine side effect: myocarditis in young people receiving mRNA vaccines. It was Israeli authorities who first raised the alarm in April 2021. Officials in the United States said at the time that they had not seen a link.

On May 22, 2021, news broke that the C.D.C. was investigating a “relatively few” cases of myocarditis. By June 23, the number of myocarditis reports in VAERS had risen to more than 1,200 — a hint that it is important to tell doctors and patients what to look for.

Later analyses showed that the risk for myocarditis and pericarditis, a related condition, is highest after a second dose of an mRNA Covid vaccine in adolescent males aged 12 to 17 years.

In many people, vaccine-related myocarditis is transient. But some patients continue to experience pain, breathlessness and depression, and some show persistent changes on heart scans . The C.D.C. has said there were no confirmed deaths related to myocarditis, but in fact there have been several accounts of deaths reported post-vaccination .

Pervasive Misinformation

The rise of the anti-vaccine movement has made it difficult for scientists, in and out of government, to candidly address potential side effects, some experts said. Much of the narrative on the purported dangers of Covid vaccines is patently false, or at least exaggerated, cooked up by savvy anti-vaccine campaigns.

Questions about Covid vaccine safety are core to Robert F. Kennedy Jr.’s presidential campaign. Citing debunked theories about altered DNA, Florida’s surgeon general has called for a halt to Covid vaccination in the state.

“The sheer nature of misinformation, the scale of misinformation, is staggering, and anything will be twisted to make it seem like it’s not just a devastating side effect but proof of a massive cover-up,” said Dr. Joshua Sharfstein, a vice dean at Johns Hopkins University.

Among the hundreds of millions of Americans who were immunized for Covid, some number would have had heart attacks or strokes anyway. Some women would have miscarried. How to distinguish those caused by the vaccine from those that are coincidences? The only way to resolve the question is intense research .

But the National Institutes of Health is conducting virtually no studies on Covid vaccine safety, several experts noted. William Murphy, a cancer researcher who worked at the N.I.H. for 12 years, has been prodding federal health officials to initiate these studies since 2021.

The officials each responded with “that very tired mantra: ‘But the virus is worse,’” Dr. Murphy recalled. “Yes, the virus is worse, but that doesn’t obviate doing research to make sure that there may be other options.”

A deeper understanding of possible side effects, and who is at risk for them, could have implications for the design of future vaccines, or may indicate that for some young and healthy people, the benefit of Covid shots may no longer outweigh the risks — as some European countries have determined.

Thorough research might also speed assistance to thousands of Americans who say they were injured.

The federal government has long run the National Vaccine Injury Compensation Program , designed to compensate people who suffer injuries after vaccination. Established more than three decades ago, the program sets no limit on the amounts awarded to people found to have been harmed.

But Covid vaccines are not covered by that fund because Congress has not made them subject to the excise tax that pays for it. Some lawmakers have introduced bills to make the change.

Instead, claims regarding Covid vaccines go to the Countermeasures Injury Compensation Program . Intended for public health emergencies, this program has narrow criteria to pay out and sets a limit of $50,000, with stringent standards of proof.

It requires applicants to prove within a year of the injury that it was “the direct result” of getting the Covid vaccine, based on “compelling, reliable, valid, medical, and scientific evidence.”

The program had only four staff members at the beginning of the pandemic, and now has 35 people evaluating claims. Still, it has reviewed only a fraction of the 13,000 claims filed, and has paid out only a dozen.

Dr. Ilka Warshawsky, a 58-year-old pathologist, said she lost all hearing in her right ear after a Covid booster shot. But hearing loss is not a recognized side effect of Covid vaccination.

The compensation program for Covid vaccines sets a high bar for proof, she said, yet offers little information on how to meet it: “These adverse events can be debilitating and life-altering, and so it’s very upsetting that they’re not acknowledged or addressed.”

Dr. Zimmerman, the neuroscientist, submitted her application in October 2021 and provided dozens of supporting medical documents. She received a claim number only in January 2023.

In adjudicating her claim for workers’ compensation, Washington State officials accepted that Covid vaccination caused her injury, but she has yet to get a decision from the federal program.

One of her therapists recently told her she might never be able to live independently again.

“That felt like a devastating blow,” Dr. Zimmerman said. “But I’m trying not to lose hope there will someday be a treatment and a way to cover it.”

Apoorva Mandavilli is a reporter focused on science and global health. She was a part of the team that won the 2021 Pulitzer Prize for Public Service for coverage of the pandemic. More about Apoorva Mandavilli

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Home — Essay Samples — Literature — Short Story — Dramatic And Verbal Irony In The Story of an Hour

Dramatic and Verbal Irony in The Story of an Hour

• Categories: Kate Chopin Short Story The Story of An Hour

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Published: Jan 21, 2020

Words: 726 | Pages: 2 | 4 min read

In the essay analyzing Kate Chopin's short story "The Story of an Hour," the author delves into the use of irony as a literary technique to support the central theme that "nothing is as it seems." The essay highlights how Chopin employs both situational and verbal irony to underscore the transformation of the protagonist, Mrs. Mallard.

Situational irony is exemplified by Mrs. Mallard's initial reaction to the news of her husband's death. Instead of the expected grief, she experiences an inexplicable sense of happiness. Verbal irony comes into play when Mrs. Mallard exclaims, "Free, Free, Free!" and carries herself with an air of victory. This contrast between her emotional response and societal expectations adds depth to the narrative.

The narrative takes a significant turn with dramatic irony when it is revealed that Mr. Mallard is alive, which leads to Mrs. Mallard's shock and eventual death, attributed to "heart disease-of joy that kills." This twist underscores the story's theme that appearances can be deceiving, challenging the conventional understanding of the characters and their emotions.

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